Tag Archives: Melbourne

‘FACING DECONSTRUCTION’ by Unwell Bunny

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‘FACING DECONSTRUCTION’ by Unwell Bunny is somewhat of a self-portrait for Unwell Bunny otherwise known as Ed Bechervaise. It represents a point of reflection both on himself and the urban art movement he has a lengthy relationship with. Captured are faces of Ed’s contemporaries, mentors, figure heads and the new breed of an independent disestablishment art movement.

‘FACING DECONSTRUCTION’ opens at Backwoods Gallery on October 20th from 6pm. Visit the exhibition page for more information. In the lead up to the show, Ed sat down with Damo….

Damo: We’ve finally managed to actually speak in person! Could we just start with who is ‘Unwell Bunny’ and how do you describe your current style?

Unwell Bunny: Unwell Bunny is kind of like my second artistic incarnation; an incarnation of Ed Bechervaise and my first graffiti name in Adelaide that I ran for about seven years. Moving to Melbourne I felt the need to reemerge in a slightly different form and Unwell Bunny was the reemergence. It came from a comic book that I did very early on in about 2002 or 2003 whilst I was actually witnessing the Melbourne street art boom happening. I had not quite ten years’ graffiti heritage and the street art boom was just completely new and I’d never experienced anything like that before. So, Unwell Bunny is the reincarnation of my graffiti past in a new form which has gone on to resemble urban contemporary art -giving me another sphere to project myself beyond my own name.

This allows the work to have secondary perspective on things and that works quite well for me. Keeping my name as a part of the linkage to my artistic practice with Unwell Bunny being an easier vehicle to move forward with.

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‘Content by the Kilo’ – Callum Preston

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‘Content by the Kilo’ is Callum Preston’s first venture north to exhibit artworks from his home town of Melbourne, with Church Brisbane being the perfect venue considering his history creative visual work in the music industry.

The artworks are a collection of what he calls ” fast and loose” butchers shop signs, the kind of thing you would have seen as a kid while shopping with a parent, proclaiming the finest cuts, the cheapest prices or the freshest produce. Big bold and eye catching, from a time before social media, you wanted to say something, you wrote it down and put a splash of neon around it.

Callum sat down with Damo over at Everfresh Studios to have a yarn about his show and what else is happening in his world.

Damo: Thanks for taking the time to hang out today. Can you introduce yourself and talk about your various artistic practices?

Callum: My name is Callum Preston I am based out of Everfresh Studios in Collingwood (Melbourne, Australia). I’ve been part of Everfresh since around 2004/2005 when I was a lot younger. I’m currently 33 and I’m a full-time… I don’t really have a full-time title but I’m sort of a full-time artist / designer / sculptor. It’s kind of very blurry; basically I’ll have a go at anything. That’s sort of my motto. I have just come to accept that I don’t really like the ‘jack of all trades, master of none’ phrase. I think it’s not as simple as that, it’s more that will do a lot of things to the best of my ability and then I have to decide whether I think that’s an acceptable quality. I’m sort of still finding my feet in all elements of my practice but I really am enjoying myself.

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‘OPEN HOME’ – Ian Strange

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OPEN HOME is a new 2-day project by artist Ian Strange.

Creating a site-specific intervention onto the exterior of a suburban home in Melbourne, Australia and transforming the interior to display film, photographic and installation works.

‘OPEN HOME’ OPENING NIGHT:
FRIDAY OCT 6th
6pm – 9pm

25 Clifton Street
Richmond, Victoria
AUSTRALIA

PROJECT OPEN:
SAT 7th and SUN 8th
10am – 6pm

For any information about the project or to request an advanced catalogue please contact Jedda Andrews; jedda@jmaprojects.com

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‘Equilibrium’ – SENEKT

Harmony rings within the chaos of society. As life’s ups and downs cancel each other out, a sense of balance can be found. Wrestling with positive and negative forces, Senekt’s solo exhibition explores the impacts and outcomes of life’s fluctuating experiences. With artworks fuelled by emotion, Senekt’s surreal style is highlighted by the mood, colour, and balance of each piece.

Senekt portrays the dissemblance of his own reality through hyper-realistic drawings flooded with colour and surreal dimensions. The Japanese painter from Kyoto has been based out of Melbourne, Australia since 2013. Inspired by friendships, photographs, disjointed memories, everyday experiences, and daily occurrences, Senekt found balance through creation. His figurative, yet abstract style confront the nature of instinct as Senekt aims to not only deconstruct the human physicality, but also its psyche.

On display at Backwoods Gallery from August 25th-27th, the artwork, created in coloured pencil, aerosol and watercolour spans throughout three rooms. Fuelled by love/hate, good/evil, and ever-present mindfulness, Senekts’ large suspended installation portrays his unique perspective on equilibrium in society.

Request an exhibition catalogue from: sales@backwoods.gallery

‘Chaise Lounge’ by Stephen Baker – print release

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Stephen Baker is a Melbourne based Artist and Graphic Designer working from the Everfresh Studios. This is Stephen’s second screen-print release with Dangerfork Print Co and much like the first screen-print edition, they got Steve in to hand paint the outline layer directly onto the film to preserve the original texture and add an analogue detail to help bring the print to life. The seven colours are all hand mixed to perfection and the final pink outline colour printed using a hi-build screen to add some height to the ink and give some extra texture to the print.

Print: Chaise Lounge
Printing: 7 Colour screen print
Paper: Rosapina 285gsm cotton rag
Size: 880mm x 650mm
Number in Edition: 40 hand signed and numbered
Price: $320.00AUD

Now available at DANGERFORK!

