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‘Self Loathing’ – Mic Porter

True artists are compelled to make art. The reason for their expression is not always important. What is always important, however, is the act of creation. Art comes before reason in the same way that the universe existed before science. Mic Porter is one of those rare, great artists who is simply compelled to create. Mic isn’t driven by ‘career’ nor does he force himself to create consumable art. Mic is, instead, driven by a indefinable, fiery, energy of creation which torments him if he stops. In his youth, this creative compulsion drove Mic towards graffiti. He forged ahead as one of Australia’s pioneer street artists, eventually to be tempered into a painter and sculptor by the VCA and experience at a bronze foundry.

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Mic wrestles his demons with chainsaws, knives, markers and paint upon the battlegrounds of canvas, found objects, bronze and the exterior of tall buildings. His work is primal, expressive and above all, honest. It’s easy to assume that Mic is a conduit for something that he doesn’t understand; that his work is automatic and lacking self awareness. A subconscious process perhaps? After all, Mic’s work is primal, he is reserved and is reluctant to talk about his art. Mic is not a spectator, he has mastered his drive, and is very much in control. Perhaps even due to his reservation to talk about his work, Mic manages to express himself with the kinds of perfectly cryptic sound bytes that other artists drive themselves mad in an attempt to coin. “Art is eternal narcissism, I’m a narcissist” ‘Self Loathing’ brings you a gallery full of screams, smiles and manic grins.

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In Mic’s autobiographical collection of work, he’s produced Totemic heads, brutally sculptured with from blocks of wood with a chainsaw sit in the centre of the large room, loomed over by the three largest Self Loathing paintings. The triptych feature Mic Porters iconic faces, instantly recognisable for the role that they’ve played in shaping Australia’s street art landscape for over a decade, now rendered in a mix of oil and enamel. Each face is Mic’s, but also his family and society’s, he explains that it’s history coming through his face. I think that it’s more than that, I think Mic is so brutally honest with himself, that the self portraits end up reflecting all of us, which is why they’re so alluring and powerful.

– Alex Mitchell

‘Self Loathing’ will be on display at Backwoods Gallery from the 4th until the 20th of August. The collection will consisted of paintings, bronze and wood sculptures and installations across two rooms and Backwoods Lane.

Artist profile: Mic Porter

Mic Porter is synonymous with graffiti, urban and contemporary art in Melbourne. Having been beautifying Melbourne’s streets since the early 2000’s, Mic has recently returned with a vengeance. Speaking from his new studio in Melbourne’s inner north, we took ten minutes with Mic to discover a little more.

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Damo: Could you introduce yourself and tell us a little about your art?

Mic: My name is Mic Porter and I am a painter and sculptor, with a background in a few other mediums as well. I have been practicing for several years and really enjoy what I do. I am based on Melbourne but have travelled quite a bit and manage to experience many cultures. More recently I lived in Auckland for three years.

I don’t exactly know how to classify my style whether or not it is a style or not. I try and jump around a little bit from being like really loose and free with my line work and then make it really tight, either way I tend to be fastidious. I mostly create figurative painting and sculpture but I’ve also done a lot of installation sculpture.

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