Tag Archives: art

A few questions with Scott Albrecht

Last time I saw Scott, we were playing ping pong at The Marcy Project in Brooklyn.  Sadly for me, he beat me in a best of 7.  It still stings a bit.  I mention it here as a form of therapy I think.  Anyway, I’m catching up with him now as his two person show with Mary Iverson called ‘Correspondence’ has just opened at Andenken in Amsterdam on November 11th.

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ALL GOOD THINGS – LAUNCH PHOTOS

A huge thanks to everyone who came down last night for the show opening!

It was great to see so many familiar faces and so much love and support for VNA.

Massive thanks to all the artists who contributed to the show – 45RPM, AJ FOSIK, ARYZ, BLEK LE RAT, C215, CAM SCALE, CHLOE EARLY, CONOR HARRINGTON, CYRCLE, D*FACE, DAN KITCHENER, DAVE WHITE, DAVID SHILLINGLAW, EELUS, EINE, ELK (LUKE CORNISH), ERMSY, FAILE, FINTAN MAGEE, GAIA, GEORGIA HILL, GHOSTPATROL (DAVID BOOTH), HERAKUT, INKIE, INSA, INVADER, JAMES JEAN, JOE HOLBROOK, KID ACNE, LISTER, M-CITY (MARIUSZ WARAS), MOBSTR, MR JAGO, MYSTERIOUS AL, NIELS ‘SHOE’ MEULMANN, PAUL INSECT, REMI ROUGH, RONE, RONZO, RUFUS DAYGLO, SHEPARD FAIREY (OBEY), SICKBOY, STENDEC, STEVE CROSS, TOASTER, THE LONDON POLICE, TILT, TIZER, TODD FRANCIS, TOM FRENCH, TRISTAN EATON (TRUSTO CORP), VHILS, WILL BARRAS

Bidding is well underway and we look forward to raising thousands for Macmillan Cancer Support. All items are available for worldwide shipping, tracked and insured, but we cannot calculate this until we have the winning bidder’s details so please don’t be put off by misleading info on the listings! Hit us up with any questions – info@verynearlyalmost.com or via artFido

All items are up online here and bidding closes at 12 midday Monday 1st May (GMT):

www.artfido.com/vnamagazine

Special shout outs to the Macmillan Cancer Support team, Eve, Jay and Lauren at StolenSpace, the superhuman Andy Vasy for his stellar work getting the work on the walls, Simon at Luardos for the delicious tacos, James Grant for shooting these great pics below, Soffles for providing tasty snacks and the legends from Sailor Jerry for pumping out wicked cocktails all night long.

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VNA Issue 35 – OUT NOW!

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VNA has grown from it’s humble beginnings as a free black and white zine with the help and support of people like D*Face –who enabled the distribution of the mag at his StolenSpace gallery way back when it first started ten years ago. So it’s only fitting that 10 years on he features on the front cover – shot by Shamil Tanna – for the second time.

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The latest issue is out now and available to buy online before it hits stores next week right hurrr:
www.verynearlyalmost.com/shop/vna-issue-35

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Inside Issue 35, you can see the philthy skills of Phill Blake, the gravity defying work of Spanish artist Cinta Vidal and the awesome muralism of Canadian young blood, Jarus.

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Also featured is the Japanese skate punk legend, Haroshi, giving an insight into the recycled skateboard sculptures he makes with heart and soul, and Croatian painter Lonac.

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From the Antipodes comes work from Japan-based Aussie artist, Mark Drew, with his blend of hip hop and remixed rap quotes over Peanuts paintings, alongside Melbourne-based Cam Scale, bringing a homegrown history of his life growing up in the bush.

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Great Dane Søren Solkær gives a look through the lens into music photography and artist portraiture and Floridian Tatiana Suarez highlights her local background and a glimpse into the world of her haunting characters.

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Last but not least are Shepard Fairey – return of one of our previous cover stars to give the lowdown on some highlights and milestones of his career – and Wayne White – master of puppets and tongue in cheek painter, fresh off the back of his latest epic show, Wayne-O-Rama, in his hometown of Chattanooga.

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www.verynearlyalmost.com/shop/vna-issue-35

Felipe Pantone Interview – The Grifters

In the first of a new series of videos entitled INFLVENCERS, well known collective The Grifters speak to Argentinian graffiti / kinetic artist Felipe Pantone on his work and life ahead of the release of his new book ‘Race Flag’. The book is a collaborative project between Felipe and photographer Omar Quiñones, a conversation through images in which both question and answer are supplied via a visual medium. In this way the book opens up connections and experiences via abstraction through previously unconnected forms. The limited edition book will be released on the 22nd February at 10am (GMT + 1) and is available from The Grifters online store 

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45RPM at Entrepreneurs Store ‘Upstairs Gallery’ recap

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Bristol based graffiti artist / designer and sometimes-clothing-accessory-producer 45RPM recently opened a new exhibition Entrepreneurs Store ‘Upstairs Gallery’ in Stoke-on-Trent alongside a permanent mural in the city centre. Describing himself as a ‘Compulsive designer with his fingers in many creative pies who will paint, draw, design and photograph anything and everything’ 45RPMS work is a lighthearted take on 1970’s graffiti mixed with the slang and geographically idiosyncratic phrases in uk language. Continue Reading →

Mik Shida x Zheani Sparkes

This is the first collaboration between Mik Shida & Zheani Sparkes.
The magic properties in Z’s marks translated into wearable art by shida. Proceeds will go towards funding an independent Australian film production.

