Archive / Shows & Events

RSS feed for this section

INTERMISSON

‘Intermission’ is an experimental exhibition taking place at the former Collingwood Technical College (Melbourne, Australia). The buildings that form the Collingwood site have been a place of learning, creativity and collaboration since its days as the Collingwood School of Art and Design in 1871. Most of the site has remained unoccupied and vacant for 12 years, but is now on the eve of becoming a working arts precinct and cultural hub.


Photo: Nicole Reed

In the interval, a diverse crew of artists, curated by Goodie, are producing and installing work over three floors of one of the heritage buildings. The show brings together a line-up of local, national and international artists, of varying ages, genders, backgrounds and practices, ranging from graffiti, murals, installation, performance and sculpture.


Photo: Nicole Reed

In the building’s current state, emptiness is an opportunity to experiment, collaborate, exhibit and develop new work in a unique space with a long history. Intermission seeks to connect artists and artistic communities, and showcase various voices and modes of making and exhibiting work.


Photo: Nicole Reed

Featuring: 23rd Key, Abyss 607, Askew, Deams, DNART, EARS, Finn Astle, Goodie, Goon Hugs, Hannah Beilharz, Hiroko Okada, Jason Parker, John Aslanidis, Josie Alexandra, Junky, Justine McAllister, Kaff-eine, Kenz, Kitt Bennett, Lester Francois, LucyLucy, Mic Porter, Nicole Reed, Odeith, Putos, Simon Beuve, Slicer, Sofles, Tom Gerrard, Tyson Campbell


Photo: Nicole Reed

Grand opening Saturday 13th January 2018 from 3pm – 6pm.

14th – 21st January 2018 – Show open between 10am – 4pm

@intermission_project

“Wool Tang Clan” @ Regalerija, Croatia

Well known Croatian graffiti artists, Lunar, SmackMosk Ronald Lindgreen, recently opened a quirky group show organized in collaboration with Regeneracija, a local company that recycles textile and produces floor coverings. Under the title “Wool Tang Clan” they managed to transform some of their creative visions to an usual medium – woolen carpets.

Opened on December 20th 2017 @ Regeneracija’s Regalerija show space in Zabok, Croatia, the artists challenged their creativity by introducing graffiti-influenced knitted works. Intrigued by the unusual medium and a chance to produce work with such atypical technique and format, the artists boldly stepped away from their comfort zones for this exhibition. In such manner Mosk created somewhat conceptual piece spelling “WHO NEEDS A CARPET ANYWAY”, reducing the household object to minimum, completely cancelling or at least questioning its purpose. His friend Smack created a large round piece based on a pixelated macro shot of one of his actually graffiti pieces. Showing such strict structure with such organic and soft medium, the artist created a vibrant piece next to his actual tag created from bundles of wool. One of Croatia’s most prominent urban artists and initiator of this project, Lunar, successfully translated his cartoon-like imagery into this new medium, similar to Ronald Lindgreen whose watercolor landscapes turned out to be a perfect motif for knitted rugs.

Instagram.com/slavenlunar
Instagram.com/smack184
Instagram.com/mosk83

Continue Reading →

‘New Meaning’ – Shida

Shida’s work explores the interlinked relationship between ritual, sexuality and love. Psychedelic entities are entwined in ceremonial acts, transcending the boundaries of known reality. In a world where society’s issues are becoming increasingly gendered and people are seemingly more divided than ever due to the rise of identity politics, Shida seeks to turn this tide like an ancient shaman with each of these works being, in essence, an invocation, an energetic manifestation, a prayer to joy.

Continue Reading →

Ian Strange – ‘ISLAND’

Standard Practice Gallery is thrilled to announce the international debut of Australian artist Ian Strange’s acclaimed exhibition, ISLAND to American audiences at 149 West 14th Street from November 19th – December 16th.

Continuing Strange’s investigations into the home, ISLAND features large-scale photographs documenting interventions onto suburban houses, paintings, sculpture, artefacts, found photography, research and a new limited edition publication.


Ian Strange, ‘SOS’, Archival Photographic print, Documentation of site-specific intervention 2015 – 17

ISLAND approaches the iconic symbol of the suburban home through the metaphor of the desert island – a place of refuge, protection and personal sovereignty, but simultaneously entrapment and isolation – offering an unsettling look at our deep psychological relationship with the places we live.

