In art history artists have been joining forces since forever. Today there are still many famous examples. Some of them have already been shown at Golden Hands Gallery, like Moses and Taps, or Graphic Surgery.
Last year we were lucky enough to be invited out to 1xRUN’s Murals in the Market in Detroit. The event was surprising in so many ways, from the time taken by the team to show us what the city was really about – the once-indomitable motoring capital of the USA, with a thriving industry that birthed a lot of modern Capitalist structure, that has since come back from being slammed into depression and decay – to the amount of heart and community that the organisers put into it. With barber-chair artist chats, a roster of local events and genuine support for the artists and workers involved in the festival and beyond, one message was clear, Detroit got soul.
The second exhibition for Artcore International’s newest gallery, Crow’s Nest Gallery, features contemporary art from a diverse selection of international urban artists, many of whom have developed from writing illegal graffiti and have risen in popularity to exhibit at esteemed art establishments like Victoria & Albert Museum, Moniker Art Fair, Miami Basel Art Fair, Nuart Festival and Cans Festival organised by Banksy.
A few months ago when we were back in Berlin during Urban Nation we had a chance to go out on a mission with one of Berlin’s most prolific graffiti crews, the Berlin Kidz. Take a look closer and you’ll see them abseiling down the wall to catch their tags. As that was going on Alaniz had his mile-high roller brush working on the middle finger from the ground. What’s crazy about this spot is Blu had buffed the entire wall black a few months prior to this as he didn’t like the real estate developers idea of having new condos that would have a great view of the local art hot spot. This was the message the Berlin Kidz and Alaniz had to say about that. Check out the time lapse and action photos shot by Birdman.
The image of a skull is timeless, a permanent reminder of our own impermanence, and has been covered in art since times began. In the early Renaissance a skull would be kept on the desk as an ornament along with the phrase “Memento Mori” (“Remember you will die.”) and the same obsession has remained until today when we are casting them from platinum and encrusting them with over eight thousand diamonds. One artist, however, has taken it upon himself to undertake a three year long quest to explore our fascination with the humble cranium, everything it is, does and makes us feel.
Notorious French artist Horfee opened a solo show @ Ruttkowski;68 gallery in Cologne on Friday 5th of December. The artist who has both formal artistic education, but is most know for his illegal graffiti works, gave a good overview of his current works through “Traditional Occupations”.
Inspired by everything from European abstract painting to homemade tattoos, vintage animations and underground comics, Horfee is no stranger to using various medias and techniques for creating recognizable works. His colorful creations with loose edges are presented in form of acrylic and spray paint canvases, works on glass, sculptures and even embroidery. Through his work Horfee proudly shows the flaws of his techniques by creating melting imagery that is conforming to anything but ordinary or traditional.
Tag the Jewels is a worldwide street art initiative for which over 30 artists across 6 continents were invited to remix the ‘Run The Jewels’ iconic album cover art – two opposing hands, one forming a gun, the other holding a chain.
The artists were given a very simple brief and the freedom to express their own unique interpretations of Nicholas Gazin’s original artwork.
Jasmin Siddiqui and Falk Lehmann, or Hera and Akut, the members of internationally known artist duo known as Herakut, are opening their solo show @ Ruttkowski;68 gallery in Cologne on August 29th. Through 10 years of collaborating on both large, outdoor murals and indoor exhibitions, they created a recognizable style which they’ve been known for. Strongly influenced by graffiti and street art, their unique signature style is famous for its melancholy and gratification. By mixing raw, expressive brush/line work, with realistic elements, along with text and messages, their new work kept the signature poetic and emotive feel. Using pastel, dimmed colors, they achieve more direct and honest impact as well as vintage feel to their work.
The first venture from new Australian arts project Black Canyon opens in Melbourne next Friday, August 29.
‘Welcome To Black Canyon’ is set to feature large-scale print work by a lineup of artists from Spain, France, England, Canada, Germany and the USA (many of whom have never shown in Australia before) alongside a slew of local favourites.
Low Bros have been getting busy in Germany, recently releasing this new video from the Work’n’Progress – Urban Art wall project at WerkStadt Sending in Munich:
These images are of the work in progress…