Cycling and mental health awareness project Headset open their first show, Wednesday 29th March 6pm – 9pm. The exhibition shows until Sunday 2nd April at M2 Gallery 4/450 Elizabeth St Surry Hills
Melbourne is known worldwide for its graffiti, and has many crews with a number of big names. One of these names is PORNO. Having recently dropped his very first print, we thought it best to catch the man from his lair at Everfresh Studio to get the low down.
Damo: Can you tell us a little bit about yourself?
Porno: Sure. I write Porno… ISO, CDF, LED, STD, 321, ADC, INN, WS4, WSO, ID.
I’ve been writing graff for 22 years. I started painting in 1994. My painting was originally influenced directly through hip-hop, older friends, older brothers and the people I hung out with as a hyperactive kid.
I pretty much started DJing, B-Boying, trying to MC and was part of the start a crew called “ISO” which was a hip-hop crew. Many years later that I was only really interested in painting graff. I ended up working in signage and doing a design degree. From there on I decided I wanted to get into my own signage biz because it was the most relevant thing to painting at the time for me. I had worked for numerous signage companies, became a production manager, and became really interested in production, manufacturing and technology which changed a lot of my perception of my art and my processes.
Painting is how I first I started to intertwine with people of the culture. At one point I stepped away from painting all together for a couple of years (around 2006 or 2007). I got back into it around 2008-2009 when I decided I would set up my own signage business. I met with all the guys from ‘Per Square Metre’ and got back into graffiti painting with more positive people and a fresh outlook. I ended up setting up another separate studio after ‘Per Square Metre’ ended called ‘Safe House Studio’ where it was a similar sort of vein; a heap of graffiti artists and artists who ran their own businesses from there and worked together on numerous creative projects, murals etc. The studio got its title from a police raid which occurred within the first month of opening. One of the transit police officers claimed it was a graffiti safe house!
Eventually that closed down and I moved in at the Everfresh Studio, still running my signage business. Here, I’m surrounded by all these amazing paintings and people who are proactive enough to do what they want to do. It’s invigorating and essentially it’s really motivating.
After touring globe and beautifying the streets of eight different cities, contemporary art initiative POW! WOW! returned to its hometown in Oahu, Hawaii for its 2017 festivities. Taking place between February 11th and the 18th, artists headed over to the Kaka’ako neighbourhood to create a bunch of new murals and installations. As much as the festival is about art, it’s also about music, community and culture.
These images tell the story of the island life behind the murals, as well as showing some of the brightest and best artistic talent out there right now. Some images are from a trip to Papahana Kuaola, a non-profit organization in Waipao that provides aina based learning experiences focused on connecting the area’s past with a sustainable future.
Artists from overseas this year included: Careaux, Cinta Vidal, Dan Witz, Defer, The Draculas, Drew Merritt, Evoca, Glazed Paradise, James Jean, Joram Roukes, Kevin Lyons, Maya Hayuk, Michelle Tanguay, Mr. Jago, Oakoak, OG Slick, Ouizi, PichiAvo, Shok-1, Tara McPherson, Tavar Zawacki (Above), Telmo Miel and Woes, alongside local Hawaiian artists Beak, Ckaweeks, Dak1ne, Devour, Gavin Murai, Hoven, Jasper Wong, Jeffrey Gress, Kai Kaulukukui, Kamea Hadar, Kaplan Bunce, Katch, Lucky Olelo, Maek, Mason Rose, Mung Monster, Ran Noveck, Prime, Puff, Rolando Venegas, Solomon Enos, Soker, Uglykids, Whomu and Wooden Wave.
The awesome force of nature that is Swoon headed back to Haiti to get stuck into her latest project, helping repair and rebuild the communities as part of the Konbit Shelter project. In her own words, she tells us about the work she is doing there:
“With great joy, we have begun to build our bamboo home in Haiti. Architect Joana Torres and I arrived last week, joining forces with the team in Cormiers. There’s a lot of excitement in the air, and much to be done over the next few months.”
