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Ian Strange – ‘ISLAND’

Standard Practice Gallery is thrilled to announce the international debut of Australian artist Ian Strange’s acclaimed exhibition, ISLAND to American audiences at 149 West 14th Street from November 19th – December 16th.

Continuing Strange’s investigations into the home, ISLAND features large-scale photographs documenting interventions onto suburban houses, paintings, sculpture, artefacts, found photography, research and a new limited edition publication.


Ian Strange, ‘SOS’, Archival Photographic print, Documentation of site-specific intervention 2015 – 17

ISLAND approaches the iconic symbol of the suburban home through the metaphor of the desert island – a place of refuge, protection and personal sovereignty, but simultaneously entrapment and isolation – offering an unsettling look at our deep psychological relationship with the places we live.

‘ISLAND’ OPENING EVENT:
Saturday Nov 18th
Open to the Public
6pm – 9pm

Exhibition Duration:
Sunday 19th November – Sat 16th Dec, 2017
Open 10am – 6pm daily

149 West 14th St
(Between 6th and 7th)
New York, NY


Image: Ian Strange, Untitled series, Oil pastel on found vintage photograph 2015 – 17

Photographs by Rennie Ellis and p1xels: Capturing the message – protest, graffiti and art

Photographs by Rennie Ellis and p1xels: Capturing the message – protest, graffiti and art draws on the extensive work of documentary photographer Rennie Ellis, who documented life of the 1970s and 1980s, juxtaposed with contemporary artist p1xels’ street photography.
The exhibition encourages debate about imagery and messaging in the public domain and how we respond – from local experiences, to those across Melbourne.


photo: p1xels

Photographs by Rennie Ellis and p1xels: Capturing the message – protest, graffiti and art showcases the importance of photographers documenting ephemeral aspects of our urban landscape – through their lenses they frame the political, social and cultural discourse in our public spaces.

photo: p1xels

Ellis’s photographs capture word-based graffiti of the 1970s and 1980s, which were an effective method of communicating a social message on a large scale in the days before social media. The Ellis works selected highlight that some of the concerns that were raised in the 1970s and 1980s still resonate today such as the environment and gender issues. Ellis’ framing of these political statements sits alongside the current visual records by p1xels Melbourne catalogue.


photo: p1xels

Images captured in recent times by p1xels provide a different insight where messages are still communicated on walls, but may be conveyed in a more subtle form using illustrative imagery in addition to text. The exhibition investigates the disparate styles of photographing graffiti from the documentary style of Ellis’ photography to the more aesthetic approaches of p1xels photographs.


photo: p1xels

The exhibition will be officially launched at 6pm, Thursday 30 November 2017 at The Gallery, St Kilda Town Hall. Exhibition dates: 29 November to 22 December 2017

@p1xels


photo: p1xels

A few questions with Scott Albrecht

Last time I saw Scott, we were playing ping pong at The Marcy Project in Brooklyn.  Sadly for me, he beat me in a best of 7.  It still stings a bit.  I mention it here as a form of therapy I think.  Anyway, I’m catching up with him now as his two person show with Mary Iverson called ‘Correspondence’ has just opened at Andenken in Amsterdam on November 11th.

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Dscreet’s Dirty Protest: A Tremendous Trump Tower Takeover

TRUMP TOWERS BROKEN INTO & TRASHED BY LEGENDARY STREET ARTIST

After a hugely successful opening, Twumps is closing it’s doors this weekend. Twumps will be ending with a YUGE bang as well-known graffiti artist Dscreet “breaks in” and trashes the joint. Mimicking a break in to Trump’s very own penthouse, Dscreet films his break into Twumps, spray paints the walls, and even takes a “dump” on Trump’s desk.

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Secret Walls x Melbourne / #PaintWillSpill World Tour

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Secret Walls began back in 2006 in a small bar in East London, it was small and intimate yet had the potential to be so much more. Years of hard work, dedication and a strong following has meant Secret Walls has pushed the boundaries and raised the bar for artists and promoters alike on an international stage.

Secret Walls is the world’s premier live illustration battle. Working in a similar way to Fight Club, Secret Walls battles are set up and promoted through word of mouth and social media with battles taking place between two individuals or teams of artists.

On Monday November 6, Melbourne will once again play host to this prestigious event. Fighting it out at Melbourne’s The Vic Bar will see Callum Preston and Heesco vs. Jack Douglas and Unwell Bunny….

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‘FACING DECONSTRUCTION’ by Unwell Bunny

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‘FACING DECONSTRUCTION’ by Unwell Bunny is somewhat of a self-portrait for Unwell Bunny otherwise known as Ed Bechervaise. It represents a point of reflection both on himself and the urban art movement he has a lengthy relationship with. Captured are faces of Ed’s contemporaries, mentors, figure heads and the new breed of an independent disestablishment art movement.

‘FACING DECONSTRUCTION’ opens at Backwoods Gallery on October 20th from 6pm. Visit the exhibition page for more information. In the lead up to the show, Ed sat down with Damo….

Damo: We’ve finally managed to actually speak in person! Could we just start with who is ‘Unwell Bunny’ and how do you describe your current style?

Unwell Bunny: Unwell Bunny is kind of like my second artistic incarnation; an incarnation of Ed Bechervaise and my first graffiti name in Adelaide that I ran for about seven years. Moving to Melbourne I felt the need to reemerge in a slightly different form and Unwell Bunny was the reemergence. It came from a comic book that I did very early on in about 2002 or 2003 whilst I was actually witnessing the Melbourne street art boom happening. I had not quite ten years’ graffiti heritage and the street art boom was just completely new and I’d never experienced anything like that before. So, Unwell Bunny is the reincarnation of my graffiti past in a new form which has gone on to resemble urban contemporary art -giving me another sphere to project myself beyond my own name.