The film will be a contemporary tragedy situated within the frame of Australia’s traditional “Lad” sub culture. It addresses the power dynamics at play between homeless youth and seeks to shine a light on a social issue that is rarely addressed.

www.mikshida.com

Jet Martinez presents KABLOOM at Black Book Gallery

Black Book Gallery and Denver Arts and Venues present artist Jet Martinez and his exhibition KABLOOM.

Jet creates beautiful artworks formed of lacquered plates from the state of Michoacan, Mexico. He takes information and inspiration from folk art he grew up with and reinterprets those works as means of paying homage to his own heritage.

Instead of recreating traditional themes, he utilises urban influences such as street art, hip hop, punk rock and multiculturalism to produce some truly unique works.

Jet Martinez
Kabloom!
June 6th – 27th
Black Book Gallery
Denver, Co.

JOHN KAYE – Interview

Known and respected throughout the graffiti scene for his past and present creative conquests, Australian artist JOHN KAYE has no problems getting up and going all out. More recently recognized for his ink illustrations and large-scale mural work, his art has been appearing in multiple galleries and showcases around the world.

We catch up with John to chat about his ideas, artistic integrity and creative influence.

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VNA: Talk us through some projects you’re working on at the moment.

JOHN KAYE: My main priority at the moment has just been to draw or paint something everyday. It’s been going well so far. Other than that I’ve been lucky enough to team up with a few different people to work on some collaboration stuff that has been really fun and a massive learning curve. I’ve also been working on developing some limited run clothing that hopefully I can show everyone soon and I’ve been trying to save some money for a few trips I want to go on this year.

VNA: A lot of your illustrations and print series work features poetic lines with underlining themes surrounding crime, punishment and rail transport.

‘All You See Is Crime In The City’, ‘Find The Right Ways To Do The Wrong Things’, ‘From The Cradle to the Grave’, ‘Graffiti Gets You Nowhere’, ‘Better Seen Than Heard’

Obviously these topics are a source of experience and inspiration to you, can you tell us a bit about why?

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JOHN KAYE: Traveling and graffiti have both been huge parts of my life. When I was a kid, I was always fascinated by the different graffiti everywhere I went. Generally everything I do is a form of personal expression. The work you are referring to all just relates to things that have happened around me at a certain point in time. As my experiences change, so do the things I create. If people relate to my work, or interpret it in a certain way, I think that’s a good thing. Although, it’s never really the initial intent.

VNA: Do you think your past experiences as an artist have affected your current style?

JOHN KAYE: Definitely. My experiences are the most valuable thing I have. It doesn’t matter if they are mistakes I have made, or things I have enjoyed. They will always affect what I do in some way.

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VNA: Why do you think graffiti and street influenced artists are now becoming so prevalent in the mainstream art scene?

JOHN KAYE: The Internet has probably played a massive part in that happening. Everybody today has access to so much more information. Obviously people are constantly pushing boundaries and everything is always developing. So I guess as things evolve and change, people begin to pay more attention and the audience naturally grows.

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VNA: It seems ironic that artists such as yourself who’ve come from such colourfully illicit artistic backgrounds are now being commissioned by the same individuals and associations who once strongly opposed the art form. What’s your opinion on this?

JOHN KAYE: Personally I’m very particular about who I choose to work with. I feel like the individuals and associations who once strongly opposed the art form haven’t really been converted into enthusiasts of any sort. All that’s happening is that they are becoming more aware of the possibility to use artwork to there own advantage.

In my experience when I’ve had offers to work with certain people, it’s easy to tell what their motivations are. Sometimes they are very genuine and other times it’s because they are looking to use controlled artwork as a solution to a problem, or something that they can benefit from. I’m not saying that there is anything wrong with that. I think it’s great that people are open minded enough to take these things into consideration. I just feel that it’s extremely important as an artist to understand why you are doing something in the first place, and then to continuously keep that in mind as you carry on with whatever you decide to do.

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VNA: Tell us about home.

JOHN KAYE: Haha, okay. Home at the moment is a confusing subject. I feel like Melbourne is the closest thing to being home. When I was really young I moved around all the time between a bunch of different towns and cities. Nothing has really changed. I still have trouble spending very long in one place. Recently though, I’ve been spending the majority of my time on the Gold Coast. I have some very patient friends that have tolerated me leaving my belongings all over the place and have been kind enough to let me stay with them from time to time, which is lucky.

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VNA: You’re heading to Melbourne next week, yeah? What’s on the cards?

JOHN KAYE: A friend of mine is opening a burrito bar with a skate bowl in Melbourne next month and I’ve been working on some illustrations for him, so it seemed like a good enough excuse. I try to spend as much of my spare time down there as I can. I really enjoy painting in Melbourne. The weather is nice and the days are long.

VNA: If you could work with anyone in the world, who would it be and why?

JOH KAYE: If I can pick someone who’s deceased, I’d probably say Nicola Tesla. He had such crazy ideas and visions to create things that would have massive impacts and he continued to work towards them no matter how insane he appeared. If that’s not allowed, then I would probably have to go with Jay Z. Everything he does, he does well.

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www.johnkayeart.com / @johnkayeart

 Image Credit John Kaye Art and Tim Caraco