RONE – THE OMEGA PROJECT

In yet another covert project set in a doomed, abandoned space, acclaimed Melbourne-based street artist Rone announces his latest work, The Omega Project – a nostalgic and haunting homage to the fading remnants of mid-century Australiana.

On the back of his hugely successful 2016 solo exhibition, Empty and a recent turn producing a large-scale mural for rural Victoria’s Silo Art Project, the internationally renowned Melbourne street artist has turned his attention back to his hometown for another fleetingly brief exhibition – this time set in a condemned suburban home. Check out this incredible VR-ready 3D tour of the site from the guys at Phoria:

www.captur3d.io/view/scann3d/rone-secret-location

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‘The Resistible Rise Of A Bear of Little Brain’ – An exhibition by Stephen Ives

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Stephen Ives is an architect of fantastic worlds.

Stephen Ives, employs a rare level of expert craftsmanship to present an unfiltered and lucid exploration of his brilliant imagination. Ives’ subconscious pours free-style poetry into his sculptures and illustrations, lacing his work with a playful language of archetypal symbols and colours.

As his audience, we are free to enjoy the surreal, superficial brilliance of a B17 Bomber with a baby’s face or a gun turret placed in dissected eyeball. However, if we choose to delve deeper into his work there is hidden meaning in each and every detail, waiting for us to decipher.

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‘Surface Tension’ – Silk Roy

Celebrating over a decade of creativity, Melbourne artist Silk Roy brings his debut solo show ‘Surface Tension’ to Melbourne. In the lead up to the show (opening this Friday), Silky was kind enough to chat with us.

How and when did you get into art and why?

I always enjoyed drawing when I was a kid, but it wasn’t ever something I thought I’d pursue until I moved to Melbourne in ’98. I’d never seen graffiti before having come over from Singapore, which in comparison was/still is a spotless city. I’d take the train to school and back everyday and it was hard not to notice the smashed insides and the walls on the line changing nightly. For a 13 year old, the idea of having an alias that people identified you by and going out on missions was pretty appealing. It wasn’t until years later that I’d realize this daydream, but of course now being an active writer, artist, creative is much more that, it’s given me a sense of ‘self’, and outlet to express my ideas and thoughts and a platform to continue my creative journey.

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You run two identities, Kid Silk and Silk Roy, How did this come about?

Basically I arrived at a point where I needed to let my graffiti and studio practise have their own shine as trying to put all my work under one name was confusing and felt forced. Silk is an old nickname I was given a long time ago so it was a no-brainer as far as putting it up as a writer.

‘Kid Silk’ came about because of my insta handle, other writers would meet me and ask who I was, I’d reply ‘Silk’ and they’d ask ‘Like Kid Silk?” It also works in terms of me keeping graffiti for myself, I don’t intend to profit from it or ever make it feel like work, it’s fun and I get to go out and essentially be a kid.

Silk Roy on the other hand is the name I work under when I’m showing / producing studio work. Two identities works for me now as I’ve started getting opportunities for both which is cool as far as keeping things varied creatively.

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‘ZERO TO THE LEFT’ – Luke Cornish (ELK)

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For many years, Cornish has challenged himself and others with his art. Often confronting and always compelling, he never ceases to spark conversations around race, religion, conflict and the human condition,. His work sees him travel to some of the most dangerous conflict zones in the world. The artists most recent trip abroad was a venture to Syria. In one of the artists most significant bodies of work to date, ‘ZERO TO THE LEFT’ intends to:

‘Put a human face on the effects of this war and raise awareness for the people caught in the middle of this conflict…It’s these people I want to support, the ones that left and the ones that have stayed…the ones that have no say in how their government fights this war, the ones who have no say in the sanctions that are crippling their lives and the ones who have no say in foreign invaders bent on destroying their secular society; the everyday people just trying to get by.’ – Luke Cornish

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Artist profile: BAILER

Bailer has been a leading proponent of the Melbourne graffiti and public art scene for over a decade.

Actively contributing artistically for nearly twenty years he has dedicated the best part of his adult life to creating public works and supporting other creatives. Growing up with a graffiti addiction constantly painting letter after letter line after line he now wants to focus on progression. Pushing his style outside the boundaries and confines of the traditional graffiti structure Bailer hopes to continually increase the scale of his works and to paint them on new surfaces. 

Mid mural, Damo had the opportunity to go one on one with Bailer, to talk about the current lay of the land in Melbourne, what makes him tick, and also what pisses him off.

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Damo: Thanks for taking the time to chat today. I just was wondering if we could start at the beginning. Who or what is Bailer?

Bailer: I guess Bailer was a separate entity to myself. I think you build an ethos around the name that you create in the graffiti world, so for a while Bailer was a name that I tried to live up to.

This was quite detrimental to my life as I was doing violent and extreme things. You create hype around your own bullshit and then you have to live up to it. You do a few stupid things and your dirty washing on line gets aired down the grape vine. It got quite strange at one point, meeting people who would say shit like “You’re not Bailer, I know him.” Or “I heard he was 7 foot tall.” This that and the other. Bizarre really.

I’m at a point in my life where I’m sick of having multiple facets, divided up: a real identity, a fake identity, a graffiti entity, a business persona etc. I’ve been trying to simplify my life cutting out many of the negative aspects and focusing on art, music and health. I have been creating artwork, rap as well as graffiti under the same name instead of constantly shifting between split personalities. I guess that’s what it is; a projection of the creative self mixed with the ego.

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