Tag Archives: nicole reed

Printed Matters Sydney – Shepard Fairey

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Printed Matters is an ongoing series of exhibitions, focusing on the importance of printed material in Shepard Fairey’s art. Each exhibition highlights the significance by incorporating a variety of Fairey’s printed material, including serigraphs on paper, editions on wood, editions on metal, and fine art collage. New works are added for each venue, making each Printed Matters exhibition a unique experience. Beginning in 2010, the Printed Matters platform was first presented in Los Angeles, and for its next instalment will exhibit in Sydney at The Old Rum Store in the Kensington Street Precinct in Chippendale (Sydney), on view from Saturday, 17 June – Sunday, 9 July 2017.

Fairey is known around the world for his iconic imagery; whether it’s the Barack Obama HOPE poster, his evolving sticker campaign, or his brand OBEY. He will be appearing as a keynote Game-Changer speaker for Vivid Ideas, as well as painting his largest mural ever, located at 309 George Street. In addition, he currently has a free public exhibition at the Darling Quarter precinct entitled ‘Revolutions’.

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photo: Nicole Reed (@nicasa) for T-world (@eddiezammit)

“I can’t imagine my art practice without the influence of, and the use of, printing. Some of my biggest art influences were not paintings, but printed things like album covers, skateboard graphics, punk flyers, and T-shirt designs … Some people say print is on its way out, that it will be wiped out by digital media, but I say you can never replace the provocative, tactile experience of an art print on the street or in a gallery. Printing still matters.” Shepard Fairey

In addition to the exhibition, T-world is releasing two exclusive T-shirts to commemorate the show and Fairey’s tour as an official OBEY x T-world collaboration. The limited- edition T-shirts are exclusive to the event and only available at the pop-up gallery, reflecting the ethos of T-world’s “Print is Premium” stance.

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@obeygiant

@eddiezammit

@nicase

@ambushgallery

@vividsydney

Adnate – ‘Always Been Here’

Melbourne based artist, Adnate, is considered one of the most influential street artists in Australia and has used his artistic practice to draw focus to the Indigenous peoples of the country. ‘Always Been Here’ is a powerfully emotive display of the faces he has encountered across Australia. The show poignantly represents the spiritual beauty of Indigenous culture and champions a deep respect for tradition.

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photo: Nicole Reed

The solo exhibition, launches at 6:30 – 8:30 pm on Thursday 16 June 2016 at Melbourne’s Metro Gallery. Be sure not to miss the massive Welcome to Country ceremony and performances from Indigenous Hip Hop Projects on opening night. The exhibition will run until the 16th of July.

There is You, Portrait of Samantha Harris 147 x 157

A limited edition print as well as printed catalogues will be available on the night, with the catalogue designed by T-world, featuring beautiful photography by Nicole Reed.

Be Brave, Portrait of Adam Goodes 178 x 167

@adnate

Metro Luminescence

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Witness art from open spaces brought inside as 13 diverse artists swap the streets for a gallery.

On Saturday 11 June, aMBUSH gallery is bringing art from the outside in. Thirteen artists with a connection to the streets unveil their work in a gallery setting, challenging themselves in a new environment and giving viewers an insight into the process of work that’s normally created in changing conditions and extremes. Whether in the shadows of midnight or in broad daylight, in the driving rain or scorching sun, these graffiti writers, muralists, fine artists, photographers, and sculptors demonstrate it’s about more than just the practice and the place; it’s about the outcome.

Curated by Australian multi-disciplinary and previously featured artist Phibs this group show features work from Andrew Jumbo, Chris McGeown, George Rose, GT Sewell, Lucy Lucy, Nico, Nicole Reed, p1xels, Peque, Phibs, Pudl, Snarl and Stabs.

Fieldnotes Hong Kong – Nicole Reed and Leigh Ryan

The collaborative work ‘Fieldnotes’ began development when Nicole Reed and Leigh Ryan began exploring and documenting their travels together. Centred on the city of Hong Kong, ‘Fieldnotes’ engages a uniquely tailored adaptation of their travel experience, blending the insights of Reed’s photography along with Ryan’s soundscapes.

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“Hong Kong has always been a place that has held a massive interest for us, and when we visited, we naturally documented our travels as much as we could. We fell in love with Hong Kong and what we captured exceeded our expectations which lead us to the idea of Fieldnotes.”

