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Badgirl Garden

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Stayfly Sydney recently launched a night called Badgirl Garden which showcases female performances along with art installations by designers Ailie Banks & Merindah Funnel.
The stage is owned by rappers, singers and DJs who entertain the crowd, while live art is painted on canvas by artists from the collective.

Badgirl Garden is a space created by a team of women smashing into the Sydney arts and music scene. Every event they create is a safe place for women, men and the LGBTIQ community to congregate, congratulate and party! The goal is to to bring parties and events where everyone can celebrate and support the up and coming female artists of every caliber.

This Thursday Badgirl Garden will be bringing new names to the line up, exciting acts and local artists.

DJ LOU LOU
LADY LASH (Mel)
ALPHAMAMA
JANNAH BETH
JACQUIE MALI

LIVE ART by STYNA & SOPHI ODLING

3 August 2017
9pm start – $5 entry
Slyfox, 199 Enmore Road

@badgirlgarden

‘Self Loathing’ – Mic Porter

True artists are compelled to make art. The reason for their expression is not always important. What is always important, however, is the act of creation. Art comes before reason in the same way that the universe existed before science. Mic Porter is one of those rare, great artists who is simply compelled to create. Mic isn’t driven by ‘career’ nor does he force himself to create consumable art. Mic is, instead, driven by a indefinable, fiery, energy of creation which torments him if he stops. In his youth, this creative compulsion drove Mic towards graffiti. He forged ahead as one of Australia’s pioneer street artists, eventually to be tempered into a painter and sculptor by the VCA and experience at a bronze foundry.

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Mic wrestles his demons with chainsaws, knives, markers and paint upon the battlegrounds of canvas, found objects, bronze and the exterior of tall buildings. His work is primal, expressive and above all, honest. It’s easy to assume that Mic is a conduit for something that he doesn’t understand; that his work is automatic and lacking self awareness. A subconscious process perhaps? After all, Mic’s work is primal, he is reserved and is reluctant to talk about his art. Mic is not a spectator, he has mastered his drive, and is very much in control. Perhaps even due to his reservation to talk about his work, Mic manages to express himself with the kinds of perfectly cryptic sound bytes that other artists drive themselves mad in an attempt to coin. “Art is eternal narcissism, I’m a narcissist” ‘Self Loathing’ brings you a gallery full of screams, smiles and manic grins.

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In Mic’s autobiographical collection of work, he’s produced Totemic heads, brutally sculptured with from blocks of wood with a chainsaw sit in the centre of the large room, loomed over by the three largest Self Loathing paintings. The triptych feature Mic Porters iconic faces, instantly recognisable for the role that they’ve played in shaping Australia’s street art landscape for over a decade, now rendered in a mix of oil and enamel. Each face is Mic’s, but also his family and society’s, he explains that it’s history coming through his face. I think that it’s more than that, I think Mic is so brutally honest with himself, that the self portraits end up reflecting all of us, which is why they’re so alluring and powerful.

– Alex Mitchell

‘Self Loathing’ will be on display at Backwoods Gallery from the 4th until the 20th of August. The collection will consisted of paintings, bronze and wood sculptures and installations across two rooms and Backwoods Lane.

VHILS – FESTIVAL IMINENTE – LONDON

FESTIVAL IMINENTE NEW ART AND NEW MUSIC FROM EUROPE’S UNDERGROUND OLD TRUMAN BREWERY, LONDON FRIDAY 28 & SATURDAY 29 JULY, 2017

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This Summer, a European cultural invasion hits the heart of Brexit Britain as the very first UK edition of Festival Iminente opens at London’s Old Truman Brewery. A two‐day festival of explosive and experimental Portuguese art and music, Festival Iminente brings the soul of Lisbon to the heart of London, following its successful debut in the Oeiras region of Lisbon in September 2016.

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Curated by Portuguese artist Vhils and Lisbon’s Underdogs Gallery, Festival Iminente not only offers Brits mourning Brexit a chance to immerse themselves in the most innovative new music and art from Portugal but also enlists some of Europe’s most creatively exciting artists to invade the capital with their best work.

