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Pixel Pancho – “Hold You Up Forever” print release

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On 26th of April Pixel Pancho will be releasing his brand new print “Hold You Up Forever”. Produced @ Sericraft studio, this 9 layer hand pulled screenprint comes in low edition of only 50 examples, all signed and numbered by the artist.
The image was originally created as a sketch for Valentines day and later developed into a print. Slightly simpler than his usual designs, it still covers his signature imagery that mixes retro robotic and human parts, showing human and robotic hand holding each other. This print comes on Fabriano Rosaspina Avorio 250gr paper measuring 18×26″ (45x67cm) with rounded corners to give that Pixel Pancho signature artwork look.

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ALL GOOD THINGS

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As the saying goes, ALL GOOD THINGS must come to an end and, after 10 amazing years, Very Nearly Almost Magazine is shutting up shop.

Finishing on a high that has seen the front cover graced by some of the brightest stars of the contemporary art world, including D*Face, Invader, Shepard Fairey, Futura, Swoon, Martha Cooper and more, the team behind VNA have made the difficult decision to draw this chapter to a close with an exhibition and forthcoming book.

In celebration of the incredible people that have made the magazine what it is, VNA are presenting their 10th Anniversary group show with some of the team’s favourite featured artists. 50+ artists make up this hand-picked selection of the world’s top talent, showing in one of East London’s longest-running contemporary urban art institutions, StolenSpace Gallery.

Showcasing work from all over the world, ‘ALL GOOD THINGS’ is comprised of original artworks, exclusive artist proofs and hand-finished prints from some of the leading international artists – artists who have helped shape the scene as we know it today. The VNA team has also assembled a tailored collection of some of the brightest new painters making waves across the globe.

The exhibition is all up for grabs, with artwork auctioned off on artFido and all proceeds from the auction sales donated to Macmillan Cancer Support. Bidding will begin at midday Thursday 27th April, closing at midnight on Sunday 30th April at:

www.artfido.com/vnamagazine

On the opening night, our VNA Newsstand will be bursting with back stock, including tees, stickers and other goodies – all at bargain prices. Hidden in amongst the stand, there will be a complete set of the VNA archive, from 1 to 35, available to buy from our private collection, including limited edition PP’s – strictly one archival item per person to keep things fair!

As with anything VNA-related, there will of course be a drink or two. Our friends at Sailor Jerry have kindly furnished us with a choice of delicious bespoke spiced rum cocktails and a deuce of their finest mixologists.

As if that wasn’t enough, we’ll be providing some of the lovely Soffle’s Pitta Chips to soak up some of the booze and giving away over a hundred free tacos from Luardos – served from Insa’s hand-painted taco truck.

The show opens for public viewing from 6-9pm Thursday 27th April and daily until the 30th April 11am-7pm at: StolenSpace Gallery, 17 Osborn St, London E1 6TD

Artists include:

45RPM, AJ FOSIK, ARYZ, BLEK LE RAT, C215, CAM SCALE, CHLOE EARLY, CONOR HARRINGTON, CYRCLE, D*FACE, DAN KITCHENER, DAVE WHITE, DAVID SHILLINGLAW, EELUS, EINE, ELK / LUKE CORNISH, ERMSY, FAILE, FINTAN MAGEE, GAIA, GEORGIA HILL, GHOSTPATROL (DAVID BOOTH), HERAKUT, INSA, INVADER, JAMES JEAN, JOE HOLBROOK, KID ACNE, LISTER, M-CITY / MARIUSZ WARAS, MOBSTR, MR JAGO, MYSTERIOUS AL, NIELS ‘SHOE’ MEULMANN, PAUL INSECT, REMI ROUGH, RONE, RONZO, RUFUS DAYGLO, SHEPARD FAIREY (OBEY), SICKBOY, STENDEC, STEVE CROSS, TOASTER, THE LONDON POLICE, TILT, TIZER, TODD FRANCIS, TOM FRENCH, TRISTAN EATON (TRUSTO CORP), VHILS, WILL BARRAS

Lister Shop – New Print Release

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Good friend of VNA and adventure painter extroadinaire Anthony Lister now has a shop!! That’s right, an opportunity to buy all things Lister. The shop holds various works and experimental products of accessible price points providing an entry-point into becoming an art collector. Lister Shop is the only place to buy “SUCKY DIP” which is an an affordable and fun way to get an original artwork by Lister with a random selection lucky dip of original artworks on paper (valued between $300-$900).