“I have always wanted to produce a book of my photography and people have always asked me when I’ll be working one. The images I took in Hong Kong have really inspired me to pursue this. We brainstormed the idea of using field recordings and thought the music created from them made an incredible backdrop for the images.”

“We wanted to combine our work in a unique and complimentary way, and as a creator of records and a fan of collecting them, the idea of inserting a vinyl record into the back seemed a perfect way of creating something tangible, analog and beautiful.

The project’s end result is an amalgamation of mediums, aimed to entice both audio and visual stimulation. Field Notes uses the platforms of print and recorded vinyl, developed into one distinctive package. Reed’s photography is displayed throughout a 80 page hard bound book, while Ryan’s music inspired by his field recordings & sounds of Hong Kong, have been masterfully woven into a percussive electronic soundtrack, pressed onto limited edition 10 inch vinyl.

This rare mixture of mediums highlights how varied travel experiences can be, with the physical result being not only that of cultural diversity and intrigue but also a delicate and respectful gratitude from the collaborators as they pay homage to the cities they visit and the impressions they leave.

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Prior to its official release next Thursday 24 March 2016, at
Union Heights (136 Chapel Street, Melbourne, Australia 3181) we spoke to the super talented duo about their experience releasing such an ambitious project.

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StreetArtNews – Spotlight on VNA

Huge shout outs to Rom Levy at StreetArtNews for the love on their website today – here’s a little insight into VNA and the Managing Editor behind the mag.

ROLAND HENRY VNA PORTRAIT CHARLIE_COOK 2016

Check out the link for a little background on who we are and what we do…

www.streetartnews.net/retrospectives/roland_henry_vna_word_on_the_street

LIMITED EDITION MTN AUSTRALIA CREW TEE

MTN are extremely excited to release a new limited edition MTN Australia T-shirt in collaboration with T-world.

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Photo: Nicole Reed

T-world is the only T-shirt journal in existence and this year marks their 10-year anniversary. They’ve recruited Travis Price, a local illustrator, known for his T-shirt design work worldwide. It’s not the first time Mr. Price has collaborated with T-world, having also created art for Johnny Cupcakes, REBEL8 and Santa Cruz, just to name a few. MTN now joins that list and they are beyond rapt.

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Photo: Nicole Reed

‘Buying this tee means you’re part of the CREW. We have your back and you have ours. Loyalty in the graffiti game is more important than ever and we want you to paint the town red – or whatever MTN Australia colours you choose!’ MTN AUSTRALIA

The black tee is available with a white or blue back print and a front pocket print. These T-shirts are extremely limited, so be sure to get yours while they’re hot. Run, don’t walk!

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Photo: Nicole Reed

VNA 32 is here!

VNA 32 is hot off the press!

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Our much-celebrated cover is from Japanese-American artist Audrey Kawasaki. A firm favourite of ours for a long time, she blends together a beautiful mix of delicate female forms with a dark manga influence. Incorporating Art Nouveau-inspired pattern work, wood grain and soft colours with subtly tortuous and erotic undertones her exotic hyperrealism is otherworldly.

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This issue’s Diggin’ In The Crates sees the return of the hugely talented Jeff Soto to give us the rundown on some of the highlights of his extensive career and some of the directions he has explored over the course of his professional life.

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Cute French couple Ella & Pitr give us a glimpse of their amazing partnership of eight years, showing how they double up on their creativity, travelling worldwide to paint while still holding it down as parents.

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Dipping deep into the Antipodean pond, we look at the amazing, huge murals of Aussie, Fintan Magee and look through the refined lens of Nicole Reed’s camera. While we’re out that way we also hunker down with New Zealander Askew to chat about Pacific Island life and world politics.

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Our main men in London, photographers Claude Crommelin, Mark Rigney of Hookedblog, NoLionsInEngland, and Paul Gray stomp the streets of London to find the finest examples of art in the streets, while Paul Green covers the Bristol scene to shine a light on the West Country.

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The regular Instagram feature throws a spotlight on the slick snaps of Australian photographer, p1xels, with a nice mix of urban exploring, graffiti, architecture, inside and outside art and street scenes.

