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‘Onwards & Inwards’ – Kitt Bennett

‘Onwards & Inwards’, Kitt Bennett’s latest solo exhibition explores sensations of life and consciousness. This series of small and large works on paper aims to create meaning in what we perceive to be unrelated phenomena around us. Bennett is driven to explore how our possessions inform our individuality, and of how our internal and external worlds connect. In this series, Bennett uses his trademark illustrative comic style, in an attempt to maintain a playful balance between both the humorous and the darkly thought provoking aspects of our existence.

Bennett uses his illustrative style of storytelling in an attempt to maintain a playful balance between both the humorous and the darkly thought provoking aspects of our existence.

Can you introduce yourself, and talk a little about how you got to where you are?

My name’s Kitt. I’m an artist/illustrator working out of Juddy Roller studios.
Since completing a Bachelor of Illustration I have worked as a freelance illustrator dabbling in animation.
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Mr. Jago x Eric Haacht – Working with Explosives

Mr Jago and Eric Haacht, two of the UK’s leading abstract expressionist artists, will be brought together next month in an unforgettable new show by Fluorescent Smogg. Following on from Fluorescent Smogg’s successful run of multidisciplinary exhibitions, this one will focus solely on the medium of painting, with both artists offering something completely fresh on the abstract expressionist genre and bringing a potent blast of colour to Bristol.

Deeply expressive. Rebelliously colourful. A joyful jolt of that limitless, spontaneous creative energy of 1950s New York. These are things that Mr Jago and Eric Haacht share. They are also both interested in the power of non-representation. Mr Jago with his expansive, kaleidoscopic looseness. Eric Haacht with his distorted faces and decisive movement away from the familiar human form. Yet the real magic to this show comes from their differences. Colour bursts vs. colour warps. A cyclone of brushstokes vs. a haze of rough smears. A starkly modern response to a landscape vs. a blurred, darkly compelling interpretation of a face. A well-established artist, used to touring the global gallery circuit, vs. an emergent portrait artist and recent entrant to the gallery scene.

You can’t help but be energised by Mr. Jago’s work. It sucks you up and draws you in. While Haacht’s – heavily influenced by his fascination with the artificiality of human life and death, his belief that time is a mere ruse – leaves you interestingly unsure of what to feel. Both artists are as compelling as the other. And they relate to and deeply respect one another’s work. Yet, they draw us into different worlds. This show lights a fuse between these worlds. And it’s going to be explosive.

Private view: 1st December 2016, 7-10.30pm. RSVP for guest list Show open to public: 2nd-4th December 2016, 10am-6pm

www.erichaacht.co.uk

www.mrjago.com

Spencer Keeton-Cunningham – FAREWELL SAN FRANCISCO : A 12 YEAR RETROSPECTIVE AT HERON ARTS

Spencer Keeton Cunningham – FAREWELL SAN FRANCISCO : A 12 YEAR RETROSPECTIVE AT HERON ARTS

Born in 1983, Spencer Keeton Cunningham grew up in Portland skateboarding and painting from a very young age. Cunningham graduated from the prestigious San Francisco Art Institute. After leaving San Francisco in 2014, the prolific artist began working from the road on a self proclaimed permanent painting tour which took him all over the world including the North and South Island of New Zealand, Tasmania, Melbourne, Sydney, and the outback of Australia. Other countries Cunningham has exhibited and painted in include China, Japan, Ontario, British Columbia, the Yukon, Mexico, The Netherlands, Cuba, Tasmania, Hong Kong, Alaska, The United States, and Hawaii. Coming back to San Francisco to exhibit frequently, Cunningham has remained on tour for over 29 months and is now forced to pack his things and go. – Heron Arts

This is Cunningham’s first ever solo exhibition in San Francisco. Along with his solo works, there will be paintings for sale from his close friends, painting collaborators and roommates: Erlin Geffrard aka Kid Kreyola, Daisy Ortiz, and their son Daylin Geffrard. The four lived together in their house in San Francisco for numerous years and exhibited frequently in San Francisco and abroad, notably in 2013 at the Wenying Highland Art Museum in Guangzhou, China.

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JORGE RODRIGUEZ-GERADA – RECORDAR (REMEMBER)

RECORDAR (REMEMBER) is a participative intervention created with ephemeral chalk spray paint, based on the concept of remembrance, and measuring more than 23,500 square feet. 


