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Anthony Lister – CULTURE IS OVER

In 2009, Anthony Lister held a one-night-only pop-up art event in Sydney’s Kings Cross, entitled No Win Sitch. The show encompassed an installation in notorious Strip Club, Porky’s.

To mark the ten-year anniversary of No Win Sitch, Lister presents a brand new installation, CULTURE IS OVER, once again paying homage to the colourful old school Kings Cross culture.

The pop-up will be a week-long free exhibition for the public. Inspired by the Lister’s iconic artwork ‘Moloch of Luna Park’, 2017, attendees can expect a twisted trip into the paranormal mystery of Luna Park’s unidentified horned man, as well as the plethora of Kings Cross nightlife and characters, conveyed through his painting, sculpture and video installations.

Expect occult themes, introspective in-painting analysis of form and movement, Basquiat-style outpourings and Lister’s usual kickback against the cops.

CULTURE IS OVER opens Wednesday 17 July at 7:00pm.

www.anthonylister.com

‘Bed Bath and I’m the Big Spoon’ – Goodie

‘I’m the little spoon’ was a message Goodie received from a Tinder match while living in New York. ‘Bed Bath and I’m the Big Spoon’ is a new body of work and installation responding to a series of intimate experiences Goodie had over the past year across the United States (where she was born) and Australia (where she grew up).

Photo: Nicole Reed

The exhibition is about love and the shapes it takes, considering the spaces that hold and house our feelings, thoughts, doubts and desires. Shared spaces of intimacy are like second skins. They take on characteristics of their inhabitants and contain collective memories. Personal reflections on the bonds formed between bodies and spaces, from moments often occurring behind closed doors, are rendered for public display; the gallery is reimagined as a bedroom.

Photo: Nicole Reed

Repurposed cardboard is massaged, taped and painted to resemble items and activities from an imagined bedroom, and installed within the space to embellish it with a domestic familiarity. A series of new paintings and sculptures portray a collection of domestic scenes. Sharing these moments publicly speaks to an open approach to relationships, where transparency and communication are key. The work gestures towards characteristics of queer and polyamorous bonds, as well as celebrating the networks of support that hold them. Private and public, platonic and romantic, domestic and professional, personal and political: complicated and never simple dichotomies dance in contemporary relationships against a background of social media, dating apps and uncertainty in the future.

Photo: Nicole Reed

‘Bed Bath and I’m the Big Spoon’ opens at MARFA GALLERY (Level 1, 288 Johnston St, Abbotsford) onFriday 7 June 2019 from 6pm. The show will be open for viewing from 8-12 June 2019.

@goodie_was_here

Photo: Nicole Reed

About Goodie

Goodie is an artist and curator interested in orientations, suburbia and relations between spaces, objects and people. Their practice predominantly involves painting, installation, murals, writing and performance. By fabricating fictional architectures and characters, or adjusting existing architectures, they explore how public and private spaces hold objects and bodies. Furthermore, how the spaces we create reflect the values we live by and relate to slippery notions of identity, sexuality and gender.

Goodie was born in California and raised in Canberra, moving to Melbourne (Naarm) in 2014, where they live, work and love now. Goodie has exhibited and painted walls extensively throughout Australia and overseas, and has collaborated on projects with groups such as the Collingwood Arts Precinct, Juddy Roller, the Australian National University and the Abbotsford Convent. They completed a Bachelor of Fine Art at the Victorian College of the Arts in 2016. They recently completed a residency in New York at CON Artists Collective.

Mayonaize – ‘Memento’

This Friday, join Melbourne’s infamous Mayonaize as he opens his solo show ‘Memento’ at the incredible KSR Art Bar space. The space itself is a historic site – built around 1850, and at one point was a butter factory, now incorporated into the Rialto Piazza.

Mayonaize is a contemporary fine artist specialising in a unique calligraphy script style of lettering. Since moving to Australia in 2001, graffiti has been a major influence on his eclectic oeuvre,creating a well established profile within the Melbourne street-art scene with a multitude of public works.

His pieces are distinctive for his deliberate handwork and swift,
yet precise execution of a complex and elaborate style of monochromatic text.

He lives and works in Melbourne, also working as a highly sought after tattoo artist working out of Tattoo Magic in Fitzroy.

‘Memento’ opens 4pm Friday 17 May at the KSR Art Bar Space. 525 Collins Street, Melbourne.

@mayonaize

credit: p1xels

credit: p1xels

credit: p1xels

credit: p1xels

credit: p1xels

credit: p1xels

credit: p1xels

Blek Le Rat – Rat N°5

The godfather of street art is at it again, our good friend Blek Le Rat has finally released Rat N°5!! A beautiful 23x31cm six colour screen print on 300 gsm Arches paper, Rat N°5 features a rat carrying two baguettes and the French flag dripping down the page. In a signed limited edition of 300, with a COA signed by the artist, this one is going to sell quick!! Get in while you can here!!

@blekleratoriginal

THEY LIVE!

In homage to the film that launched a thousand street art careers, Rough Trade Books is releasing They Live: A Cultural & Visual Awakening – a 30 year anniversary publication in homage to John Carpenter’s classic cult film: THEY LIVE!

The book includes an essay from the author that connects the dots between They Live and Brandalism alongside a critical analysis of contemporary forms of propaganda today. The book also contains a host of written and visual contributions from renowned figures including Shephard Fairey, Slavoj Zizek, Guerrilla Girls, Barbara Kruger, John Grant and Roger Luckhurst.

