Tag Archives: Evie Cahir

‘A Study of Darkness’ – Backwoods Gallery

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‘A Study Of…’ is a decade long series of exhibitions curated by Backwoods Gallery. The goal of the project is to create a comprehensive archive of artistic studies by some of the world’s leading contemporary artists, covering a wide variety of subjects.

Once completed, the ten year project archive will be published – along with support material such as artist interviews and critical essays. We hope that the archive will become a useful historic document and inspiration for future artists and theorists.

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In 2016 Backwoods Gallery will be presenting ‘A Study of Darkness’ featuring: Dave Kinsey, TWOONE, Ashley Wood, Felipe Pantone, Kes Acorn, Shun Kawakami, Yusk Imai, Senekt, Takeru Amanu, Shohei Takasaki, Stephen Ives, Alexander Mitchell, Nelio, Marie Joxe, Masaho Anotani, James Jirat Patradoon, Lush, Mariya Rovenko, Jonathan Guthmann, Sam Totty, Slicer, Tony Reade and Evie Cahir.

Keep an eye on the event here for the down low on the exhibition.

@backwoods_gallery

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Backwoods Gallery: ‘A Study of Camouflage’

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Backwoods Gallery proudly presents ‘A Study of Camouflage’ – a new show within the A Study of… exhibition series. This is the fourth exhibition in row in the long-term project consisting of annual shows that focus on different study subjects.

With this series of exhibitions, Backwoods are creating a vivid archive of works by renowned artists from around the world whose works intersect on the same subject-matter. No matter the artistic style or technique used, a magnificent plurality of different approaches and representations of a single subject contextualises it, and places it in a dominant understanding of both the artists’ and audience’s views. Logically, this library becomes a diverse overview of different representations of a single subject, as seen and created by leading contemporary artists.

A Study of Camouflage brings together some of the leading contemporary artists whose art, in some way, touches the subject of camouflage. The concept seeks to deconstruct the dominant perception of camouflage from its military driven narrative, and to bring back the camouflage patterns to its natural roots. Camouflage is usually linked with military uniforms and inherently with violence and rigorousness. However, camouflage patterns are much more than a simple military feature. Its different forms can be observed and understood as an artistic product, both in terms of aesthetics and conceptuality. Aesthetically, camouflage can assume different shapes and forms, creating beautiful design and art products, while conceptually, it may be detached from its military connotation, and transformed to different purposes depending on the given context. Always depending on artistic approach towards it, camouflage has enormous potentials for being a perfect medium for countless interpretations of contemporary society. The use of camouflage in art may lead to more abstract forms, while on the other hand it can serve as the perfect material for figurative and conceptual approaches as well.

The exhibition will open on Friday, May 29th, and will be on view until Sunday, June 7th. It will take place at a warehouse space, just next door to Backwoods Gallery, at 5 Easey Street, Collingwood.

Evie Cahir and Gemma Topliss: ‘Heavy Leisure’

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This week, Backwoods Gallery presents an exhibition of illustrations by two young artists, Evie Cahir & Gemma Topliss, who are representative of the bright future of Australia art.
In ‘Heavy Leisure’, opening on the 17th of April, Cahir and Topliss will present a series of delicate, illustrative works. The collection re-evaluates the seemingly mundane moments, objects and routines of daily life, imbuing them with emotional undertones.

Evie Cahir’s illustrative works offer a new, more attentive regard on the banal but precious objects and moments encountered in daily life. Cahir is fascinated by the hidden meanings of routine and the interplay between light and shadow. Her artwork employs sophisticated composition, refined techniques and subtle humour to present her point of view in a truly unique and beautiful way.

Gemma Topliss explores the connection between the interior and the exterior, both spatially and emotionally. Her charcoal and graphite drawings are intimate, fragmented and personal. At only 19, Topliss is the youngest artist that has exhibited at Backwoods.

In the lead up to the exhibition, they both took some time to speak with VNA.

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