Archive / Social

RSS feed for this section

‘Lateralisation’ – Liam Snootle

L A T E R AL I S AT I OИ
noun
[lat-er-uh-luh-zey-shuhn]
The functional specialisation of the brain with some skills, such as analytical and mathematical occurring primarily in the left hemisphere and others, such as perception of visual and spatial relationships occurring primarily on the right.

Liam Snootle presents new paintings that encourage an internal dialogue by stimulating the viewer’s lateralisation.

VNA: It’s been 12 months since we last spoke, what has been happening in your world?
LS: Yes, well if I’d said it’d gone quickly I’d be lying. At the time of my last show we were blessed with the very early arrival of our first child, little George. He had a pretty hectic first few months, I think it was 137 days in the hospital but now he is home and doing amazingly well, such a happy and inspiring person.

Liam_Snootle_31082017_038_08
Photo: Nik Epifanidis

VNA: How has the birth of your son changed the way you look at things? Has it changed your artistic practice at all?
LS: I’d have to say it has completely changed me, priorities have been totally reworked. I struggled to find time to paint but I’m in such a great space at the moment, after a really tough time and I’d like to think this newfound optimism and inspiration is reflected in my latest body of work which has come together nicely.

Liam_Snootle_31082017_050_12
Photo: Nik Epifanidis

VNA: Tell us a little about ‘Lateralisation’. There is often a lot in the name of a show, why did you go down the ‘Lateralisation’ path?
LS: Lateralisation is the theory that people have a tendency to use different hemispheres of their brains in different ways, a preference of one over the other, mathematical/analytical on one and creativity on the other. I’ve always felt I did both of these naturally and these paintings are my attempt a creating an environment where the viewer was forced to get both hemispheres working in unison.

VNA: What is the make up of the show? Is there a piece you are particularly proud of?
LS: Most of the paintings are diptychs of colour blocks with a black and white dynamic geometric expression. I’m hoping that the two halves complement one another. I’m fond of all of them but there is a personal favourite that I’m hoping stays unsold (they probably all will).

Liam_Snootle_31082017_036_07
Photo: Nik Epifanidis

VNA: What do you hope people will take away from the show? What messages (if any) are you trying to convey to your viewers?
LS: I’m hoping that people that usually walk away from contemporary art saying “I don’t get it” might have an awakening.

VNA: If you could collaborate with anyone, who would you choose and why?
LS: I’ve got a soundtrack that plays during the show which was designed and recorded by my brother, Dylan. He’s an amazing singer, songwriter and guitarist and I guess this was our first art/music collaboration. It’s something I’d love to build upon for future projects.

Liam_Snootle_31082017_019_02
Photo: Nik Epifanidis

VNA: When we last spoke, you commented on the generational gap between you and your students ever increasing and your goal is to make art full time. How is that journey coming along?
LS: Oh yeah that gap is getting wider and wider, they’ve just made me realise that cool music is now called Dad Rock and that my preference for double denim is downright embarrassing. As far as full time art is concerned, well I still have a mortgage and the bank insists that I keep going back to the classroom most days!

@liamsnootle

‘Lateralisation’ opens this Friday at ‘Off the Kerb Gallery’ 66B Johnston St, Collingwood.

‘Happy Never Ending’ – D*Face

image003-2

On Saturday, September 23, Downtown Los Angeles’ Corey Helford Gallery (CHG) will premiere the long awaited new solo exhibition from world-renowned UK-based multimedia street artist D*Face, entitled “Happy Never Ending.”

As one of the most prolific contemporary urban artists of his generation, D*Face (a.k.a. Dean Stockton) has been at the forefront of his practice since his initial breakthrough in 2005. Working with a variety of mediums and techniques, he uses a family of dysfunctional characters to satirize and hold to ransom all that falls into their grasp – a welcome jolt of subversion in today’s media-saturated environment.

His ambition is to encourage the public eye not just to “see” but to carefully consider the surroundings of our day-to-day, and society’s increasingly bizarre fascination with celebrity culture and mass consumerism.

“For me this work is about the tragedy of losing someone you love. Not just in the physical sense of death but also in the metaphorical way that romance has become such an artificial thing in recent years. Courtship used to be a craft, something careful and considered; marriage was an everlasting bond of trust and commitment. Today though, romance is comparable to a shop bought commodity – instantly attainable at the touch of a button or swipe of a screen. In a constant search for someone or something better, people treat others as if they were mere objects – infinitely attainable and instantly disposable.” – D*Face

image001-2

By rethinking, editing and subverting imagery drawn from decades of materialistic consumption – currency, advertising and comic books, D*Face transforms these now iconic motifs, figures and genres in order to gain new insight into today’s conspicuous society. Describing his work as aPOPcalyptic, D*Face seeks to pick up where the masters of 80s American Pop left off – to establish a very real, albeit tongue and cheek criticism of our consumer dominated world.

