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Revolver Upstairs Presents: 1UP x Martha Cooper

Revolver Upstairs Presents Seasons of Change 34: Summer – featuring Martha Cooper (USA) and 1UP Crew (GER).

NYC documentary photographer Martha Cooper joins Berlin graffiti collective 1UP Crew for a night of artwork, movie screenings and DJ’s. Featuring an exhibition of all-new canvases and artworks, as well as signed books and shirts. There will also be brand new screen prints, hand pulled by Aisle6ix Industries in Sydney, and an ultra-limited 1UP flash tattoo studio. The team will also be giving Revolver a fresh lick of paint, with three new 1UP walls.

Selina Miles is celebrating her award-winning new documentary on Martha Cooper, ‘Martha: A Picture Story’, for a special matinee screening at The Astor Theatre at 3pm on the 6th December, which she will introduce herself. After releasing at Melbourne International Film Festival earlier in the year, the movie is out now across Australia. Get your tickets to the pre-event screening here:

Martha: A Picture Story – Introduced by Selina Miles

Selina will step on stage with Martha at Revolver later in the evening for an exclusive live Q&A to answer your questions about life and a shared love for graffiti – get your questions in at the link below, then come down to Revs from 5pm to secure your spot at the session.

Martha & Selina Q&A

Throughout the night, there will also be two showcases from Australian DMC 2019 champion DJ Wallzee and triple-time ACT DMC champ Buick serving up technical trickery and treats for your ears. Following the DJ showcases will be an unreleased cut of 1UP Crew’s adventures in NYC!

Don’t sleep though, there will be limited tickets released for the two sessions at intervals throughout the evening. As well as the two DMC champs, other DJ’s include The Dark Horse’s DJ Klevaone and long-time Rev’s residents Who and Mu-Gen on the decks.

1UP’s guest of honour for the evening is one of Melbourne’s graffiti kings, NOST, who has been invited by the crew to represent for the city’s underground scene. A line-up of all-Australian artists will also be exhibiting, as Dr Dosey curates a line-up of local legends, featuring new pieces from: AEON – DOSE – DVATE – JME – LING – NASTE – PILFER – RANSOM – SHEM – SILK – ZODE

www.revolverupstairs.com.au

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All images copyright Martha Cooper / Ninja K / 1UP Crew

Mayonaize – ‘Memento’

This Friday, join Melbourne’s infamous Mayonaize as he opens his solo show ‘Memento’ at the incredible KSR Art Bar space. The space itself is a historic site – built around 1850, and at one point was a butter factory, now incorporated into the Rialto Piazza.

Mayonaize is a contemporary fine artist specialising in a unique calligraphy script style of lettering. Since moving to Australia in 2001, graffiti has been a major influence on his eclectic oeuvre,creating a well established profile within the Melbourne street-art scene with a multitude of public works.

His pieces are distinctive for his deliberate handwork and swift,
yet precise execution of a complex and elaborate style of monochromatic text.

He lives and works in Melbourne, also working as a highly sought after tattoo artist working out of Tattoo Magic in Fitzroy.

‘Memento’ opens 4pm Friday 17 May at the KSR Art Bar Space. 525 Collins Street, Melbourne.

@mayonaize

credit: p1xels

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Waste World – Bill Posters

Amidst growing concerns around the impact of the fashion industry and consumer waste, a series of street art interventions have appeared across the country to coincide with #BlackFriday and #CyberMonday. Bill Posters, the pseudonym for the street artist and activist who co-founded Brandalism, has been subvertising ad spaces to draw attention to the negative impacts of consumer waste and fast fashion.

 

Timed for release on the biggest global retail event of the year, Bill Poster’s latest campaign entitled ‘Waste World’ looks at the true consequences of the world’s rubbish – from clothes to plastics and e-waste – as well as those most affected by it. Inspired by New Internationalist’s latest issue on Waste, the street art installations take aim at brands including Nike, Pretty Little Thing, Apple and Gucci and reveal where large amounts of waste and ‘recycling’ from the western world actually ends up.

“Instead of getting beaten up this Black Friday in shopping malls for a new TV we should probably be paying more attention to where the majority of our ‘recycled’ waste actually ends up. In low-income countries, 93% of global waste is dumped due to inadequate urban provisions. Western countries can’t process their own waste, instead – they sell it to other low-income countries in Asia and Africa. It reeks of colonialism, we are literally taking a dump on millions of less privileged people with our waste” says Posters.

This latest subvertising campaign is also timed to support ‘No Ad day’, an artist led initiative that seeks to remove ads from public spaces across the world on Saturday 24th November 2018. To support other street artists and graffiti writers to take over advertising spaces in cities for No Ad Day, Bill Posters has just published the world’s first pocket sized ‘Subvertising Manual’ with Dog Section Press.

Artists can pick up a copy from Dog Section Press here: https://dogsection.bigcartel.com/product/brandalism-ad-takeover-guide

 

See more of Bill Posters’ street art on Insta: @BrandalismProject

 

www.billposters.ch

 

Adele Renault – Feathers And Faces

Amsterdam-based artist Adele Renault has something of a dirty habit… Painting pigeons is one of her favourite pastimes, and perhaps for what she is known best. However, her latest book also sheds light on some of her human portraiture.