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Mr Penfold holds it down for the UK, with his cartoon-style and colours as he gains confidence in his abstract illustrations. Also from the UK, we have fine pencil work from Steph Morris, getting freaky over sneakers as she shares her obsession.

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Repping it hard for the girls, Polish painter Natalia Rak demonstrates her enviable skills across multiple mediums, from canvas to concrete.

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We go through the looking glass to view art from the other side with Patrick Hull of Chicago-based Vertical Gallery in our Gallery Talk feature. Staying in the US, we also have man of the land, Spencer Keeton Cunningham, with his blend of skate styles and doodled motifs. And last but not least, heading further north, we check in with Canadian Sandra Chevrier and her awesome mix of comic book and photorealistic portraiture.

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All in, there’s plenty to shout about and more than enough to fill the pages of our bigger-sized pages. Get yours online and in store now.

verynearlyalmost.com/shop/vna-issue-32

Nicole Reed x Screaming Hand

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Melbourne-based, award winning photographer Nicole Reed proclaims that, for her, photography is more than just a career – it’s her reason for living.

Rarely leaving the house, never mind the country, without her camera, Nicole is proud to have been bitten by the travel bug and searches for the muse of her next frame around every corner. While her work is undoubtedly artistic, Nicole draws inspiration from editorial, documentary and reportage photography, but above all, travel.

Along with her versatile and adaptive style of portrait photography, Nicole has a niche talent for capturing urban environments, giving way for her to produce truly iconic image collections. Her documentation of urban sprawl, decay and abandon shows not only her sheer motivation for social commentary but also her innate ability to source beauty in places overlooked by the untrained eye. Shooting a fine balance of derelict and disused environments across the globe, including Indonesia, Japan, USA and her backyard of Australia, Nicole’s images dictate a combined set of emotions – a sense of mourning and celebration for what these places once were.

Damo: What’s your first memory of the Screaming Hand? Where does it take you back to?

Nicole Reed: I grew up in a country town, on a steep hill, and for some crazy reason our parents let my younger brother (by 2 years), Adam, and myself skateboard down the hill in the middle of the road on our banana boards. I have a few scars still from this period in my life! A little later on when we were older (mid mid to late 80’s) my brother built a half pipe in our backyard, it was just below my bedroom window and we used to play bands like The Dead Kennedys and Suicidal Tendencies from our cassette players out the window. I used to sit and watch them skate, take polaroids and listen to music. This was my first memory of skate graphics and the Screaming Hand. While I was still only skating down the hill on my banana board I remember being fascinated by the boys boards and the designs they choose. It reminds me of being young, carefree, warm and unafraid of being hurt.

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Thirty Years of the Screaming Hand: A tribute to the artist Jim Phillips

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In 1985, in a small art studio on the Eastside of Santa Cruz, CA, Jim Phillips Sr. was creating images that unbeknownst to him would affect generations of artists and skateboarders to come. Of all of the iconic imagery that Jim has created; the Screaming Hand logo has stood the test of time. Thirty years after its inception, the Screaming Hand still remains an unmistakable symbol of youth and skateboard culture.

In honor of Jim Phillips Sr. and the Screaming Hand logo, 48 of the world’s most influential artists of the
past 30 years have been invited to interpret and pay homage to this iconic image. Each artist’s interpretation of “The Hand” will be on display.

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Field Notes (Hong Kong) – Nicole Reed and Plutonic Lab

The super talented VNA contributing photographer Nicole Reed and Plutonic Lab have collaborated to produce Field Notes (Hong Kong), a limited edition 80 page book of Nicole’s photography, accompanied by a 10″ vinyl record of music by Plutonic Lab.

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“Hong Kong has always been a place that has held a massive interest for us, and when we visited, we naturally documented our travels as much as we could. We fell in love with Hong Kong and what we captured exceeded our expectations which lead us to the idea of Field Notes.”

“I have always wanted to produce a book of my photography and people have always asked me when I’ll be working one. The images I took in Hong Kong have really inspired me to pursue this. We brainstormed the idea of using field recordings and thought the music created from them made an incredible backdrop for the images.”

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“We wanted to combine our work in a unique and complimentary way, and as a creator of records and a fan of collecting them, the idea of inserting a vinyl record into the back seemed a perfect way of creating something tangible, analog and beautiful.”

To get on board, head on over to Pozible or for more information check out Field Notes Project.

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