Tag Archives: Nike

Waste World – Bill Posters

Amidst growing concerns around the impact of the fashion industry and consumer waste, a series of street art interventions have appeared across the country to coincide with #BlackFriday and #CyberMonday. Bill Posters, the pseudonym for the street artist and activist who co-founded Brandalism, has been subvertising ad spaces to draw attention to the negative impacts of consumer waste and fast fashion.

 

Timed for release on the biggest global retail event of the year, Bill Poster’s latest campaign entitled ‘Waste World’ looks at the true consequences of the world’s rubbish – from clothes to plastics and e-waste – as well as those most affected by it. Inspired by New Internationalist’s latest issue on Waste, the street art installations take aim at brands including Nike, Pretty Little Thing, Apple and Gucci and reveal where large amounts of waste and ‘recycling’ from the western world actually ends up.

“Instead of getting beaten up this Black Friday in shopping malls for a new TV we should probably be paying more attention to where the majority of our ‘recycled’ waste actually ends up. In low-income countries, 93% of global waste is dumped due to inadequate urban provisions. Western countries can’t process their own waste, instead – they sell it to other low-income countries in Asia and Africa. It reeks of colonialism, we are literally taking a dump on millions of less privileged people with our waste” says Posters.

This latest subvertising campaign is also timed to support ‘No Ad day’, an artist led initiative that seeks to remove ads from public spaces across the world on Saturday 24th November 2018. To support other street artists and graffiti writers to take over advertising spaces in cities for No Ad Day, Bill Posters has just published the world’s first pocket sized ‘Subvertising Manual’ with Dog Section Press.

Artists can pick up a copy from Dog Section Press here: https://dogsection.bigcartel.com/product/brandalism-ad-takeover-guide

 

See more of Bill Posters’ street art on Insta: @BrandalismProject

 

www.billposters.ch

 

INSA – Abrantes – 180 Creative Camp

Canal180, in partnership with VNA, recently produced a documentary with INSA to document their event in Abrantes, Portugal, earlier in the summer.

During 5 hot days, INSA painted several layers in stages (which were later transformed into a digital GIF as part of his ongoing ‘Gif-iti project), at the historical centre of Abrantes, for the 180 Creative Camp event.

INEVITABILITY is a genuine conversation where the artist speaks about his roots, his message and his personal approach about the meaning of art in our lives.

www.insaland.com

www.180.camp

Analogue/Digital – Melbourne – 16 May 2014

Analogue/Digital is a two day event featuring 6 sessions, 15 presenters, a world class gallery show, a fully sponsored after party (18+) and a epic line up of artists, designers, creatives, next generation leaders and three amazing company founders.

Each presentation is projected in HD onto one of Melbourne’s biggest screens with full Dolby 7.1 Audio.

Having never been to anything like this before, I approached the event with great trepidation.  What is it going to be like?  I don’t know anyone…  What do I do?  Where do I sit?  But, in a typical fashon that I have come to expect from the art community in Australia, I was welcomed with open arms (literally!) when I hit the awesome Mr. Penfold show held at the Just Another Project Space in Prahan.

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Wax Wars Battle 7 – feat. Teem

Last week saw Clockwerk take the lead over Zero, with Clockwerk going through to the Finals. This week sees Zero and Heavy Hands competing for their shot at 3rd place.

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As always, all the artists stepped up, with Sprinkles going in on the canvas like a man possessed. His sick mix of Chinese and Maori influences came good with a sterling effort on the wall.

More jump off after the jump off!
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End Of Days – Days Oner

Days is one of the sickest artists out there with a spraycan; wildstyle is in his blood, along with a healthy dose of irreverence, a love for hip hop, original graffiti culture and classic cars. We managed to pull in an interview with him as he prepares for his entry into the upcoming Sidewayz show…

More jump off after the jump off

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Skel – Can you kick it?

Melissa ‘Skel’ Jaksic is a legend. She recently painted Oxford Art Factory alongside Shannon Crees, Alex Lehours, Anthony Lister and Sprinkles for the VNA launch in Sydney. Her creative projects include work for Absolut, Outpost, Paste Modernism and Secret Wars (now Secret Walls). She also helps run Ben Frost’s online print store, Stupid Krap, in her spare time. We caught her in between beers for a look at how she gets her kicks…

‘Skel’ means, basically, a bit of a lowlife, is that your persona as an artist, or your representation of what artists can be?

I got the nickname Skel from one of my crackhead friends back in my hometown. Because, at the time, I was a bit skinny and I guess they thought they were being crafty, seeing as I was Skeleton-like and it rhymed with Mel. It wasn’t until one of my friends linked me to the definition of Skel on Urban Dictionary that I saw it had all these alternate worldly meanings that, funnily enough, still applied to me as a person. I think everyone has the capacity to be a bit of a lowlife, and my work generally focuses on the darker side of people’s psyches, so I guess Skel is more a representation of what people can and sometimes want to be, but can’t because of societal pressures. The Dr. Jekyll to my Mr. Hyde I guess…

More jump off after the jump off

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