“With this new series of work I wanted to re-kindle the lost romance of a bygone era, back when, even in death, the memory of a loved one could last an eternity and a marriage went beyond just a symbolic gesture. For the show I want to construct a mini chapel where we can actually hold a real ceremony and a graveyard in which I want people to leave momentos to the people they have lost. If romance is truly dead, then I want to resurrect it for the modern age

The influence I’ve taken from pop-masters like Roy Lichtenstein allows my work to give the clearest possible narrative. At the same time, it offers something more, something beyond the surface of the work – a darker side to pop that resonates with society of today.” D*Face

image002

The opening reception for “Happy Never Ending” will be hosted Saturday, September 23 from 7-11pm in Gallery 1 at Corey Helford Gallery. The reception is open to the public and on view through October 21. D*Face is recently ordained and in connection with the theme of his show (to resurrect romance in the modern era), he will perform a real marriage ceremony during opening night in front of a chapel installation inside the gallery.

@dface_official

For Syria’s Children – presented by ELK and Emma Zoller

FSC

Formed in mid-2017 by international artist ELK (Luke Cornish) and Emma Zoller, For Syria’s Children (FSC) is an Australian fundraising project aiming to provide financial assistance to young Syrians that have been tragically affected by the relentless Syrian civil war.

FSC’s sole objective is to raise vital financial aid that will be directly provided to a number of local (on the ground) Syrian organisations that are in desperate need of supplies for basic amenities in orphanages, medical facilities and schools.

For Syria’s Children [FSC] is hosting a sale and auction of urban art to assist the Children of Syria.

All of the participants have generously donated a signature piece of their work for the exhibition, with all artworks availablefor purchase prior to the exhibition here.

The remaining pieces will be available through silent auction at the event’s official closing. The show features an extensive list of Australia’s most respected urban artists including Adnate, Anthony Lister, Rone, ELK, HA-HA and more.

FSC believes in providing absolute transparency as to how donations will be used.
There will be minimal fees involved for the fundraising event and for the provisions for the nominated FSC representativesto travel to and from Syria to deliver the financial aid. There will be no other major administrative costs, allowing for a large percentage of all donations to be delivered directly to Syria’s most vulnerable.

Silent Auction and Official Party: Thursday 28 Sept at Besser Space Gallery, 15-25 Keele Street, Collingwood.

Irikanji by Facter

Over the past two decades, Australian street artist Facter has created a world of fantastical creatures inhabiting a far future, post-singularity apocalyptic realm called “The Known”. These creatures, known as Irikanji, are the result of years of creating illustrations and sharing them as colourful murals on the walls of cities across the world.

Irikanji_2017_Collection

Transforming his street art and illustrations into hand made sculpted beings, the Irikanji are physical manifestations of the many inhabitants that reside within his imagination.

Irikanji_2017_Joeji_10

Irikanji_2017_Joeji_Boxed_3

Facter will be releasing the first limited editions of Irikanji at the Taipei Toy Festival in October 2017, where he is looking forward to introducing toy lovers and new collectors to his futuristic universe.

Irikanji_2017_Kanjiroo_1

For the full story on all the Irikanji as well as purchasing details hit up http://www.irikanji.com and follow @facter.

MIRROR STAGE by KIM HYUNJI

Screen Shot 2017-09-12 at 8.04.57 PM

Kim Hyunji has created a collection of portraits that uncover each of her models carefully curated social media personas to find true beauty in the discarded remains, deemed unfit for projection. The collection, titled Mirror Stage, is an honest counter point to the rise of the online persona that bravely evokes feelings of love, alienation, angst, and hope.

Screen Shot 2017-09-12 at 8.06.11 PM

Kim Hyunji, aka KIM KIM KIM, is a painter from South Korea, currently based in Melbourne, Australia. Recognising Australia’s multiculturalism and diversity, Hyunji’s main subjects are the culturally attuned creatives of her generation, the Millennials. In real life and social media, she often observes the impacts of a globalised society – its conveniences, and pitfalls. Her unique style of portraiture is intended to portray the issues this generation is facing.

Opens Friday, Sept 15th and is on display until Sunday, Oct 1st – Backwoods Gallery.

@kimkimkimxx

‘Equilibrium’ – SENEKT

Harmony rings within the chaos of society. As life’s ups and downs cancel each other out, a sense of balance can be found. Wrestling with positive and negative forces, Senekt’s solo exhibition explores the impacts and outcomes of life’s fluctuating experiences. With artworks fuelled by emotion, Senekt’s surreal style is highlighted by the mood, colour, and balance of each piece.

