Tag Archives: Scott Albrecht

‘Where the Edges Meet’ – Scott Albrecht

Andenken Gallery and the Jaunt are proud to present “Where the Edges Meet”, a solo exhibition of new works on paper, stone and wire sculptures by Scott Albrecht made during his artist residency at Andenken Gallery’s new location, The Holdout in Alcobaça, Portugal. The exhibition will be on view through June 16th, 2019.

“Where the Edges Meet” exhibits a snapshot of Scott’s brief time in Portugal during April 2019 showing an evolution in style and medium to his unique and signature graphic languages. Building on his approach of abstracting typography, Albrecht’s work continues to reconsider the relationship of message and viewer through a more visual and physical approach. In these series’, the artist has found ways of expanding on his work introducing new applications and mediums like a series of wire works and works on stone.

While in Portugal, Scott spent the majority of his time in and around Alcobaça, a small rural farm area near the silver coast of Portugal. When asked what stood out to him, Scott replied: “I found myself being most drawn to the aged personality you could find just walking around. Most homes and buildings feature a distinct color combination from one another which creates a really beautiful conversation of palette throughout the cities and towns. I spent a lot of time wandering, photographing different color combinations and how they relate to one another. I also found a lot of poetry in the messages and graffiti scrawled around. One of my favorites was a spray painted piece of plywood that read, ‘triste mas no boa’ which translates to ‘sad but good.’ I really came to appreciate these moments because that character felt genuine and wasn’t trying to be anything it didn’t need to be.”

Using these experiences, Scott translated his observations into this collection of work. In varying ways you can find Portugal throughout the pieces created, from the stone canvases found in a nearby pile of rubble, the wooden frames on the wire works that were made from a found crate, to the phrasing and sentiments distilled in each work, many of which in Portuguese. The works on paper speak the most directly to a visual translation of the environment. Each color palette in this series is inspired by the local landscapes of the buildings and beaches, while the forms, unlike Scott’s previous works, feature the shapes being colored in a more random pattern and leaving the original pencil drawing more exposed, meant to pay homage to the age and character you would find from paint peeling on a building or tiles that had fallen off.

In addition to the works created for the exhibition, Scott has also made a 4-color screen print edition for the jaunt based on his wire work “começos”, the Portuguese word for “beginnings”. When asked about the piece he says: “beginnings has been a theme that keeps resurfacing for me and something that I actively try to embrace. It’s a term that can lean into a matter of perspective but I like to think about it not as the point in which something has begun but the potential of where something will lead. Within my work, the residency was a good opportunity for me to unplug and experiment in some different ways, but I feel like the sentiment also lent itself to that specific time at the holdout. This was their first residency and the start of what they are building there and I’m looking forward to seeing where it will go and what will come of it.”

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‘A Forgiving Sunset’ – Scott Albrecht

First Amendment Gallery is proud to present ‘A Forgiving Sunset’, a solo exhibition of new woodworks, works on paper and steel sculptures by Scott Albrecht.

‘A Forgiving Sunset’ exhibits Albrecht’s most recent body of work offering an evolved approach to his unique graphic languages. Largely rooted in typography, his work reconsiders the relationship of message and viewer. With each work being made up of dozens, sometimes several hundreds of individual pieces that are cut, sanded, painted and re-assembled, often at varied depths, the works shift the conversation to a more visual language of relationships starting with form and color.



The narratives of Scott’s work often pull from or reference his own experiences and distill them into a more universal interpretation to allow the viewer to relate their own experiences, and in turn showing how we are more connected by these shared events.

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‘New Translations’ – Scott Albrecht

Subliminal Projects is pleased to present New Translations, a solo exhibition of new works by Brooklyn-based artist Scott Albrecht, featuring a collection of works on paper and wood.

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Scott Albrecht was born in 1983 in New Brunswick, N.J., and raised in Bethlehem Township, NJ. In 2003, he received a degree in graphic design from The Art Institute of Philadelphia. Scott is currently based in Brooklyn, NY and a member of The Gowanus Studio Space. His work incorporates elements of woodworking, hand-drawn typography, geometric collage, using vintage printed ephemera and found objects. He has been published and exhibition both domestically and internationally.

New Translations is a collection of Albrecht’s latest work showcasing a concentrated evolution in his graphic approach and visual language. The title of the exhibition is inspired by recent events that have resonated with the artist – both personal and cultural – in which the idea of what is current or normal is no longer relevant, and needs to be viewed from a new perspective to make sense of the path ahead.

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‘Here and Now’ – Scott Albrecht

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‘Here and Now’ is a solo exhibition of new works by Brooklyn-based artist Scott Albrecht, featuring a collection of works on paper, wood panel, and dimensional woodworks.

‘Here and Now’ showcases Scott’s latest work which plays off of his graphic style of intricate typographic woodworks, colorful patterning and found object re-appropriation. Taking inspiration from recent events in his life that have resulted in larger shifts or change happening around him. The work is aimed to highlight these situations in varying degrees – from coping with the unforeseen, to recognizing the opportunities from what is available.

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