 
“RECORDAR means to pass through your heart. When a memory is relived we feel the same things that where lived and felt in the past.” Jorge Rodríguez-Gerada, a Cuban born artist who was raised in the US and is currently a resident in Barcelona, has created one of the largest public artworks in Spain, measuring more than 23,500 square feet (2,200 square meters). The participative and ephemeral artwork covered the Plaza Comercial, located in the Born section of Barcelona on October 1st, 2016. It was created with the help of local residents and more than 500 volunteers and had the philanthropic support of the small business association Born Comerç and the production support of Subagora Agency.

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Martha Cooper Library – URBAN NATION BERLIN

The worlds premier Urban Contemporary Art Museum, URBAN NATION (UN), in Berlin needs your help to donate or loan books. This rendering is the first look at the Martha Cooper Library inside the Urban Nation Museum in Berlin the heart of the library is Martha Cooper‘s personal collection.

URBAN NATION is calling all artists, art lovers and collectors – If you have books of your work or the work of others you produced, books you would like to lend or donate to the archive to help it grow, or even if you want to tell them about books they should know about, URBAN NATION will organise transport and they will be on display for the opening of the museum 2017 and beyond.

URBAN NATION is looking for books in the following categories:

– Photography
– Street art
– Urban art
– Low brow
– Pop art
– Propaganda
– Installation
– Cities and their art
– Public space
– Artist books

If you have anything to offer, please contact:

library@urban-nation.com

www.urban-nation.com

Nuart 2016 Video Recap

Nuart team just released a nice video recap presenting what this year’s edition was all about. Showcasing the new murals, Post-Street Art indoor exhibition, as well as conferences, debates and behind the scene footage, it’s a nice reminder for those that attended the event and even better invitation for those that wanna visit the festival next year.

The video was shot and produced by Doug Gillen at Fifth Wall TV and features works by Add Fuel (PT), Axel Void (ES), Eron (IT), Evol (DE), Fintan Magee (AU), Henrik Uldalen (NO), Hyuro (AR), Jaune (BE), Jeff Gillette (US), KennardPhillipps (UK), MTO (FR), Nipper (NO), Robert Montgomery (UK) and SpY (ES).

Shida – ‘Summoning Lovers Out of Time’

Shida is an Australian artist specialising in murals, monumental in scale, spread across the east coast Australia and around the globe.

In ‘Summoning Lovers Out of Time’ Shida explores the relationship between ritual, sexuality and love. Psychedelic entities are entwined in a ceremonial act transcending the bounds of known reality.

A reaction to incidents in other states of being. Caught in an ancient battle and aligning at a balance between order and chaos. Shida seeks to turn a tide like an ancient shaman with each works being in essence an invocation, an energetic manifestation, a prayer to joy.

This new project will utilise a new industrial space to create large-scale, site specific paintings and drawings on display for one weekend only.

In Melbourne in the lead up to the show, Damo caught up with Shida to chat and learn more about him and his show:

Damo: Thank you very much for taking the time to talk to us. I was just wondering if you could just start by talking about yourself a little bit, how you got into art… define your style a little.

Shida: My entire life I’ve been an artist; I was always a very introverted kid, always drawing always stuck in my head in my own fantasies. I guess around the age of 13 I discovered street art and that channeled my introversion into… into something that I could actually connect with people and something where I could get feedback and get fuel from there. It’s just been a straight line. It’s been constant.

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Cam Scale – ‘State of Mind’

Growing up in Sydney and influenced by the trackside graffiti throughout the suburbs, Melbourne-based multidisciplinary artist Cam Scale was motivated to create his own art. “I grew up drawing. My parents encouraged me and tried sending me to art classes when I was young, but it wasn’t until I hit high school I showed a real interest. A close mate and I used to hang out creating mischief, mainly blowing stuff up, until we discovered graffiti,” says Scale. “After that, I was hooked. I tried to maintain some form of grades at school, but much of the time was spent out until the early hours, and then battling to stay awake in class!”

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photo: p1xels

After an attempt at graphic design, Scale realised that he wanted to be drawing the pictures, not moving them around. A ten-month graffiti binge around Europe followed, and upon return Scale moved to Melbourne and began an illustration course. As an artist, Scale admits, “Melbourne just had all the opportunities and a fresh start.” The rest as they say, is history.

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photo: p1xels

Considered a renowned graffiti writer and large-scale photorealist, Scale has now called Melbourne home for almost a decade. His first major solo show, ‘State Of Mind’ explores the viewer’s attitude towards graffiti, street and urban art and delves into the previously unexplored parallels of the urban and contemporary art world.

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photo: p1xels

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