Tag Archives: sydney

Luke Cornish (ELK) – ‘Vanishing Point’

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Opening this Thursday, 21st of April, at Sydney’s prestigious nanda\hobbs gallery, issue 33 featured artist Luke Cornish aka ELK presents “Vanishing Point”, an exhibition of new works.

Drawing inspiration from travel to over twenty countries within two years, ELK takes the medium of stencil art to a new level. This body of work incorporates over 800 hand cut layers and 200 colours (per piece) into the works, taking up to two months of solitary confinement to bring them into being.

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‘Life Is Sweet’ – Buttons

Opening tomorrow night at Sydney’s Goodspace Gallery is Brisbane-based artist, Buttons’ solo show ‘Life is Sweet’.

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“My work has always been strongly influenced by Japan, pastel colours, desserts and female characters. Every piece I create always relates back to how I’m feeling at the time and what I’m interested in. Different things in my life influence my colour palettes, objects I draw, and how I draw them. I think its really important in life to indulge in things that make you happy, and to surround yourself with positive people and things. The idea for my show was to simulate my mind and way of life. Painting and creating is when I feel most content. LIFE IS SWEET is me sharing with you all of the things that make me happy.” Buttons

Check it out from 6pm, 27 January 2016. Goodspace – Level 1, 115 Regent St Chippendale.

@cheriebuttonss

New! Steve Cross x VNA Tees!

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Earlier in the year, we teamed up with Steve Cross – a world class artist based in Melbourne – to produce these 6-colour screen-printed tees. Cross is an incredibly talented drawer, sketcher, painter, tattoo artist, muralist and illustrator amongst other things – check out stevecross-artist.com/

This process video was put together by the legends from Paste Studios, it’s how the printing for 6 colour spot process T-shirts by the guys at Sydney’s Aisle 6ix Industries.

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Shouts to the Aisle6ix crew for all the hard work and Alex from Paste Studios for putting the video together – pick up your super limited tee while stocks last, sizes S to XL!

www.verynearlyalmost.com/shop/steve-cross-t-shirt

www.stevecross-artist.com

www.mrstevecross.blogspot.com.au

www.aisle6ix.com

Mike Watt X Uppercup X That One Shot

That’s right folks. Chasing Ghosts’ That One Shot X Uppercup exhibition opens TOMORROW NIGHT! To get you in the mood for some rad art, here’s the last interviews in our series focusing on some of the contributing artists. Introducing…. MIKE WATT!

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Name / tag:
Mike Watt

Where are you from / based:
Sydney, Australia

Describe your work or style:
Ugly characters with character.

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Crisis X Uppercup X That One Shot

That One Shot X Uppercup is getting closer and closer…. What better way to celebrate with a few more artists profiles!

BLOODYRIPPER

Name / tag:
Crisis

Where are you from / based:
From Sydney, based out of the Arts Hole Studio in Melbourne.

Describe your work or style:
Analogue digital.

The Uppercup event is raising money for animal welfare, why is this a cause that you wanted to support?
Humans have got highly evolved brains and opposable thumbs and they cant even look after the welfare of humans properly, what chance do animals have?

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Ken Taylor x Screaming Hand

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Ken Taylor is a Melbourne based poster artist and illustrator. For the past 10 years Ken has focussed on creating striking screenprinted rock posters for film studios and some of the worlds biggest bands, including Queens of the Stone Age, Metallica, Pearl Jam, Nine Inch Nails, Kings of Leon, Bob Dylan and The Rolling Stones.

Damo: What’s your first memory of the Screaming Hand? Where does it take you back to?

Ken Taylor: My first memory of the screaming hand was probably when i was 12/13 and sated to get into skating which eventually lead me towards graff. It takes me back to drawing that hand over and over again on school folders, my old yellow canvas school bag, files, pencil cases – pretty much any item I owned that was meant to stay neat and tidy was covered in the hand an a bunch of other 80’s skate graphics.

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Ben Brown x Screaming Hand

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Ben Brown’s illustrations have been proliferated through an extensive range of publications, apparel companies and music industry commissions. His work has featured in Rolling Stone magazine, has promoted performers including Nirvana and Pearl Jam and his graphics continue to be sought after by clients such as Hurley and Mambo.

Damo: What’s your first memory of the Screaming Hand? Where does it take you back to?