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RONE – THE OMEGA PROJECT

In yet another covert project set in a doomed, abandoned space, acclaimed Melbourne-based street artist Rone announces his latest work, The Omega Project – a nostalgic and haunting homage to the fading remnants of mid-century Australiana.

On the back of his hugely successful 2016 solo exhibition, Empty and a recent turn producing a large-scale mural for rural Victoria’s Silo Art Project, the internationally renowned Melbourne street artist has turned his attention back to his hometown for another fleetingly brief exhibition – this time set in a condemned suburban home. Check out this incredible VR-ready 3D tour of the site from the guys at Phoria:

www.captur3d.io/view/scann3d/rone-secret-location

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JonOne’s “The Fall” print release

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Legendary American graffiti artist JonOne aka Jon156, just released his latest limited edition print through PrintThemAll.com. NY-born and Harlem raised artist currently living in Paris, produced this lithograph in Idem Studio, using their infamous Marinoni Machines press.

The artist who was born as John Andrew Perello in ’63, spent his early days tagging his name around Harlem and making ground work for what is now known the world of graffiti and street art. Since his first solo show in 1990 in Berlin, the founder of 156 All Starz Crew had a chance to present his art all over the globe. Appreciative of this journey and the opportunities given, this particular work is sort of a “homage to challenges of life and the process of growing”. Representing the colorful flowers growing from the ashes in the concrete ghettos of New York city, “The Fall” symbolizes the rise and evolution of his work. The lithograph is produced on a hand cut 270g BFK Rives paper measuring 70 cm x 83 cm (27,56 x 32,68 inches), and each of the 199 signed, numbered and stamped pieces was produced using 27 colors.

JonOne.com
PrintThemAll.com
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‘Surface Tension’ – Silk Roy

Celebrating over a decade of creativity, Melbourne artist Silk Roy brings his debut solo show ‘Surface Tension’ to Melbourne. In the lead up to the show (opening this Friday), Silky was kind enough to chat with us.

How and when did you get into art and why?

I always enjoyed drawing when I was a kid, but it wasn’t ever something I thought I’d pursue until I moved to Melbourne in ’98. I’d never seen graffiti before having come over from Singapore, which in comparison was/still is a spotless city. I’d take the train to school and back everyday and it was hard not to notice the smashed insides and the walls on the line changing nightly. For a 13 year old, the idea of having an alias that people identified you by and going out on missions was pretty appealing. It wasn’t until years later that I’d realize this daydream, but of course now being an active writer, artist, creative is much more that, it’s given me a sense of ‘self’, and outlet to express my ideas and thoughts and a platform to continue my creative journey.

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You run two identities, Kid Silk and Silk Roy, How did this come about?

Basically I arrived at a point where I needed to let my graffiti and studio practise have their own shine as trying to put all my work under one name was confusing and felt forced. Silk is an old nickname I was given a long time ago so it was a no-brainer as far as putting it up as a writer.

‘Kid Silk’ came about because of my insta handle, other writers would meet me and ask who I was, I’d reply ‘Silk’ and they’d ask ‘Like Kid Silk?” It also works in terms of me keeping graffiti for myself, I don’t intend to profit from it or ever make it feel like work, it’s fun and I get to go out and essentially be a kid.

Silk Roy on the other hand is the name I work under when I’m showing / producing studio work. Two identities works for me now as I’ve started getting opportunities for both which is cool as far as keeping things varied creatively.

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“Slither Between the Blinds Shows Our Fears” – Anthony Lister + NEW PRINT!

“As a child, I was repeatedly told by my father that I had an Aboriginal uncle. I grew up until the age of 14 believing that in fact I was partly Aboriginal by blood and in turn embraced my perceived heritage. It wasn’t until I asked for more details as a young teenager that I was confronted by an amused and dismissive father, laughing as he said: “I never said that”. In this exhibition I take a closer analysis of what it is to be influenced by misguiding role models and the potential psychologically damaging effects on misguided youth. These works are atheistic explorations analysing identity, culture, mythology, heritage, parenting and stereotypes.” – Anthony Lister

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Based on this particular sense of misdirection drawn from his own experience and memories, “Slither Between the Blinds Shows Our Fears” sees Anthony Lister conveying a reflection infused with a range of vivid emotions which, while personal in origin, are also universal enough to resonate deeply with us all.

