Tag Archives: Faith47

Faith47 – New Mural – Una salus victis nullam sperare salutem

‘Una salus victis nullam sperare salutem’ is the title of a new Faith47 mural located on the corner of Fox and Rissik street in Johannesburg.

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The phrase is from book 2 of Virgil’s ‘Aeneid’, a latin poem written in the Augustan period: ‘the one safety for the vanquished is to abandon hope of safety.
surrendering to the knowledge that there is no hope, can bring deep courage.’

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The mural spanning two sides of an old, now-vacant department store,
brings movement to the fast-transforming African city centre troubled with urban decay.

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Images by Brett Rubin, Faith47 and Derek Smith.

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www.faith47.com

‘A Study of Hair’ – Alexander Mitchell

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‘Oh Bondage’ – detail – Alexander Mitchell

This September, Backwoods Gallery is proud to present ‘A Study of Hair’, the third installment in what is to be a decade-long project.

The 2012 and 2013 exhibitions focused on two of the most important vectors of emotional communication: hands and eyes. This year’s theme, hair, is the most challenging of the series so far, and promises to generate an even more diverse range of interpretations.

This year’s artists will include C215, Dave Kinsey, Faith47, Inkie, Jonathan Guthmann, Mark Bode, Merda, Miso, ROA, Stephen Ives, Shohei Otomo, TwoOne, Usugrow, Yusk Imai and Alexander Mitchell.

In its completed form, the ‘A Study Of…’ project will document over 350 artworks from all corners of the globe. The curator’s (Alexander Mitchell) intent is to create an historical source with enough breadth to contextualize a generation of artists, many of whom work primarily outside the framework of established institutions.

Damo managed to catch curator and contributor Alexander Mitchell for the down low…

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‘A Study of Hair’ – Backwoods Gallery, September 26th 2014

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Backwoods Gallery is proud to present A Study of Hair, the third installment in what is to be a decade-long project. A Study of… is a series of group exhibitions in which local and international artists are invited to present a contemporary interpretation of a motif drawn from art history.

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