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Travis Price x Screaming Hand

Travis Price is an award winning Commercial Illustrator based in Australia working primarily in Vector. Price was heavily influenced by skateboard and t-shirt graphics of the late 80’s and these early influences can be seen through is ever expanding folio of work. The last decade has seen Price work with some of the world’s leading apparel brands including Rebel8, Nike, Converse, Neff, and Johnny Cupcakes…

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Damo: What’s your first memory of the Screaming Hand? Where does it take you back to?

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Marian Machismo x Screaming Hand

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Marian Machismo believes that ghosts exist and that 90s pop songs will outlive us all. She believes that a day doesn’t start before the second cup of coffee and that the solution to most problems can be found by looking at the sky. She believes in the transformative nature of art and the benefits of a stiff drink to calm the nerves.

In her usual way, she took the concept of an interview and ran with it. We take great pleasure in sharing her thoughts with you below:

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Photo: p1xels

Growing up in the body of a socially awkward girl on a commune in the middle of nowhere surrounded by nothing provided the younger version of myself three very important life lessons. Firstly the innate knowledge that I would never be cool, not at least until well after high school when the hormones had relinquished control, allowing conversation to emerge. Secondly and I should add that this was learnt in the aforementioned later teens, having experienced very little by way of popular culture and having never surfed or skated or undergone any life changing experience thus allowing me to wax lyrical in any entertaining or captivating way, that there is in fact very little to talk about. Thirdly and by far more important in the scheme of things is the understanding that regardless of age, experience, location, social status and language there exists a cannon of symbols that unite us. Within these symbols lie a universal understanding of experience, energy and creation. Music is one of these symbols, as is art. This seems obvious but stay with me… I remember the Nokia 3310. I remember it with more detail then my first kiss, my first cigarette or the first time I fell off my Girlfriends Skateboard in a mess of hair, limbs and feelings. I remember it because it symbolized freedom. Or at least as far as I understood it to be and after enduring weeks of teenage phoneless angst I finally hit my limit and approached the parental figures. This was met with blood boiling laughter. I was then promptly gifted a palm sized piece of rose quartz, a loosely worded statement about contacting beings on different plains of conciseness and ushered along. Why did I need a phone? Who was I going to call? How was I planning on charging it? I digress, this wasn’t the first or last time I felt like I was missing out on being part of something bigger than myself. I don’t remember the first time I saw the Screaming hand, within my lifetime it has practically always existed. Like a secret code that once cracked would provide the tools required to experience true freedom. It was a secret language spoken by tanned surfers and rad skaters and understood by only the top tier of cool and then slowly it grew and with it grew a generation, technologically mobilized and hungry for symbolic importance. Conversations were carried with Simpson’s references, Seinfeld one-liners and the understanding that we were all part of something bigger. Jim Phillips created something previously unheard of; he built a bridge and in doing so allowed the pasty pale plebs a way to get over it. Surfers talk about the calm of the ocean or the powerful and mystic beauty of nature or whatever but for me making art, creating conversation with and about personal experiences and connecting with others through this is the rumble of the wild. The understanding that everything is connected and lines and barriers can be crossed, crossed out and then crossed again. Being asked to be part of a show like this would be cool for any artist but for the quiet, lonely child inside me it is my Mecca and its with great pleasure that I hold my head up high and say to the Heathers that made my formative years hell ‘Sit and Spin Baby, Sit and Spin’ #nailedit

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@marianmachismo

George Rose x Screaming Hand

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George Rose is often mistaken for a boy. She is actually a visual artist with a flair for not taking life too seriously. She spends most of her time up ladders painting murals and sometimes makes it into her studio just to try something a bit more normal. She feels most as home with a paintbrush in hand but also likes the feel of a pen, spray can, drill or Wacom tablet.

Since graduating George has thrown caution to the wind and abandoned her formal design training opting to pursue a multidisciplinary art practice. She has spent the last several years pretending to be a gypsy, rarely in one city for longer then a few months completing art commissions for clients in Sydney, Melbourne, Brisbane and Canberra. George had her first solo shown at Nishi Gallery and since has exhibited in group shows such as Curvy World Exhibition at aMBUSH Gallery Sydney, Uncommon Places, a part of Melbourne Fringe Festivals keynote event Melbourne, Bright Side Exhibition at The Chop Shop Canberra, Jannet Clayton Gallery Sydney and worked with various festivals including: You Are Here Canberra, ArtNotApart Canberra and This Is Not Art Newcastle to name a few. She has also completed several residencies creating murals with teens at the Bimberi Youth Justice Centre and is currently the artist in residence at Red Bubble Melbourne.

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