Expanding on previously explored themes, the artist has created an entirely new body of works for this exhibition, comprising a series of painted canvasses and a central installation of a sculptural nature. Conveying the habitual instinctual urgency of his visual language – tumultuous and mordant on the surface, yet imbued with a captivating poetic uniqueness – these works feature a wide range of symbolic references from his personal life along with others that play with some key (and stereotypical) elements of Aboriginal and Australian iconographies.

Constituting a personal journey of reflection, “Slither Between the Blinds Shows Our Fears” thus presents an intimate portrait on revelation, identity and purpose while also expressing the artist’s own approach to contemporary mythology.

“Slither Between the Blinds Shows Our Fears” is on show at Lisbon’s Underdogs Gallery from 16 June – 15 July 2017.

Lister has also released a new print, available exclusively from LISTER Shop.

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‘LADY ENTITLEMENT’ is a unique multiple,signed and numbered, edition of 100. A 300mm x 210mm screen print hand embellished with ink on 245gsm museum quality archival paper available for AU$120.

For all things Lister, keep an eye on his instagram story as he preps for his Lisbon show over at @anthonylister and @lister_shop for all your LISTER needs!

Seasons of Change – ‘Illmatic’

‘Seasons of Change’ has been showcasing local and international artists at Melbourne’s Revolver for over six years. The elements of each event are dictated by the artists, however all feature a large scale mural and a one night only exhibition.

This Friday 2nd June, Seasons of Change presents ‘Illmatic.’ Spearheaded by Poise, ‘Illmatic’ has VNA’s good friend p1xels shadow Style, Marine and Poise on a secret Melbourne mission. Canvases and photographic prints (signed by all members of the mission) will be available at the show.

For those not lucky enough to be able to attend the event, we have got your back! Featured below are several exclusive photos from p1xels and bios on some of the characters involved in the mission.

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‘I started in 1995 after finding Hype Magazine that was Australian produced, and finally the book ‘Subway Art’ that I stole from my local library and soon became my bible.

Since then I’ve joined crews such as TSF and CKA both of which have long histories in the Melbourne graffiti scene, and with CKA being a local crew to me and where I grew up, I lived and breathed their graffiti everyday via trains/train lines, and local secret walls that were covered in master pieces. This is something to this day, still drives me to be better.

I’m lucky enough to have travelled with my work and met some of best friends networking within the graffiti scene. Places such as NYC and Canada are personal favourites.

Currently still in Melbourne and painting, doing shows, and pushing my work/style forward.’

MARINE.ONE CKA.TSF 

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credit: p1xels

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Artist profile: BAILER

Bailer has been a leading proponent of the Melbourne graffiti and public art scene for over a decade.

Actively contributing artistically for nearly twenty years he has dedicated the best part of his adult life to creating public works and supporting other creatives. Growing up with a graffiti addiction constantly painting letter after letter line after line he now wants to focus on progression. Pushing his style outside the boundaries and confines of the traditional graffiti structure Bailer hopes to continually increase the scale of his works and to paint them on new surfaces. 

Mid mural, Damo had the opportunity to go one on one with Bailer, to talk about the current lay of the land in Melbourne, what makes him tick, and also what pisses him off.

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Damo: Thanks for taking the time to chat today. I just was wondering if we could start at the beginning. Who or what is Bailer?

Bailer: I guess Bailer was a separate entity to myself. I think you build an ethos around the name that you create in the graffiti world, so for a while Bailer was a name that I tried to live up to.

This was quite detrimental to my life as I was doing violent and extreme things. You create hype around your own bullshit and then you have to live up to it. You do a few stupid things and your dirty washing on line gets aired down the grape vine. It got quite strange at one point, meeting people who would say shit like “You’re not Bailer, I know him.” Or “I heard he was 7 foot tall.” This that and the other. Bizarre really.

I’m at a point in my life where I’m sick of having multiple facets, divided up: a real identity, a fake identity, a graffiti entity, a business persona etc. I’ve been trying to simplify my life cutting out many of the negative aspects and focusing on art, music and health. I have been creating artwork, rap as well as graffiti under the same name instead of constantly shifting between split personalities. I guess that’s what it is; a projection of the creative self mixed with the ego.

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