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Unwell Bunny – ‘ Super Psychology’

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Urban contemporary artist Unwell Bunny (also known as Ed Bechervaise) opens his new exhibition ‘Super Psychology’ in January 13th 2017 at Besser Space in Melbourne.

A study into the American psyche, the body of work takes part over two time periods. From 6 weeks travelling through New York, LA, San Francisco with observations of American fast food psychology.

And then a second part series, in Melbourne seeing these works for a second time with the figurative edge of the female form.

Its a suggestive dichotomy between the past subconscious experience and the present observational one occurs and takes the viewer into a contemporary lifestyle setting. Whilst still experiencing bursts of subliminal psychology as the American infused imagery punctures the background.

Ed has shown his work in Amsterdam, New York and most recently a solo show in Paris. With its global sensibility and edgy urban undertones, Ed’s motivations are both to be pleasing aesthetically while also disruptive emotionally, triggering questions in the viewer, which is both inward and outwardly focused. A super psychology of self-discovery.

In the lead up to the show, opening Friday 13 January 2017, Ed took some time with our boy in Melbourne, Damo, to chat about all things Unwell.

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Can you introduce yourself, and explain how you came to be where you are now?

Unwell Bunny: I’m Unwell Bunny (also known as Ed Bechervaise). My art story starts in Adelaide in Australia, I was a graffiti artist early on. I did some art study in Adelaide then I moved to Melbourne. In Melbourne I discovered ‘street art’ it was new and exciting, I started following it, and then got into it myself. Over time my graffiti back ground and street art interest has merged. I’m investigating neo cubism and am creating pop expressionism; it’s a bit of a departure from direct graffiti influences but I still use mediums from my graffiti days and will almost certainly always be part of the genre.

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VNA Issue 35 – OUT NOW!

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VNA has grown from it’s humble beginnings as a free black and white zine with the help and support of people like D*Face –who enabled the distribution of the mag at his StolenSpace gallery way back when it first started ten years ago. So it’s only fitting that 10 years on he features on the front cover – shot by Shamil Tanna – for the second time.

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The latest issue is out now and available to buy online before it hits stores next week right hurrr:
www.verynearlyalmost.com/shop/vna-issue-35

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Inside Issue 35, you can see the philthy skills of Phill Blake, the gravity defying work of Spanish artist Cinta Vidal and the awesome muralism of Canadian young blood, Jarus.

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Also featured is the Japanese skate punk legend, Haroshi, giving an insight into the recycled skateboard sculptures he makes with heart and soul, and Croatian painter Lonac.

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From the Antipodes comes work from Japan-based Aussie artist, Mark Drew, with his blend of hip hop and remixed rap quotes over Peanuts paintings, alongside Melbourne-based Cam Scale, bringing a homegrown history of his life growing up in the bush.

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Great Dane Søren Solkær gives a look through the lens into music photography and artist portraiture and Floridian Tatiana Suarez highlights her local background and a glimpse into the world of her haunting characters.

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Last but not least are Shepard Fairey – return of one of our previous cover stars to give the lowdown on some highlights and milestones of his career – and Wayne White – master of puppets and tongue in cheek painter, fresh off the back of his latest epic show, Wayne-O-Rama, in his hometown of Chattanooga.

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www.verynearlyalmost.com/shop/vna-issue-35

Heerlen Murals – Photo Round-up – Henrik Haven

Henrik Haven has been kind enough to share his coverage of Heerlen Murals, which has been organising a wide range of interventions, murals and activities from August to December 2016 in and around the centre of Heerlen, Netherlands.

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This year’s theme is called “There’s more than meets the eye” and it deals with the diversity and the ‘do-it-yourself’ mentality of the artform. The artist were challenged to produce work that have either a worldly or local context.

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Standing with Standing Rock – Spencer Keeton Cunningham

Since early November, American artist Spencer Keeton Cunningham has been back and forth visiting
Standing Rock, a place where hundreds of native tribes banded together to halt the Dakota Access
pipeline in North Dakota. While traveling to and from Standing Rock Cunningham painted large
scale murals spreading awareness about the movement of Standing Rock in Massachusetts, San
Francisco, Portland and Seattle. His painting in Seattle, located on the SODO track, is a 200 foot
collaboration with local artist, Josh Keyes.

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While at Standing Rock, Cunningham helped document the actions by water protectors in film and
photo while he also painted signs and paintings on site while at the camp in support of the Standing
Rock Sioux’s battle against what the natives and supporters on camp called the black snake.

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New Translations at Subliminal Projects by Scott Albrecht

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Exhibition Review by Hyland Mather

This show New Translations, by Scott Ablrecht (instagram @scottyfivealive) has been getting lots of attention online, and why not… a) It’s at Shepard’s gallery, duh, and b) this new work from Scotty is quite freaking stellar.

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‘Onwards & Inwards’ – Kitt Bennett

‘Onwards & Inwards’, Kitt Bennett’s latest solo exhibition explores sensations of life and consciousness. This series of small and large works on paper aims to create meaning in what we perceive to be unrelated phenomena around us. Bennett is driven to explore how our possessions inform our individuality, and of how our internal and external worlds connect. In this series, Bennett uses his trademark illustrative comic style, in an attempt to maintain a playful balance between both the humorous and the darkly thought provoking aspects of our existence.