In partnership with Mondo/Death Waltz Recording Co, a special edition version of the book has also been created and is being sold exclusively at screenings taking place in London, Los Angeles, New York and Austin,Texas on Wednesday 16th January. This special edition will be housed in a slipcase, and includes a signed and numbered money bill. Strictly limited to 750 copies worldwide.

**PRE-ORDER YOUR COPY ONLINE HERE**

**GET TICKETS FOR A SCREENING HERE**

Book Features:

— Designed as a replica of the original film prop, including all the
infamous commands

— Original contributions from

— Bubblegum scented

— Subliminal commands hidden throughout the book

— Original short-story in full by Ray Nelson

— Comic Book adaptation in full by Ray Nelson and Bill Wray

— Rare and unseen archive material from Universal Studios exploring the
film’s genesis

— Specialist glyph typeface of the alien language (Formaldehyde-face)

— Rare archive imagery from Barbara Kruger, Jenny Holzer, Guerrilla
Girls, the LA Times, the Reagan family, the Trump Campaign and WWE.

Standard edition:

http://roughtradebooks.com/books/they-live-a-visual-and-cultural-awakening/

Limited Edition (750 copies worldwide):

http://roughtradebooks.com/books/they-live-a-visual-and-cultural-awakening-special-edition/

**SHIPPING FROM 2nd JANUARY**

OBJECT – Hiroyasu Tsuri / TWOONE

OBJECT by HIROYASU TSURI 釣 博泰 / TWOONE opens Nov 23 – Dec 9 at Backwoods Gallery, 25 Easey St, Collingwood.

“There are ideas that you simply can’t express in words, logic or a singular object. Rather, the idea needs to be expressed through a story, a series of works or a collection of objects.” 

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Waste World – Bill Posters

Amidst growing concerns around the impact of the fashion industry and consumer waste, a series of street art interventions have appeared across the country to coincide with #BlackFriday and #CyberMonday. Bill Posters, the pseudonym for the street artist and activist who co-founded Brandalism, has been subvertising ad spaces to draw attention to the negative impacts of consumer waste and fast fashion.

 

Timed for release on the biggest global retail event of the year, Bill Poster’s latest campaign entitled ‘Waste World’ looks at the true consequences of the world’s rubbish – from clothes to plastics and e-waste – as well as those most affected by it. Inspired by New Internationalist’s latest issue on Waste, the street art installations take aim at brands including Nike, Pretty Little Thing, Apple and Gucci and reveal where large amounts of waste and ‘recycling’ from the western world actually ends up.

“Instead of getting beaten up this Black Friday in shopping malls for a new TV we should probably be paying more attention to where the majority of our ‘recycled’ waste actually ends up. In low-income countries, 93% of global waste is dumped due to inadequate urban provisions. Western countries can’t process their own waste, instead – they sell it to other low-income countries in Asia and Africa. It reeks of colonialism, we are literally taking a dump on millions of less privileged people with our waste” says Posters.

This latest subvertising campaign is also timed to support ‘No Ad day’, an artist led initiative that seeks to remove ads from public spaces across the world on Saturday 24th November 2018. To support other street artists and graffiti writers to take over advertising spaces in cities for No Ad Day, Bill Posters has just published the world’s first pocket sized ‘Subvertising Manual’ with Dog Section Press.

Artists can pick up a copy from Dog Section Press here: https://dogsection.bigcartel.com/product/brandalism-ad-takeover-guide

 

See more of Bill Posters’ street art on Insta: @BrandalismProject

 

www.billposters.ch

 

Secret Walls Australia 2018

Secret Walls returns to Australia for 3 epic battles this November in Sydney, Brisbane and Melbourne…


Ben Brown, Kentaro Yoshida, MLON and Oxking go head to head at Oxford Art Factory on the 4th November.

Gus and Meksy face Claire Foxton and Fuzeillear at The Foundry in Brisbane.

And for the finale, the mighty Callum Preston returns after his previous win with Heesco to team up with Cassie Stevens, defending the champion belt against Mitch Walder and Crisis at The Vic Bar’s Park St Party.

 

Get tickets for the Park St. Party here – https://www.eventbrite.com.au/e/park-st-party-x-secret-walls-tickets-51238890902

Facebook event – https://www.facebook.com/events/244111339598652/

#SecretWalls

@SecretWalls

@wewillsupply

Luke Cornish x Art Series Hotels – Colour Your Stay

In an Australian first, Art Series Hotels will challenge its guests this spring to grab a spray can, mask up and leave their mark on the walls of three of its properties. Until December 30, a white-washed room at The BlackmanThe Johnson and The Olsen hotels will be transformed into a collective canvas as part of a participatory art project.

The collaborative art project follows the award-winning No Robe campaign, where Art Series guests were invited to pose nude, and the ‘Steal Banksy’ initiative, which challenged people to half inch artwork.

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Adele Renault – Feathers And Faces

Amsterdam-based artist Adele Renault has something of a dirty habit… Painting pigeons is one of her favourite pastimes, and perhaps for what she is known best. However, her latest book also sheds light on some of her human portraiture.

Displaying the same intimate touch whether she illuminates people or pigeons, Renault’s masterful hand brings forth feathers and wrinkles with equal precision. From her aspirational quest to paint Mike Tyson’s portrait, via many flocks of pigeons on the way, to the inhabitants of Burkina Faso, her subjects are bathed in light, avoiding direct contact with the viewer in a way that brings them close, whilst maintaining distance and a sense of privacy.

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