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Secret Walls Australia 2018

Secret Walls returns to Australia for 3 epic battles this November in Sydney, Brisbane and Melbourne…


Ben Brown, Kentaro Yoshida, MLON and Oxking go head to head at Oxford Art Factory on the 4th November.

Gus and Meksy face Claire Foxton and Fuzeillear at The Foundry in Brisbane.

And for the finale, the mighty Callum Preston returns after his previous win with Heesco to team up with Cassie Stevens, defending the champion belt against Mitch Walder and Crisis at The Vic Bar’s Park St Party.

 

Get tickets for the Park St. Party here – https://www.eventbrite.com.au/e/park-st-party-x-secret-walls-tickets-51238890902

Facebook event – https://www.facebook.com/events/244111339598652/

#SecretWalls

@SecretWalls

@wewillsupply

Luke Cornish x Art Series Hotels – Colour Your Stay

In an Australian first, Art Series Hotels will challenge its guests this spring to grab a spray can, mask up and leave their mark on the walls of three of its properties. Until December 30, a white-washed room at The BlackmanThe Johnson and The Olsen hotels will be transformed into a collective canvas as part of a participatory art project.

The collaborative art project follows the award-winning No Robe campaign, where Art Series guests were invited to pose nude, and the ‘Steal Banksy’ initiative, which challenged people to half inch artwork.

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Adele Renault – Feathers And Faces

Amsterdam-based artist Adele Renault has something of a dirty habit… Painting pigeons is one of her favourite pastimes, and perhaps for what she is known best. However, her latest book also sheds light on some of her human portraiture.

Displaying the same intimate touch whether she illuminates people or pigeons, Renault’s masterful hand brings forth feathers and wrinkles with equal precision. From her aspirational quest to paint Mike Tyson’s portrait, via many flocks of pigeons on the way, to the inhabitants of Burkina Faso, her subjects are bathed in light, avoiding direct contact with the viewer in a way that brings them close, whilst maintaining distance and a sense of privacy.

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‘The Mountains We Climb’ – Ed Bechervaise

Urban contemporary artist Unwell Bunny (also known as Ed Bechervaise) opens his new exhibition ‘The Mountains We Climb’ on September 28th 2018, at Marfa Gallery in Melbourne.

‘The Mountains We Climb’ is a new body of work in which Ed explores Japan and its sensibilities. It has layers of feelings, from the chaos of Tokyo to the stillness of Kanazawa Hills. Each image is broken down into fragments, with slabs of colour, texture and tone that symbolise the experience, whether by night or day, dusk or dawn. This is a time capsule of travel, but also of the struggle and exploration each of us go through in growing as people and evolving beyond what we know.

‘The Mountains We Climb’ is about pushing the limits of understanding. Exploring that place that brings discomfort and pushing the elements of your processing ability. Ed has done this with his exploration of abstraction and reinterpretation, pushing forward a more sophisticated pallet. Deconstructing the elements he has recorded and reshaped through memory and feeling of Japan. Finding new cords with colour and with textual mediums that join together to form landscapes. With its global sensibility and edgy urban undertones, Ed’s motivations are both to be pleasing aesthetically while also disruptive emotionally, triggering questions in the viewer, which is both inward and outwardly focused.

Discover more at www.unwellbunny.com or Marfa Gallery http://www.marfagallery.com/exhibtion/

D*FACE: ‘HOME IS WHERE THE heART IS’

Internationally celebrated street artist D*FACE has been at the forefront of his practice since his initial breakthrough in 2005. Having grown up amidst the streets of London, he cultivated a keen interest in graffiti art and its disaffected mindset from an early age. As a teenager his artistic attentions turned to skate culture and the iconic skate deck designs of Jim Phillips and Vernon Courtlandt Johnson that he found in Thrasher Magazine. Inspired by their punk DIY aesthetic, D*Face attended an illustration and design course before beginning work as a freelance artist. Taking the public domain of the street as his canvas, he blended art, design and graffiti in a manner that pre-dated the emergence of street art as it is known today. Here the artist gained a great deal of attention, quickly rising to fame for the vivid nature of his designs. Despite now working in the gallery as well as the open canvas of the streets, D*Face continues to approach his work with the same anarchic energy that drove him to begin his career from the outset. His vibrant pop style and D*Dog logo have become synonymous with British street style and are recognized the world-over.

