Internationally celebrated street artist D*FACE has been at the forefront of his practice since his initial breakthrough in 2005. Having grown up amidst the streets of London, he cultivated a keen interest in graffiti art and its disaffected mindset from an early age. As a teenager his artistic attentions turned to skate culture and the iconic skate deck designs of Jim Phillips and Vernon Courtlandt Johnson that he found in Thrasher Magazine. Inspired by their punk DIY aesthetic, D*Face attended an illustration and design course before beginning work as a freelance artist. Taking the public domain of the street as his canvas, he blended art, design and graffiti in a manner that pre-dated the emergence of street art as it is known today. Here the artist gained a great deal of attention, quickly rising to fame for the vivid nature of his designs. Despite now working in the gallery as well as the open canvas of the streets, D*Face continues to approach his work with the same anarchic energy that drove him to begin his career from the outset. His vibrant pop style and D*Dog logo have become synonymous with British street style and are recognized the world-over.
In addition to collaborating with the likes of Shepard Fairy and Banksy, D*Face has collaborated with Her Royal Highness Queen Elizabeth II on a project that involved the customization of banknotes and coins and their secret reinsertion back into public circulation. In 2005 the artist was also commissioned by the Vatican to produce a portrait in commemoration of Pope Benedict XVI’s instatement.
“HOME IS WHERE THE heART IS” is D*Face’s first ever exhibition in the Pacific Northwest. The exhibition will highlight some of his most iconic works to date including his depictions of recognizable females in the likes of Marilyn Monroe and Queen Elizabeth II.
The majority of D*Face’s work is centered around the heart throbbing, push-pull affections of love and loss, most notably visible in his series of painted romance novel book covers. Using the name of the book as context, the paintings compliment the artist’s inter- pretation of the titles. Other notable works in the exhibition will include his iconic use of Coca Cola bottles and the repetitious use of the word “RIOT.” The word is a reference to the anti-authoritarian roots of street art culture and represents the self-described “poor man’s grenade,” an object associated with dissent. The RIOT series explores the use the objects as means to instill change through protest and revolution.
“I want to encourage people to not just to see, but to look at what surrounds them and their lives, re- ecting our increasingly bizarre popular culture, re-thinking and reworking cultural gures and genres to comment on our ethos of conspicuous consumption.” – D*FACE
Opening reception on Thursday, August 2nd from 6pm-9pm at TREASON Gallery located in Pioneer Square, 319 3RD AVE S, Seattle, WA 98104.
More info available: WWW.TREASONGALLERY.COM