Our man Liam Keown has been out and about again with his camera taking snaps of artist’s studios. Here’s the second of a series giving a little insight into the artists and their work spaces…This time he visits Nick Gentry and gets a few words from him about the space.
Our man Liam Keown has been out and about with his camera taking snaps of artist’s studios. Here’s the first of a series giving a little insight into the artists and their work spaces…
Mr Cenz: “This is my temporary studio in Holborn, London. Its a disused office shared with several other artists. We all pay a really reduced rent as its managed by a great charity called Uthink PDP. This is so important as having a studio in a central location in London is unattainable for most otherwise. I have lots of space and ventilation which is essential when working on large scale in spraypaint. My canvases are basically smaller and more intricate versions of my street pieces. On canvas i can experiment and push my style more adding extra dimensions and depth. These pieces are for Bartoux gallery in Paris.”
German artist Christian August aka KID CASH belongs to the most active post-urban artists of his
generation. The exhibition titled VERY NECESSARY subsumes his work of the last three years and
leads to a new body of works which will be on display at Urban Spree Galerie for the first time. The
title of the exhibition refers to his work in public spaces and hints comically to the necessity of
showing these artworks in a gallery context.
The Miaz Brothers (Milan, 1965 and 1968) live and work in Valencia, Spain. Winners of the prestigious 5th Arte Laguna Awards Painting section in 2011, they boast exhibitions in important galleries and international art fairs. The artists are nowadays well-known for their innovative and original approach in portrait painting: through a skilful use of acrylics on canvas they produce enigmatic and evocative artworks, in which the representation appears completely blurry and out-of-focus. Stimulating mnemonic and personal associations in the viewer’s mind, their work aims to engage our visual and cognitive perception.
It’s been a long time coming… We’ve chased Martha from New York to Berlin, Miami to South America and finally, we are proud to bring you the Martha Cooper x VNA Limited Edition box set.
We’ve sourced paper, run test prints and bounced proofs back and forth over the course of 6 months to produce an amazingly detailed black & white screen-print of one of Martha’s photos on the cover of issue 34.
It’s taken us a while to confirm all the components of this set (an edition of /150) – from the special signature camera pin badge, to the screen-printed cover and lovingly signed photo prints – and both ours and Martha’s quality control has been super high throughout – there is even an exclusive list included in each set with caption details of each of Martha’s images in the magazine.
We’d like to thank Martha publicly for her assistance and co-operation throughout this lengthy and difficult process, as well as special shouts to Louis @ Spraying Bricks, Nina @Joshua Liner Gallery, Rik @ Ripe Digital and Joshua @ White Duck Screen Print – without whom this would not have come together.
So now, the wait is over, the prints are signed, the sets are numbered and the boxes are packed and they are finally available to buy exclusively, online, from 2pm GMT time today.
Get your set before they disappear!
Martha Cooper photograph courtesy of Susan Welchman.
In a subculture dominated by men, a female street artist defies all convention by getting properly paid and getting good attention.
In a cobblestone street in Bethnal Green, a series of wooden doors painted in plain pistachio colour line the sidewalk, keeping the mirror-like aesthetic of terraced houses clean and intact. You get to the end of the row and suddenly a surprise: a pitch-black door emerges with white strips reminiscent of tall buildings glistening with city lights.
From the urban wastelands of the Mausolée project to the underground ventilation shafts of the Palais de Tokyo, Lek and Sowat are the first graffiti writers to be welcomed as artists in residence in the villa Medicis, the prestigious Academy of France in Rome. During his 12 months residency, Sowat created a new series of work that will be exhibited for his solo show ‘Tempus Fugit’ at the Galerie Lefeuvre in Paris opening tonight.
I’ve known Hyland Mather (thelostobject) for many years and we’ve done quite a large number of creative projects together. Beyond the fact that I have always loved Hyland’s, Andenken Gallery, and I admire his own creating styles as an artist, I can also say with confidence that we are good friends. As part of the ongoing project, The Jaunt, I sent Hyland off to Haifa, Israel. Tonight an exhibition to showcase the Jaunt Forma sculptures that Hyland made in honor of that trip will be on display at the famed Amsterdam local The Garage . This is the one time that all of these sculptures will be on display before they ship out to their new homes for the collectors who supported the trip. I caught up with Hyland in advance of the show to talk a bit about this and a bit about that.
Spencer Keeton Cunningham – FAREWELL SAN FRANCISCO : A 12 YEAR RETROSPECTIVE AT HERON ARTS
Born in 1983, Spencer Keeton Cunningham grew up in Portland skateboarding and painting from a very young age. Cunningham graduated from the prestigious San Francisco Art Institute. After leaving San Francisco in 2014, the prolific artist began working from the road on a self proclaimed permanent painting tour which took him all over the world including the North and South Island of New Zealand, Tasmania, Melbourne, Sydney, and the outback of Australia. Other countries Cunningham has exhibited and painted in include China, Japan, Ontario, British Columbia, the Yukon, Mexico, The Netherlands, Cuba, Tasmania, Hong Kong, Alaska, The United States, and Hawaii. Coming back to San Francisco to exhibit frequently, Cunningham has remained on tour for over 29 months and is now forced to pack his things and go. – Heron Arts
This is Cunningham’s first ever solo exhibition in San Francisco. Along with his solo works, there will be paintings for sale from his close friends, painting collaborators and roommates: Erlin Geffrard aka Kid Kreyola, Daisy Ortiz, and their son Daylin Geffrard. The four lived together in their house in San Francisco for numerous years and exhibited frequently in San Francisco and abroad, notably in 2013 at the Wenying Highland Art Museum in Guangzhou, China.
Growing up in Sydney and influenced by the trackside graffiti throughout the suburbs, Melbourne-based multidisciplinary artist Cam Scale was motivated to create his own art. “I grew up drawing. My parents encouraged me and tried sending me to art classes when I was young, but it wasn’t until I hit high school I showed a real interest. A close mate and I used to hang out creating mischief, mainly blowing stuff up, until we discovered graffiti,” says Scale. “After that, I was hooked. I tried to maintain some form of grades at school, but much of the time was spent out until the early hours, and then battling to stay awake in class!”
After an attempt at graphic design, Scale realised that he wanted to be drawing the pictures, not moving them around. A ten-month graffiti binge around Europe followed, and upon return Scale moved to Melbourne and began an illustration course. As an artist, Scale admits, “Melbourne just had all the opportunities and a fresh start.” The rest as they say, is history.
Considered a renowned graffiti writer and large-scale photorealist, Scale has now called Melbourne home for almost a decade. His first major solo show, ‘State Of Mind’ explores the viewer’s attitude towards graffiti, street and urban art and delves into the previously unexplored parallels of the urban and contemporary art world.