In addition to collaborating with the likes of Shepard Fairy and Banksy, D*Face has collaborated with Her Royal Highness Queen Elizabeth II on a project that involved the customization of banknotes and coins and their secret reinsertion back into public circulation. In 2005 the artist was also commissioned by the Vatican to produce a portrait in commemoration of Pope Benedict XVI’s instatement.

“HOME IS WHERE THE heART IS” is D*Face’s first ever exhibition in the Pacific Northwest. The exhibition will highlight some of his most iconic works to date including his depictions of recognizable females in the likes of Marilyn Monroe and Queen Elizabeth II.

The majority of D*Face’s work is centered around the heart throbbing, push-pull affections of love and loss, most notably visible in his series of painted romance novel book covers. Using the name of the book as context, the paintings compliment the artist’s inter- pretation of the titles. Other notable works in the exhibition will include his iconic use of Coca Cola bottles and the repetitious use of the word “RIOT.” The word is a reference to the anti-authoritarian roots of street art culture and represents the self-described “poor man’s grenade,” an object associated with dissent. The RIOT series explores the use the objects as means to instill change through protest and revolution.

“I want to encourage people to not just to see, but to look at what surrounds them and their lives, re- ecting our increasingly bizarre popular culture, re-thinking and reworking cultural gures and genres to comment on our ethos of conspicuous consumption.”D*FACE

Opening reception on Thursday, August 2nd from 6pm-9pm at TREASON Gallery located in Pioneer Square, 319 3RD AVE S, Seattle, WA 98104.

More info available: WWW.TREASONGALLERY.COM

Pure Evil – ‘Sleepwalking Towards the Apocalypse’

Internationally renowned British artist Charley Uzzel-Edwards (PURE EVIL) returns to Australia with a new exhibition of his bold and engaging dystopian-pop artworks. Entitled ‘Sleepwalking Towards the Apocalypse’, his new show explores the cult of celebrity and the darker side of our utopian dreams an age where we’re immersed in social media.

“We are so bombarded with images and information” says EVIL, “that we are sleepwalking through our lives – there is just too much to process. I don’t think it’s the end of times, or the end of empires, but I do think that the times – they are definitely changing. Are we moving into a new utopian technology-driven age? Or are we sleepwalking towards the apocalypse?”

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Ben Eine “Missing You”

“Missing You” is Ben Eine’s addition to The Cullen Hotel’s Street Art Suite series.

The hotel teamed up with UK street artist Ben Eine to create a one-of-a-kind artwork using elements of his distinctive typography and splashes of his graffiti style.

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‘Utopia’ – Adam Kinninmont

Since their beginnings, our friends at Backwoods have always fostered local and young artists. As they move into the future, Backwoods Forewoods aims to stay true to this ethos, fostering relationships with the next generation of up and coming Australian artists. Through this program, Backwoods Forewoods will spotlight young and local talent through a series of weekend exhibitions designed to support and promote our favourite emerging artists.

Backwoods are pleased to launch the program with their long time friend of the gallery, Adam Kinninmont, and his collection titled ‘Utopia.’

Adam Kinninmont, formerly known as Swerfk, is a Melbourne-based graphic artist. In his earliest memory of drawing, he is a four year old, pausing a Disney cartoon in order to trace over the character on the screen. This childhood exposure to TV animation and comic books, and later the skate and graffiti scene of his youth, has all played a role in the development of his artistic vision and unique graphic style. Since completing a Bachelor of Visual Arts in Printmaking and Drawing at the ANU in Canberra, Kinninmont has exhibited throughout Australia and internationally. His focus has recently shifted from graffiti to fine art graphic work. ‘Utopia’ is his first exhibition under his real name.