German artist Christian August aka KID CASH belongs to the most active post-urban artists of his
generation. The exhibition titled VERY NECESSARY subsumes his work of the last three years and
leads to a new body of works which will be on display at Urban Spree Galerie for the first time. The
title of the exhibition refers to his work in public spaces and hints comically to the necessity of
showing these artworks in a gallery context.
Mark Bodé is set to launch a new Augmented Reality Graphic Novel, based on one of Vaughn Bodé’s earliest works, Cobalt 60.
In the late Sixties, Vaughn Bodé was one of the most influential and controversial artists in publishing. Creator of such iconic characters as Cheech Wizard, Da Lizard, and Cobalt 60, Vaughn’s Eisner and Hugo award-winning artwork caught on with the early street artists of New York, as well as with underground comic and satire publishers. This included National Lampoon, who ran his Cheech Wizard strip for years.
This April, after 15 years of continuous and successful festivals in their hometown of Stavanger, Nuart Festival will be hosting their first edition outside Norway. Coming to UK for the first time, they recently announced Nuart Aberdeen that will take place from Friday 14 – Sunday 16 April.
Staying true to their tested and proven concept, the project will include a series of site-specific murals, installations, interventions, and temporary exhibitions, along with a program of talks, presentations, film screenings, walking tours and workshops. Always focused on redefining the public space, bringing art to uncommon places and triggering critical and creative thinking with the general population, this initiative was recognized by the Aberdeen Inspired and Aberdeen City Council who were looking for a special way to mark Aberdeen’s year of ‘History, Heritage and Archaeology’. With this in mind the festival seeks to reveal how street art can create an environment for a more imaginative use of public space, encourage community engagement, make art accessible to all, and create talking points in the city, as well as brightening up neglected spaces in the city center.
The organizers recently announced the lineup which includes 11 international artists, mostly Nuart’s long time friends and collaborators – Robert Montgomery, Fintan Magee, Herakut, Add Fuel, Isaac Cordal, M-city, Jaune, Martin Whatson, Julian de Casabianca, Nipper and Alice Pasquini.
Following the trend of similar establishments in Hong Kong and New York, Amsterdam recently opened doors to Europe’s first Street Art Bar – “De Bajes”. Located on Rembrandtplein, at the very end of the vibrant Utrechtsestraat, this unique place has been opened to business since February 16th.
With inside murals painted by the likes of D*Face, Ben Eine, The London Police, Jaune, Hugo Kaagman, Laser 3.14, Bortusk Leer and many others, “De Bajes” offers an unique opportunity to enjoy these works while enjoying your favorite drink or meal. The name of the place is a Dutch slang for ‘prison’, but the original Yiddish meaning is actually ‘home’, and coziness is one quality that is very important to the owners, as it is for all the Dutch people. Along with permanent murals that were painted recently, the place will host a variety of exhibitions for big names and up and coming street artists in collaboration with Vroom & Varossieau gallery. Currently they are displaying works by Laser 3.14, Soren Solkaer, Red Mice District and Cranio, with much more artist being lined up for the future. Aside from exciting art, “De Bajes” offers exciting menus for breakfast, lunch and dinner during day, as well as cocktails, craft beers, bar bites and a diverse DJ-programming. (Photo credit by Peter Baas)
“I wanted to create a body of work that reacted to the Australian suburbs as a whole. They have informed so much of our national identity but seem to undermine a deeper understanding of history and landscape in this country. This work is a reaction to that.” – IAN STRANGE
Curated by Vandalog Editor-in-chief RJ Rushmore on the 50th anniversary of modern graffiti, ALL BIG LETTERS approaches the medium as fundamentally entangled with its tools. Investigating graffiti as a site of stylistic innovation where the sense of place, the excitement of sport, and the search for fame intersect, the exhibition considers primary yet lingering questions about the medium: Why does graffiti look like that, and why is it on my wall? ALL BIG LETTERS suggests that every aspect of graffiti can be understood as an effort to maximize reputation through novel uses of instruments and other innovations.
Video Produced by Peter English
Archival Video of Jordan Seiler by Aymann Ismail / Courtesy of Slate Magazine
Smart Fools Video by Smart Crew
Music by Watermark High