It is also the place to pick up small works on paper which are often created through observation and life moments and are the beginning point of many canvas works shown in exhibition. These drawings are an insight into Lister’s process and owning one can be seen as a token of Anthony’s initial ideas and mapping for larger works.

Lister has today launched a new unique multiple print in a limited run of only 100. ‘Warm Yellow Dancer’ is a screen print, hand embellished with ink on 300mm x 210mm 245gsm museum quality archival paper. you can cope one here, but as always, don’t sleep!

@lister_shop

@anthonylister

Hyuro For The Crystal Ship Festival in Ostend, Belgium

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Hyuro was one of 20 international and local artists that recently produced a series of fresh public works for the great The Crystal Ship festival, in Belgium’s coastal town of Oostende. Continuing her body of socially engaged and thought provoking works, Argentinian-born artist painted a signature image depicting women’s hands putting together a broken ceramic bowl.
Using pastel tones and her own trusty collection of brushes, Hyuro’s mural subtly blended with the facade of a solitary building, nicely composed within its format. The artist found an inspiration for her work in a fact that Belgium still holds the record for the longest time without government, as well as in its internal cultural and linguistic division. At the same time, the country’s capital is also a capital of the EU, which is slowly falling apart despite efforts to keep it united. This situation was nicely shown through a metaphor of rebuilding a broken ceramic which can never be put together into its original shape. By focusing on the action and the object while leaving the subject faceless and anonymous, Hyuro created a recognizable image that can be understood and applied universally, like most of her work painted worldwide. (Photo credit by @SashaBogojev)

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Fatherless presents Alternative Facts @ Stourspace

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Fatherless presents their first London exhibit ‘Alternative Facts’ at Stourspace,
7 Roach Road Hackney Wick,  London E3 2PA,
Launching on Thursday 6th April, 7-10pm, free entry
Opening Hours: 7th April – 1st May 2017, 9am-5pm daily, free entry

Fatherless, a print collective from Rockford, Illinois, has gained international attention with their print, installation and commission work using a lurid palette and bold graphic sense.

Inspired by Sister Corita and Grandmaster Flash, Fatherless tries to push back against the constant barrage of imagery and frenzied sales pitches that compete for attention everyday.  Through their bold colourful silk-screen mono-prints, they manipulate the manipulators with appropriation and satire and positive creative will, fighting against “our consumer driven, media saturated, disposable culture”.

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Heliotrope Prints Fundraiser – curated by Brooklyn StreetArt

Swoon x Heliotrope x BSA Pop-Up Opening Reception opens this Thursday, April 6 at 6 PM – 9 PM
at 88 1/2 7th Avenue, between 15th & 16th St., New York, NY – Curated by Steven P. Harrington and Jaime Rojo / Brooklyn StreetArt

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The pop-up exhibit will feature newly released sketches by Swoon Studio and limited edition prints by six world-renowned street artists:

Case Maclaim
Faith XLVII
Icy & Sot
Li-Hill
Miss Van
Tavar Zawacki (Above)

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Spencer Keeton Cunningham – Indigenous Sovereignty Protects Land Air Water

Spencer Keeton Cunningham is having an opening reception for his new solo exhibit in Vancouver BC at Antisocial Gallery this Friday March 31st, 7-10pm. The exhibit is a benefit for water protector refugees Spencer befriended while at NODAPL Standing Rock camps before native Americans were forcefully removed from their treaty land.

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The Lost Object – ‘Finder / Builder’

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The Lost Object works with discarded and abandoned materials, creating ‘Lost Objects’, a kind of collaboration between the artist and time and nature itself, incorporating the materials flaws and physical history into the work, creating something fresh and new.

