This Fall marked the two-year anniversary of the mural painted by Tatiana Suarez and Kamea Hadar in the neighbourhood of Little Haiti. The collaborative mural was organised by ocean lifestyle brand, Olukai, kicking off Anywhere Aloha—a campaign which shares the spirit of Aloha globally. With the unveiling of their follow-up mural along the historic Miami River, the project’s inspiring message comes full circle.
French artist Ludo will be releasing a new lithograph titled “Victory” on Wednesday, November 30th @ 6pm (GMT+1) via EnjoyTheViolence.com. The print features an image of one of his recent paintings that are on view in Miami @ Jonathan Levine and Juxtapoz Magazine group show.
The print will be released in a low edition of only 50 + 5 AP’s (black background), all unique pieces measuring 65x55cm. Using lithography image as the base of the work, Ludo hand painted the background and green accents on each copy, using 3 layers of acrylic and making each copy unique. The edition was produced @ the legendary Idem studio in Paris, comes embossed by the studio stamp as well as signed and dated by the artist.
////Transport yourself into virtual reality_______Technology evolves faster than humans.
Coming from a graffiti background Rashe is now making art informed by his work as a graphic designer. This new body of work is inspired by new technologies and how they affect us on a day to day basis.
His process involves sketching on the computer, utilising software to create vectorised shapes. From there he uses an analogue approach, cutting paper by hand and painting shapes to play with composition and colours.
The digital revolution began with the transformation and transposition of as many “real life” activities and functions as possible into a digital entity. Today, the reverse tendency is becoming ever more apparent; the virtual is beginning to reveal itself within the actual.
What is virtual and what is literal have become intertwined in the minds and everyday lives of people or perhaps we should say Users to the extent that humans born after 1990 no longer distinguish between the two. It is presently undeniable that the Digital domain has fully immer- sed itself into the Physical realm. The construction of self is increasingly becoming conceptual rather than natural, as Jeffrey Deitch correctly prophesied in 1992, and our entire understanding of the meaning of private life has been completely redefined. It seems that a key element of the emerging collective consciousness of western societies is a desire to literally grasp, to make incarnate, the new, ethereal mental technology-driven social constructs into visceral objects, and experiences: interactive button options present in paper magazine ads, physical instagram filter panels cropping up in front of landmark London views, and 3D content being physically rendered, so users can interact with digital information in a tangible way.
What does it mean to “Like” something nowadays? Does preference hold any value without explicit declaration? What mnemonic purpose does photography hold in a social context where images must be viewed within a 6-second time frame before self-destructing?
Vectorized Reality is the place where Rashe attempts to explore such questions and possibly reveal new insights into our new cultural and socioeconomic environment of multiple realities and multiple perceptions.
‘Vectorized Reality’ opens Friday 2nd of December at Lane’s End in Fitzroy.
That’s right, it’s that time of year. The day that Everfresh open their doors to Melbourne!
This is the chance for everyone to meet the artists and to buy new and old works. The hot tip is to get in early to pick up some amazing works that have been hidden at the back of the studio draws!
The studio can only handle about 50 people at a time so there will be a one in one out policy.
The studio will be open from 12-5pm, this Saturday 3 December, with Rone, Wonder, Callum Preston, Tom Civil, Mayo and more all on hand.
Mr Jago and Eric Haacht, two of the UK’s leading abstract expressionist artists, will be brought together next month in an unforgettable new show by Fluorescent Smogg. Following on from Fluorescent Smogg’s successful run of multidisciplinary exhibitions, this one will focus solely on the medium of painting, with both artists offering something completely fresh on the abstract expressionist genre and bringing a potent blast of colour to Bristol.
Deeply expressive. Rebelliously colourful. A joyful jolt of that limitless, spontaneous creative energy of 1950s New York. These are things that Mr Jago and Eric Haacht share. They are also both interested in the power of non-representation. Mr Jago with his expansive, kaleidoscopic looseness. Eric Haacht with his distorted faces and decisive movement away from the familiar human form. Yet the real magic to this show comes from their differences. Colour bursts vs. colour warps. A cyclone of brushstokes vs. a haze of rough smears. A starkly modern response to a landscape vs. a blurred, darkly compelling interpretation of a face. A well-established artist, used to touring the global gallery circuit, vs. an emergent portrait artist and recent entrant to the gallery scene.