‘ISLAND’ OPENING EVENT:
Saturday Nov 18th
Open to the Public
6pm – 9pm

Exhibition Duration:
Sunday 19th November – Sat 16th Dec, 2017
Open 10am – 6pm daily

149 West 14th St
(Between 6th and 7th)
New York, NY


Image: Ian Strange, Untitled series, Oil pastel on found vintage photograph 2015 – 17

Photographs by Rennie Ellis and p1xels: Capturing the message – protest, graffiti and art

Photographs by Rennie Ellis and p1xels: Capturing the message – protest, graffiti and art draws on the extensive work of documentary photographer Rennie Ellis, who documented life of the 1970s and 1980s, juxtaposed with contemporary artist p1xels’ street photography.
The exhibition encourages debate about imagery and messaging in the public domain and how we respond – from local experiences, to those across Melbourne.


photo: p1xels

Photographs by Rennie Ellis and p1xels: Capturing the message – protest, graffiti and art showcases the importance of photographers documenting ephemeral aspects of our urban landscape – through their lenses they frame the political, social and cultural discourse in our public spaces.

photo: p1xels

Ellis’s photographs capture word-based graffiti of the 1970s and 1980s, which were an effective method of communicating a social message on a large scale in the days before social media. The Ellis works selected highlight that some of the concerns that were raised in the 1970s and 1980s still resonate today such as the environment and gender issues. Ellis’ framing of these political statements sits alongside the current visual records by p1xels Melbourne catalogue.


photo: p1xels

Images captured in recent times by p1xels provide a different insight where messages are still communicated on walls, but may be conveyed in a more subtle form using illustrative imagery in addition to text. The exhibition investigates the disparate styles of photographing graffiti from the documentary style of Ellis’ photography to the more aesthetic approaches of p1xels photographs.


photo: p1xels

The exhibition will be officially launched at 6pm, Thursday 30 November 2017 at The Gallery, St Kilda Town Hall. Exhibition dates: 29 November to 22 December 2017

@p1xels


photo: p1xels

A few questions with Scott Albrecht

Last time I saw Scott, we were playing ping pong at The Marcy Project in Brooklyn.  Sadly for me, he beat me in a best of 7.  It still stings a bit.  I mention it here as a form of therapy I think.  Anyway, I’m catching up with him now as his two person show with Mary Iverson called ‘Correspondence’ has just opened at Andenken in Amsterdam on November 11th.

Continue Reading →

Dscreet’s Dirty Protest: A Tremendous Trump Tower Takeover

TRUMP TOWERS BROKEN INTO & TRASHED BY LEGENDARY STREET ARTIST

After a hugely successful opening, Twumps is closing it’s doors this weekend. Twumps will be ending with a YUGE bang as well-known graffiti artist Dscreet “breaks in” and trashes the joint. Mimicking a break in to Trump’s very own penthouse, Dscreet films his break into Twumps, spray paints the walls, and even takes a “dump” on Trump’s desk.

Continue Reading →

Secret Walls x Melbourne / #PaintWillSpill World Tour

Screen Shot 2017-10-26 at 5.23.33 PM

Secret Walls began back in 2006 in a small bar in East London, it was small and intimate yet had the potential to be so much more. Years of hard work, dedication and a strong following has meant Secret Walls has pushed the boundaries and raised the bar for artists and promoters alike on an international stage.

Secret Walls is the world’s premier live illustration battle. Working in a similar way to Fight Club, Secret Walls battles are set up and promoted through word of mouth and social media with battles taking place between two individuals or teams of artists.

On Monday November 6, Melbourne will once again play host to this prestigious event. Fighting it out at Melbourne’s The Vic Bar will see Callum Preston and Heesco vs. Jack Douglas and Unwell Bunny….

Continue Reading →

‘FACING DECONSTRUCTION’ by Unwell Bunny

Screen Shot 2017-10-15 at 7.09.33 PM

‘FACING DECONSTRUCTION’ by Unwell Bunny is somewhat of a self-portrait for Unwell Bunny otherwise known as Ed Bechervaise. It represents a point of reflection both on himself and the urban art movement he has a lengthy relationship with. Captured are faces of Ed’s contemporaries, mentors, figure heads and the new breed of an independent disestablishment art movement.

‘FACING DECONSTRUCTION’ opens at Backwoods Gallery on October 20th from 6pm. Visit the exhibition page for more information. In the lead up to the show, Ed sat down with Damo….

Damo: We’ve finally managed to actually speak in person! Could we just start with who is ‘Unwell Bunny’ and how do you describe your current style?

Unwell Bunny: Unwell Bunny is kind of like my second artistic incarnation; an incarnation of Ed Bechervaise and my first graffiti name in Adelaide that I ran for about seven years. Moving to Melbourne I felt the need to reemerge in a slightly different form and Unwell Bunny was the reemergence. It came from a comic book that I did very early on in about 2002 or 2003 whilst I was actually witnessing the Melbourne street art boom happening. I had not quite ten years’ graffiti heritage and the street art boom was just completely new and I’d never experienced anything like that before. So, Unwell Bunny is the reincarnation of my graffiti past in a new form which has gone on to resemble urban contemporary art -giving me another sphere to project myself beyond my own name.

This allows the work to have secondary perspective on things and that works quite well for me. Keeping my name as a part of the linkage to my artistic practice with Unwell Bunny being an easier vehicle to move forward with.

Face one 700 x 600
Continue Reading →