Tag Archives: Marian Machismo

Marian Machismo x Screaming Hand

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Marian Machismo believes that ghosts exist and that 90s pop songs will outlive us all. She believes that a day doesn’t start before the second cup of coffee and that the solution to most problems can be found by looking at the sky. She believes in the transformative nature of art and the benefits of a stiff drink to calm the nerves.

In her usual way, she took the concept of an interview and ran with it. We take great pleasure in sharing her thoughts with you below:

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Photo: p1xels

Growing up in the body of a socially awkward girl on a commune in the middle of nowhere surrounded by nothing provided the younger version of myself three very important life lessons. Firstly the innate knowledge that I would never be cool, not at least until well after high school when the hormones had relinquished control, allowing conversation to emerge. Secondly and I should add that this was learnt in the aforementioned later teens, having experienced very little by way of popular culture and having never surfed or skated or undergone any life changing experience thus allowing me to wax lyrical in any entertaining or captivating way, that there is in fact very little to talk about. Thirdly and by far more important in the scheme of things is the understanding that regardless of age, experience, location, social status and language there exists a cannon of symbols that unite us. Within these symbols lie a universal understanding of experience, energy and creation. Music is one of these symbols, as is art. This seems obvious but stay with me… I remember the Nokia 3310. I remember it with more detail then my first kiss, my first cigarette or the first time I fell off my Girlfriends Skateboard in a mess of hair, limbs and feelings. I remember it because it symbolized freedom. Or at least as far as I understood it to be and after enduring weeks of teenage phoneless angst I finally hit my limit and approached the parental figures. This was met with blood boiling laughter. I was then promptly gifted a palm sized piece of rose quartz, a loosely worded statement about contacting beings on different plains of conciseness and ushered along. Why did I need a phone? Who was I going to call? How was I planning on charging it? I digress, this wasn’t the first or last time I felt like I was missing out on being part of something bigger than myself. I don’t remember the first time I saw the Screaming hand, within my lifetime it has practically always existed. Like a secret code that once cracked would provide the tools required to experience true freedom. It was a secret language spoken by tanned surfers and rad skaters and understood by only the top tier of cool and then slowly it grew and with it grew a generation, technologically mobilized and hungry for symbolic importance. Conversations were carried with Simpson’s references, Seinfeld one-liners and the understanding that we were all part of something bigger. Jim Phillips created something previously unheard of; he built a bridge and in doing so allowed the pasty pale plebs a way to get over it. Surfers talk about the calm of the ocean or the powerful and mystic beauty of nature or whatever but for me making art, creating conversation with and about personal experiences and connecting with others through this is the rumble of the wild. The understanding that everything is connected and lines and barriers can be crossed, crossed out and then crossed again. Being asked to be part of a show like this would be cool for any artist but for the quiet, lonely child inside me it is my Mecca and its with great pleasure that I hold my head up high and say to the Heathers that made my formative years hell ‘Sit and Spin Baby, Sit and Spin’ #nailedit

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@marianmachismo

Thirty Years of the Screaming Hand: A tribute to the artist Jim Phillips

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In 1985, in a small art studio on the Eastside of Santa Cruz, CA, Jim Phillips Sr. was creating images that unbeknownst to him would affect generations of artists and skateboarders to come. Of all of the iconic imagery that Jim has created; the Screaming Hand logo has stood the test of time. Thirty years after its inception, the Screaming Hand still remains an unmistakable symbol of youth and skateboard culture.

In honor of Jim Phillips Sr. and the Screaming Hand logo, 48 of the world’s most influential artists of the
past 30 years have been invited to interpret and pay homage to this iconic image. Each artist’s interpretation of “The Hand” will be on display.

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The Paterson Project

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The Paterson Project will be one of Melbourne’s most exciting and important street art events in 2015. Elite talent from all over Australia will be painting together under one roof to raise money for The Royal Children’s Hospital Foundation. Housed inside the ‘jewel of Smith Street’, the Patersons building’s top three floors will be transformed into one giant canvas for more than 100 artists. The Paterson is a heritage building that is to be demolished soon and redesigned as apartments. The history of the building spans over a century, and for the past forty years has remained a home to artists and musicians.

The project comprises of the top street artists, graffiti artists and stencil artists from around Australia. The event seeking to build a positive profile by giving back to the community, raising $20,000 for The Royal Children’s Hospital Foundation through the auction of art created as part of The Paterson Project. In one week, up to 100 Artists will create vast collaborative murals and site specific installations over all three floors of the heritage listed Paterson Building.

This type of inspiring event has no precedence; never before has so many top street artists gathered and collaborated to give back to the community.

http://www.thepatersonproject.com/
@thepatersonproject

‘Get Rich or Try Dying’ – Marian Machismo

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This (Australian) summer Marian Machismo brings you ‘Get Rich or Try Dying.’ A coming of age exploration of a non-linear generation, visually characterised by Sub-Cultural Symbolism and Generational Drag.

The Cultural Huckster has returned to Just Another Project Space with a new term she has affectionally coined ‘Generational Drag’.

‘Get Rich or Try Dying’ stands as an exploration of a previously undefined cultural phenomenon, a visualisation of an idea and an account of the fashion and stylisation of a generation undefined by accepted norms.

With puns so sweet you will want to lick the wrapper, references that borderline nostalgia and a flair for performance, this is one show that you will not want to miss.

Just Another Project Space turns TWO!

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