“When I talk about collaboration with time and nature, I’m talking about how weather and age create many of the colours and textures in the work. The elegant forces that govern our natural world are constantly altering and effecting everything, I enjoy thinking of this as a collaboration.”

He tackles each piece with no set in stone plan, allowing the material to dictate the way in which it is used and changed.

“Essentially, I use a zen like approach to ‘lost object’ making. I’m searching for balance and harmony… The materials inform the outcome. I find what feels to be a visual balance, an aesthetic appropriateness, for whatever materials I use. It’s a form of game to me for sure, like building blocks or legos, even like chess. It is a form of meditation.”

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In his new show, ‘Finder / Builder’, The Lost Object continues with this Zen like practice but taking it towards the modern age, using more modern tools and incorporating aspects of the Binary System. Binary arithmetic uses only 1 and 0 (taken from the 5000 year old Chinese text, yin and yang) and is used in every modern computer, from iPhones to the technology used to control modern tools. In this way, Zen Philosophy is the dominant philosophy on our planet right now.

The Lost Object takes objects which the modern age has thrown away and creates something new, modern and beautiful.

‘Finder / Builder’ opens at Stolenspace on 6 April 2017 at 6pm.

Low Bros – ‘Wired’

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The Low Bros are an artist duo, made up of brothers Christoph and Florin Schmidt – formerly active graffiti writers Qbrk and Nerd. Incorporating influences taken from graffiti, hip hop, skateboarding, the Low Bros invite you to explore the ‘Low Bro universe’, an assemblage of signs and symbols embodying the conflicts of the modern age.

Their work comprises several reoccurring characters all constructed from bold geometric shapes and vivid patterns. As the viewer begins to deconstruct these forms, the complexity of their aesthetic is revealed with each symbol introducing another layer to explore. The contrast in the forms is as evident as the conflict with our human sensibilities…hardwired to progress but an innate urge to return to the past.Recognised for their vivid compositions and Retro Futuristic animal portraits, Berlin based duo Low Bros Present ’Wired’; the next chapter exploring social and individual Identity in a digital age.

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‘Wired’ marks a subtle shift in direction for the Low Bros, an adjustment in the creative scope of their work. From the nostalgic identity of a subcultural past, ‘Wired’ focuses the cultural identity of an evermore metaphysical present.

Through muted palettes and minimal compositions, ‘Wired’ centres the graphic form of the Wolf. The Wolf floats in no discernible space, often duplicated or fractured among recognisable objects from contemporary culture and nature. His surface appears to be made from hard, durable materials like concrete or marble. Like a fortress, his walls protect something vulnerable, as we explore his form, soft spots are revealed to us in pink fleshy tones. He further draws on these physical boundaries with the use of slick shades; emotional and intellectual barriers from the oncoming stares. In the surrounding negative space, we see thin copper wires shooting through the void. Despite their more engineered nature, symmetry and balance is apparent in their movement as they penetrate the space and figures alike; a unique network developing in each composition. The wolf is literally connected but what does this mean? Are the wires forming around him as a vine does a tree, or is he building and maintaining this connection himself?

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Stripped back, the Wolf has grown more powerful and his posturing counterparts from the past are nowhere in sight. His abstract, seemingly random world does not attempt to imitate life but has become symbolic of it, as have the objects which populate the space. The viewer in turn moves beyond the idea of connecting with the Wolf to learn his secrets or explore the narrative he exists in. Instead we are encouraged to reflect ourselves inside of this unrecognisable, yet familiar reality; question how we cultivate and project persona rather than identity and to whom. Like the Wolf, we are Wired..but does this make us more connected?

Opens 6 April 2017 at Stolenspace Gallery.

Brandalism & Friends launch ‘Subvertisers International’

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Over 60 internationally recognised street & visual artists including Hyuro, Escif, David De La Mano and Robert Montgomery have taken part in the world’s first coordinated ad takeover in 12 countries as part of #SubvertTheCity – a week of creative action that saw artists and the public imagining a world beyond consumerism. The artworks installed in advertising spaces share images and ideas of hope & solidarity in order to challenge the politics of fear and division that is gripping western societies.

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