Tag Archives: Andenken Gallery

‘Where the Edges Meet’ – Scott Albrecht

Andenken Gallery and the Jaunt are proud to present “Where the Edges Meet”, a solo exhibition of new works on paper, stone and wire sculptures by Scott Albrecht made during his artist residency at Andenken Gallery’s new location, The Holdout in Alcobaça, Portugal. The exhibition will be on view through June 16th, 2019.

“Where the Edges Meet” exhibits a snapshot of Scott’s brief time in Portugal during April 2019 showing an evolution in style and medium to his unique and signature graphic languages. Building on his approach of abstracting typography, Albrecht’s work continues to reconsider the relationship of message and viewer through a more visual and physical approach. In these series’, the artist has found ways of expanding on his work introducing new applications and mediums like a series of wire works and works on stone.

While in Portugal, Scott spent the majority of his time in and around Alcobaça, a small rural farm area near the silver coast of Portugal. When asked what stood out to him, Scott replied: “I found myself being most drawn to the aged personality you could find just walking around. Most homes and buildings feature a distinct color combination from one another which creates a really beautiful conversation of palette throughout the cities and towns. I spent a lot of time wandering, photographing different color combinations and how they relate to one another. I also found a lot of poetry in the messages and graffiti scrawled around. One of my favorites was a spray painted piece of plywood that read, ‘triste mas no boa’ which translates to ‘sad but good.’ I really came to appreciate these moments because that character felt genuine and wasn’t trying to be anything it didn’t need to be.”

Using these experiences, Scott translated his observations into this collection of work. In varying ways you can find Portugal throughout the pieces created, from the stone canvases found in a nearby pile of rubble, the wooden frames on the wire works that were made from a found crate, to the phrasing and sentiments distilled in each work, many of which in Portuguese. The works on paper speak the most directly to a visual translation of the environment. Each color palette in this series is inspired by the local landscapes of the buildings and beaches, while the forms, unlike Scott’s previous works, feature the shapes being colored in a more random pattern and leaving the original pencil drawing more exposed, meant to pay homage to the age and character you would find from paint peeling on a building or tiles that had fallen off.

In addition to the works created for the exhibition, Scott has also made a 4-color screen print edition for the jaunt based on his wire work “começos”, the Portuguese word for “beginnings”. When asked about the piece he says: “beginnings has been a theme that keeps resurfacing for me and something that I actively try to embrace. It’s a term that can lean into a matter of perspective but I like to think about it not as the point in which something has begun but the potential of where something will lead. Within my work, the residency was a good opportunity for me to unplug and experiment in some different ways, but I feel like the sentiment also lent itself to that specific time at the holdout. This was their first residency and the start of what they are building there and I’m looking forward to seeing where it will go and what will come of it.”

@scottyfivealive

VNA 33 – Out Now!

VNA 33 is here and available to buy online – verynearlyalmost.com/shop/vna-issue-33

VNA_ISSUE33_COVER

For the cover of this issue, we bring you Seb Lester, a typographer and calligrapher living in the heart of Sussex, UK, who’s literally exploded into the public eye. He’s killing it across social media as well as in that funny old thing they call real life.

Always willing to keep broadening our horizons and testing our readers’ own boundaries and tastes, we have some fresh new talent alongside some of the more established names.

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