Kinninmont’s latest series claims its title somewhat ironically. In this body of work, the Western mirage of a sublime suburban existence is dissolved, and seen to be degraded, used, worn down over time by the grind and grit of everyday life. These street moments are composed from his own observation and exploration of Melbourne suburbia, in particular the older industrial suburbs of Collingwood and Brunswick. They are inspired by his interest in art deco and European style architecture, and of the tradition of architectural design illustration, which provides the backdrop for the ephemeral graffiti conversation irrepressibly expressed onto the scene. With inspiration drawn from the late Howard Arkley’s bright, highly stylised Melbourne suburbia paintings, Kinninmont’s illustrations have an added element of unease and mischievousness, a nod to the lively street culture here. Characterised by a bold 80s colour palette, his energetic, gestural style is balanced with technically executed detail and stylised abstraction. The presence of people is noticeably missing from each scene, leaving the natural and designed elements to be admired. However, this is no House & Garden magazine dream: you can see the cracks. – Helani Laisk

@akinninmont

@backwoods.gallery

‘A Forgiving Sunset’ – Scott Albrecht

First Amendment Gallery is proud to present ‘A Forgiving Sunset’, a solo exhibition of new woodworks, works on paper and steel sculptures by Scott Albrecht.

‘A Forgiving Sunset’ exhibits Albrecht’s most recent body of work offering an evolved approach to his unique graphic languages. Largely rooted in typography, his work reconsiders the relationship of message and viewer. With each work being made up of dozens, sometimes several hundreds of individual pieces that are cut, sanded, painted and re-assembled, often at varied depths, the works shift the conversation to a more visual language of relationships starting with form and color.



The narratives of Scott’s work often pull from or reference his own experiences and distill them into a more universal interpretation to allow the viewer to relate their own experiences, and in turn showing how we are more connected by these shared events.

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PHANTOM PAIN by YUSK IMAI and DANTE HOROIWA


“During one of our many discussions in the studio, we came across a hidden sensation, something that is always present, yet its causes or even the meaning of its existence still felt very abstract, but we agreed in describing it as a dull but constant pain.

This is our attempt to interpret this well of abstract sensations, and during this process we hit many notes, but one in particular kept showing up over and over for both of us, death. Maybe the fear of it, maybe what it leaves behind for the living, whatever it is, it exists.

This phantom pain keeps us going, fuelling our actions in life, always present, like gravity flowing through us and all things, always wise, reminding us, ironically, that everything is impermanent.

We hope that you may welcome this pain with warmth, and that it may feel less abstract now, as it does for us, through our exhibition Phantom Pain at Backwoods Gallery from June 8th to June 24th 2018.”

– Yusk Imai and Dante Horoiwa

YUSK IMAI

Yusk Imai is a contemporary artist who was born in the U.S.A. in 1982, to a Japanese descendent family. At the age of 6 months his family migrated to São Paulo where he currently lives and works.

Since 2007, Yusk has exhibited extensively within galleries, at art fairs and on the street across Europe, U.S.A., Australia and South America. The flat perspectives and dramatic curves demonstrated in Imai’s work is reminiscent of Art Nouveau greats such as Gustav Klimt.

Imai’s paintings and drawings lure us into state of self-consciousness and questioning. These ostensibly post-apocalyptic works tread warily between sci-fi apparitions, threatening premonitions and horror stills. Like a séance, they speak to Dali’s technique for creative thinking; a thinking that was founded on the moments in which we begin to fall asleep. When this sleeping pattern is interrupted and we are awoken, we find the subconscious rise to the conscious as a definitive form.

DANTE HOROIWA

Dante Horoiwa is a self-taught contemporary artist who was born in São Paulo, Brazil in 1988, to a Japanese descendent family. Recently, Horoiwa has exhibited his paintings at the El Centenario Museum in Mexico, with further features in United States, South and North American galleries, as well as large scale murals on the streets of East and West Europe.

His work frequently deals with themes closely connected to the foundations of human existence, which are universal to all living beings. Using a placid colour scheme of neutral shades, Horoiwa’s paintings, drawings and murals possess a mysterious, spiritual and soulful tonality. His work delves into the depths of human experience to explore the seen and unseen, using familiar devices such as long hair, textiles, plants and threads to connect the various forms, and evoke our sense of something magical and supernatural.

Exhibition catalogue available on request from: sales@backwoods.gallery

@imaiyusk
@dantehoroiwa
@backwoods.gallery