Bennett uses his illustrative style of storytelling in an attempt to maintain a playful balance between both the humorous and the darkly thought provoking aspects of our existence.

Can you introduce yourself, and talk a little about how you got to where you are?

My name’s Kitt. I’m an artist/illustrator working out of Juddy Roller studios.
Since completing a Bachelor of Illustration I have worked as a freelance illustrator dabbling in animation.
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‘Vectorized Reality’ – RASHE

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////Transport yourself into virtual reality_______Technology evolves faster than humans.

Coming from a graffiti background Rashe is now making art informed by his work as a graphic designer. This new body of work is inspired by new technologies and how they affect us on a day to day basis.

His process involves sketching on the computer, utilising software to create vectorised shapes. From there he uses an analogue approach, cutting paper by hand and painting shapes to play with composition and colours.

The digital revolution began with the transformation and transposition of as many “real life” activities and functions as possible into a digital entity. Today, the reverse tendency is becoming ever more apparent; the virtual is beginning to reveal itself within the actual.

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What is virtual and what is literal have become intertwined in the minds and everyday lives of people or perhaps we should say Users to the extent that humans born after 1990 no longer distinguish between the two. It is presently undeniable that the Digital domain has fully immer- sed itself into the Physical realm. The construction of self is increasingly becoming conceptual rather than natural, as Jeffrey Deitch correctly prophesied in 1992, and our entire understanding of the meaning of private life has been completely redefined. It seems that a key element of the emerging collective consciousness of western societies is a desire to literally grasp, to make incarnate, the new, ethereal mental technology-driven social constructs into visceral objects, and experiences: interactive button options present in paper magazine ads, physical instagram filter panels cropping up in front of landmark London views, and 3D content being physically rendered, so users can interact with digital information in a tangible way.

What does it mean to “Like” something nowadays? Does preference hold any value without explicit declaration? What mnemonic purpose does photography hold in a social context where images must be viewed within a 6-second time frame before self-destructing?
Vectorized Reality is the place where Rashe attempts to explore such questions and possibly reveal new insights into our new cultural and socioeconomic environment of multiple realities and multiple perceptions.

‘Vectorized Reality’ opens Friday 2nd of December at Lane’s End in Fitzroy.

http://thephygital.com/

Everfresh Studio – Open Day

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That’s right, it’s that time of year. The day that Everfresh open their doors to Melbourne!

This is the chance for everyone to meet the artists and to buy new and old works. The hot tip is to get in early to pick up some amazing works that have been hidden at the back of the studio draws!

The studio can only handle about 50 people at a time so there will be a one in one out policy.

The studio will be open from 12-5pm, this Saturday 3 December, with Rone, Wonder, Callum Preston, Tom Civil, Mayo and more all on hand.

@everfreshstudio

Mr. Jago x Eric Haacht – Working with Explosives

Mr Jago and Eric Haacht, two of the UK’s leading abstract expressionist artists, will be brought together next month in an unforgettable new show by Fluorescent Smogg. Following on from Fluorescent Smogg’s successful run of multidisciplinary exhibitions, this one will focus solely on the medium of painting, with both artists offering something completely fresh on the abstract expressionist genre and bringing a potent blast of colour to Bristol.

Deeply expressive. Rebelliously colourful. A joyful jolt of that limitless, spontaneous creative energy of 1950s New York. These are things that Mr Jago and Eric Haacht share. They are also both interested in the power of non-representation. Mr Jago with his expansive, kaleidoscopic looseness. Eric Haacht with his distorted faces and decisive movement away from the familiar human form. Yet the real magic to this show comes from their differences. Colour bursts vs. colour warps. A cyclone of brushstokes vs. a haze of rough smears. A starkly modern response to a landscape vs. a blurred, darkly compelling interpretation of a face. A well-established artist, used to touring the global gallery circuit, vs. an emergent portrait artist and recent entrant to the gallery scene.

You can’t help but be energised by Mr. Jago’s work. It sucks you up and draws you in. While Haacht’s – heavily influenced by his fascination with the artificiality of human life and death, his belief that time is a mere ruse – leaves you interestingly unsure of what to feel. Both artists are as compelling as the other. And they relate to and deeply respect one another’s work. Yet, they draw us into different worlds. This show lights a fuse between these worlds. And it’s going to be explosive.

Private view: 1st December 2016, 7-10.30pm. RSVP for guest list Show open to public: 2nd-4th December 2016, 10am-6pm

www.erichaacht.co.uk

www.mrjago.com

‘Comfort inTears’ – Drewfunk

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After a three year exhibition hiatus, Drewfunk presents his second Sydney solo shot, ‘Comfort in Tears’.

‘Comfort in Tears’ will open on the 27th of November in aMBUSH Gallery in Central Park, Sydney and consists of a selection of framed works on dibond, stretched linen & canvas.

Three sculptures have been created specifically for this exhibition. There will also be a limited number of screen prints available and 10% of the proceeds will be donated to Beyond Blue.

Opening: Sunday 27 November, 2016. 5pm – 8pm.
Dates: Sunday 27 November – Wednesday 30 November.
Location: Level 3, Central Park 28 Broadway Chippendale 2008

@drewfunk