Senekt portrays the dissemblance of his own reality through hyper-realistic drawings flooded with colour and surreal dimensions. The Japanese painter from Kyoto has been based out of Melbourne, Australia since 2013. Inspired by friendships, photographs, disjointed memories, everyday experiences, and daily occurrences, Senekt found balance through creation. His figurative, yet abstract style confront the nature of instinct as Senekt aims to not only deconstruct the human physicality, but also its psyche.

On display at Backwoods Gallery from August 25th-27th, the artwork, created in coloured pencil, aerosol and watercolour spans throughout three rooms. Fuelled by love/hate, good/evil, and ever-present mindfulness, Senekts’ large suspended installation portrays his unique perspective on equilibrium in society.

Request an exhibition catalogue from: sales@backwoods.gallery

‘Crossed Wave’ – New Works by Kai and Sunny

Screen Shot 2017-08-18 at 4.54.39 PM

Subliminal Projects (LA) welcomes back UK-based artist duo Kai & Sunny for their second solo exhibition at Subliminal Projects titled, ‘Crossed Wave’. The exhibit will showcase new works of archival ballpoint pen on paper and acrylic on primed aluminium panel. As part of the exhibition, the artists will collaborate once again with Subliminal Projects founder, artist Shepard Fairey, on an original pen piece to be featured in the exhibition. The artists will also be releasing a screen print edition available in two color variations signed by Fairey and Kai & Sunny, to be released at the opening reception.

Screen Shot 2017-08-18 at 4.52.45 PM

Crossed Wave is comprised of two narratives; fluid deconstructed landscapes representing a calm isolation, and hard-edged geometrics exuding energy and optimism. These parallel concepts are characterized by the duo’s hallmark precision line- work, a slow methodic process of building individual thin lines upon each other creating tense kinetic compositions while a certain fragility remains. The tidal-like waves and intense sunbursts hint at the changing environment we live in and the fragile planet we all share.

Screen Shot 2017-08-18 at 4.52.09 PM

As part of the exhibition, there will be an exclusive giveaway, four limited edition skate decks and a new Kai & Sunny print release available.

KAI & SUNNY (born 1975 and 1977, respectively) are a UK based artist duo. They both graduated from the Epsom School of Art in Surrey, United Kingdom with degrees in Art and Design. They have collaborated with author David Mitchell, designer Alexander McQueen, artist Shepard Fairey and have won numerous accolades, including a 2012 D&AD Design Award and a 2015 LIA award. Works by Kai & Sunny have been exhibited internationally at institutions such as Haunch of Venison, Jonathan Levine Gallery in New York and are included in the Victoria & Albert Museum Print Archive Collection.

Screen Shot 2017-08-18 at 4.51.46 PM

@kaiandsunny

@subliminalprojects

‘Chaise Lounge’ by Stephen Baker – print release

Screen Shot 2017-08-03 at 9.19.26 PM

Stephen Baker is a Melbourne based Artist and Graphic Designer working from the Everfresh Studios. This is Stephen’s second screen-print release with Dangerfork Print Co and much like the first screen-print edition, they got Steve in to hand paint the outline layer directly onto the film to preserve the original texture and add an analogue detail to help bring the print to life. The seven colours are all hand mixed to perfection and the final pink outline colour printed using a hi-build screen to add some height to the ink and give some extra texture to the print.

Print: Chaise Lounge
Printing: 7 Colour screen print
Paper: Rosapina 285gsm cotton rag
Size: 880mm x 650mm
Number in Edition: 40 hand signed and numbered
Price: $320.00AUD

Now available at DANGERFORK!

Badgirl Garden

Screen Shot 2017-08-02 at 8.31.04 PM

Stayfly Sydney recently launched a night called Badgirl Garden which showcases female performances along with art installations by designers Ailie Banks & Merindah Funnel.
The stage is owned by rappers, singers and DJs who entertain the crowd, while live art is painted on canvas by artists from the collective.

Badgirl Garden is a space created by a team of women smashing into the Sydney arts and music scene. Every event they create is a safe place for women, men and the LGBTIQ community to congregate, congratulate and party! The goal is to to bring parties and events where everyone can celebrate and support the up and coming female artists of every caliber.

This Thursday Badgirl Garden will be bringing new names to the line up, exciting acts and local artists.

DJ LOU LOU
LADY LASH (Mel)
ALPHAMAMA
JANNAH BETH
JACQUIE MALI

LIVE ART by STYNA & SOPHI ODLING

3 August 2017
9pm start – $5 entry
Slyfox, 199 Enmore Road

@badgirlgarden