This allows the work to have secondary perspective on things and that works quite well for me. Keeping my name as a part of the linkage to my artistic practice with Unwell Bunny being an easier vehicle to move forward with.

Face one 700 x 600
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‘Content by the Kilo’ – Callum Preston

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‘Content by the Kilo’ is Callum Preston’s first venture north to exhibit artworks from his home town of Melbourne, with Church Brisbane being the perfect venue considering his history creative visual work in the music industry.

The artworks are a collection of what he calls ” fast and loose” butchers shop signs, the kind of thing you would have seen as a kid while shopping with a parent, proclaiming the finest cuts, the cheapest prices or the freshest produce. Big bold and eye catching, from a time before social media, you wanted to say something, you wrote it down and put a splash of neon around it.

Callum sat down with Damo over at Everfresh Studios to have a yarn about his show and what else is happening in his world.

Damo: Thanks for taking the time to hang out today. Can you introduce yourself and talk about your various artistic practices?

Callum: My name is Callum Preston I am based out of Everfresh Studios in Collingwood (Melbourne, Australia). I’ve been part of Everfresh since around 2004/2005 when I was a lot younger. I’m currently 33 and I’m a full-time… I don’t really have a full-time title but I’m sort of a full-time artist / designer / sculptor. It’s kind of very blurry; basically I’ll have a go at anything. That’s sort of my motto. I have just come to accept that I don’t really like the ‘jack of all trades, master of none’ phrase. I think it’s not as simple as that, it’s more that will do a lot of things to the best of my ability and then I have to decide whether I think that’s an acceptable quality. I’m sort of still finding my feet in all elements of my practice but I really am enjoying myself.

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‘OPEN HOME’ – Ian Strange

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OPEN HOME is a new 2-day project by artist Ian Strange.

Creating a site-specific intervention onto the exterior of a suburban home in Melbourne, Australia and transforming the interior to display film, photographic and installation works.

‘OPEN HOME’ OPENING NIGHT:
FRIDAY OCT 6th
6pm – 9pm

25 Clifton Street
Richmond, Victoria
AUSTRALIA

PROJECT OPEN:
SAT 7th and SUN 8th
10am – 6pm

For any information about the project or to request an advanced catalogue please contact Jedda Andrews; jedda@jmaprojects.com

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‘Lateralisation’ – Liam Snootle

L A T E R AL I S AT I OИ
noun
[lat-er-uh-luh-zey-shuhn]
The functional specialisation of the brain with some skills, such as analytical and mathematical occurring primarily in the left hemisphere and others, such as perception of visual and spatial relationships occurring primarily on the right.

Liam Snootle presents new paintings that encourage an internal dialogue by stimulating the viewer’s lateralisation.

VNA: It’s been 12 months since we last spoke, what has been happening in your world?
LS: Yes, well if I’d said it’d gone quickly I’d be lying. At the time of my last show we were blessed with the very early arrival of our first child, little George. He had a pretty hectic first few months, I think it was 137 days in the hospital but now he is home and doing amazingly well, such a happy and inspiring person.

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Photo: Nik Epifanidis

VNA: How has the birth of your son changed the way you look at things? Has it changed your artistic practice at all?
LS: I’d have to say it has completely changed me, priorities have been totally reworked. I struggled to find time to paint but I’m in such a great space at the moment, after a really tough time and I’d like to think this newfound optimism and inspiration is reflected in my latest body of work which has come together nicely.

Liam_Snootle_31082017_050_12
Photo: Nik Epifanidis

VNA: Tell us a little about ‘Lateralisation’. There is often a lot in the name of a show, why did you go down the ‘Lateralisation’ path?
LS: Lateralisation is the theory that people have a tendency to use different hemispheres of their brains in different ways, a preference of one over the other, mathematical/analytical on one and creativity on the other. I’ve always felt I did both of these naturally and these paintings are my attempt a creating an environment where the viewer was forced to get both hemispheres working in unison.

VNA: What is the make up of the show? Is there a piece you are particularly proud of?
LS: Most of the paintings are diptychs of colour blocks with a black and white dynamic geometric expression. I’m hoping that the two halves complement one another. I’m fond of all of them but there is a personal favourite that I’m hoping stays unsold (they probably all will).

Liam_Snootle_31082017_036_07
Photo: Nik Epifanidis

VNA: What do you hope people will take away from the show? What messages (if any) are you trying to convey to your viewers?
LS: I’m hoping that people that usually walk away from contemporary art saying “I don’t get it” might have an awakening.

VNA: If you could collaborate with anyone, who would you choose and why?
LS: I’ve got a soundtrack that plays during the show which was designed and recorded by my brother, Dylan. He’s an amazing singer, songwriter and guitarist and I guess this was our first art/music collaboration. It’s something I’d love to build upon for future projects.

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Photo: Nik Epifanidis

VNA: When we last spoke, you commented on the generational gap between you and your students ever increasing and your goal is to make art full time. How is that journey coming along?
LS: Oh yeah that gap is getting wider and wider, they’ve just made me realise that cool music is now called Dad Rock and that my preference for double denim is downright embarrassing. As far as full time art is concerned, well I still have a mortgage and the bank insists that I keep going back to the classroom most days!

@liamsnootle

‘Lateralisation’ opens this Friday at ‘Off the Kerb Gallery’ 66B Johnston St, Collingwood.