You can’t help but be energised by Mr. Jago’s work. It sucks you up and draws you in. While Haacht’s – heavily influenced by his fascination with the artificiality of human life and death, his belief that time is a mere ruse – leaves you interestingly unsure of what to feel. Both artists are as compelling as the other. And they relate to and deeply respect one another’s work. Yet, they draw us into different worlds. This show lights a fuse between these worlds. And it’s going to be explosive.
Private view: 1st December 2016, 7-10.30pm. RSVP for guest list Show open to public: 2nd-4th December 2016, 10am-6pm
After a three year exhibition hiatus, Drewfunk presents his second Sydney solo shot, ‘Comfort in Tears’.
‘Comfort in Tears’ will open on the 27th of November in aMBUSH Gallery in Central Park, Sydney and consists of a selection of framed works on dibond, stretched linen & canvas.
Three sculptures have been created specifically for this exhibition. There will also be a limited number of screen prints available and 10% of the proceeds will be donated to Beyond Blue.
Opening: Sunday 27 November, 2016. 5pm – 8pm.
Dates: Sunday 27 November – Wednesday 30 November.
Location: Level 3, Central Park 28 Broadway Chippendale 2008
Back for its fifth instalment, Wonderwalls Festival is returning to Wollongong from the 25th-27th of November, to paint the town from end to end.
With over 20 walls set to be blanketed with art by local, national and international street and graffiti artists, some much needed colour will spill out to the West end of Wollongong.
Live murals will be painted by artists…
45RPM, BEASTMAN, CHERIE BUTTONS, CHRIS BANKS, CLAIRE FOXTON, DAVID CRAGG, E.L.K, JARUS, ENES, FRANK AND MIMI, GARY, GEORGE ROSE, GEORGIA HILL, JESS COCHRANE, JESSEE LEE JOHNS, JOHN KAYE, JYIRO, KRIMSONE, MAID, MARSH, MAYO, MIKEY FREEDOM, PHIBS, SAGE, SCOTT NAGY, SID TAPIA, SIMON THOMAS, SION GRIFF, SIRUM, STEVE CROSS, VANS THE OMEGA
Coinciding with the festival will be the Wonderwalls Exhibition and Artist Q&A – Australia’s first ever exhibition curated by 1XRUN from Detroit, USA. Showcasing works by Wonderwalls Alumni and acclaimed artists.
Date: Friday 25th, Saturday 26th & Sunday 27th November
Time: Each day from 10am
Location: Throughout Wollongong city, see map for individual locations
We were contacted recently by Doug / @nessus50 from Denver, Colorado with these images of his hometown. He’s spent a lot of time hanging around in alleyways with a camera compiling these shots of artists in the area. All the images are of local artists pieces, which he hopes to turn into a book…
Leading Australian mural artists Rone, Adnate, Sofles, Dvate, Cam Scale, Heesco and Jason Parker have teamed up to create an epic, large-scale mural on the streets of Fitzroy.
Curated by Juddy Roller, and supported by Yarra City Council and the Department of Justice, the project showcases the talents of the seven well known, and highly respected, artists.
Each artist, all unique in style, has been given creative license to paint a dedicated section of the wall, with the only limitation being that all artworks will be portrait based.
Says artist Adnate of the upcoming project, “I’m stoked to be a part of it, I respect all of these artist so much so to have the opportunity to collaborate with them on such an awesome project is really cool. Add to that, I’ve always thought a mural on this wall would be great so the fact the Juddy Roller has managed to secure it for us is really impressive.”
The wall is located on the Rear of Fry’s Storage on Cecil Street, Fitzroy.
All images by @p1xels
Over the past few weeks and months, you may have noticed a new form of activism stealthily creeping in to subvert advertising with different messages and slogans. The disruptive medium, also known as ‘subvertising’, is often as humorous as it is unnerving.
Anti-advertising book ‘Advertising Shits In Your Head’ is a thoroughly researched and referenced publication and describes in the first part how outdoor advertising is hugely undemocratic as well as incredibly harmful to both the individual and society. In the second part the book looks at the various strategies of subvertising bodies Public Ad Campaign, Brandalism, Dr. D and Special Patrol Group, and explores the history of subvertising as a form of culture jamming that has its roots in the Situationist International.
“Once advertising has shit in your head, you’re going to need something to clean it up with; I couldn’t recommend this book more highly.” – Dr. D
Dog Section Press is currently crowdfunding for the printing costs of Advertising Shits In Your Head – you can get involved here:
We were lucky to get this ace interview from Dog Section Press Editor Vyvian Raoul about the ideas and manifestations of this new wave of artivism.