Displaying the same intimate touch whether she illuminates people or pigeons, Renault’s masterful hand brings forth feathers and wrinkles with equal precision. From her aspirational quest to paint Mike Tyson’s portrait, via many flocks of pigeons on the way, to the inhabitants of Burkina Faso, her subjects are bathed in light, avoiding direct contact with the viewer in a way that brings them close, whilst maintaining distance and a sense of privacy.

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Ben Eine “Missing You”

“Missing You” is Ben Eine’s addition to The Cullen Hotel’s Street Art Suite series.

The hotel teamed up with UK street artist Ben Eine to create a one-of-a-kind artwork using elements of his distinctive typography and splashes of his graffiti style.

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‘Utopia’ – Adam Kinninmont

Since their beginnings, our friends at Backwoods have always fostered local and young artists. As they move into the future, Backwoods Forewoods aims to stay true to this ethos, fostering relationships with the next generation of up and coming Australian artists. Through this program, Backwoods Forewoods will spotlight young and local talent through a series of weekend exhibitions designed to support and promote our favourite emerging artists.

Backwoods are pleased to launch the program with their long time friend of the gallery, Adam Kinninmont, and his collection titled ‘Utopia.’

Adam Kinninmont, formerly known as Swerfk, is a Melbourne-based graphic artist. In his earliest memory of drawing, he is a four year old, pausing a Disney cartoon in order to trace over the character on the screen. This childhood exposure to TV animation and comic books, and later the skate and graffiti scene of his youth, has all played a role in the development of his artistic vision and unique graphic style. Since completing a Bachelor of Visual Arts in Printmaking and Drawing at the ANU in Canberra, Kinninmont has exhibited throughout Australia and internationally. His focus has recently shifted from graffiti to fine art graphic work. ‘Utopia’ is his first exhibition under his real name.

Kinninmont’s latest series claims its title somewhat ironically. In this body of work, the Western mirage of a sublime suburban existence is dissolved, and seen to be degraded, used, worn down over time by the grind and grit of everyday life. These street moments are composed from his own observation and exploration of Melbourne suburbia, in particular the older industrial suburbs of Collingwood and Brunswick. They are inspired by his interest in art deco and European style architecture, and of the tradition of architectural design illustration, which provides the backdrop for the ephemeral graffiti conversation irrepressibly expressed onto the scene. With inspiration drawn from the late Howard Arkley’s bright, highly stylised Melbourne suburbia paintings, Kinninmont’s illustrations have an added element of unease and mischievousness, a nod to the lively street culture here. Characterised by a bold 80s colour palette, his energetic, gestural style is balanced with technically executed detail and stylised abstraction. The presence of people is noticeably missing from each scene, leaving the natural and designed elements to be admired. However, this is no House & Garden magazine dream: you can see the cracks. – Helani Laisk

@akinninmont

@backwoods.gallery

Wandelism – Berlin

From the 17-24 MARCH 18 an old car workshop in Wilhelmsaue 32 in Wilmersdorf, Berlin, is being transformed by over 60 Berliners – a week before the demolition.  With some of the proceeds, the AWO Kita Kinderwald day care centre is being established for children.
Featuring artists:
ONUR / WENU / FINO / LOOMIT / 1UP / BERLIN KIDZ ÜF / DXTR / DAVE THE CHIMP / RAWS / BASE 23 / BOA1 / TOBO / BEN ONE / OUPS / TOY CREW / VIDAM / STEREOHEAT / STAN / NASCA UNO / WESR / BOA1 / AKTE ONE / KUZB 136 / ANNE BENGARD / HAGEN SCHÖNFELD / OSTAP SELFMADE CREW / YAT / BILL KNOSPI / SENOR SCHNU / CAROLINA AMAYA / JEROME GRAFF / HÜLPMAN / PARISUR PART / OLLY / POTATO / ILL. / STAN / MARINA ZUMI / KITRA / KISH / WANDBRAND / AIRBIOS / DRINK & DRAW / GOMES / CLAIRE CHAULET / 75SCON / PAIN / FARIBA LENZEN / SATO / SKENAR 73 / ZVENZVEN / DEJOE / TAPE FABIFA / SPOARE / CATHERINE LUPIS THOMAS / ROSKO / DUTER / SKALMO / TACK / RON MILLER / CANION. BERLIN / ANDREAS GEBALLER / RENZO BAYER / BEROL 377 / EMMA RYTOFT / LARA MINERVA / TOMEKK / RIOT1394 / THYM’ART / MR SASA / RISER / ALICE GREEN / AEROSOLICZ / COKYONE / C 0MPUTERJAN

BAILER – ‘DUALITY’

‘Duality’, an exhibition from Melbourne artist, Bailer, opens at fortyfivedownstairs, Melbourne, on Tuesday 30 January 2018.

Photo: p1xels

Featuring paintings and sculptural works that traverse liminal states of being, ‘Duality’ aims to explore the ever-changing state of the human condition. Through abstraction, the viewer is immersed, unlocking their own mutable states of mind and coming to understand that nothing ever stays the same. All is fluid, moving.

Capturing a likeness of something that already occupies space has never really interested Bailer. Instead, the development of a personal style and the refinement of an enjoyable cathartic process takes precedence. Process is the most important part of Bailer’s artistic expression, and is clearly apparent in his work.

‘I have used art (and an array of other activities) as a form of escapism for many years. Graffiti, muralism, sketching, writing, all forms of creativity I have used to escape the hands of time, the act of contemplating my own successes/failures, impending mortality, the inequities of an unjust society. Getting deeply lost in the creative process is like ducking my head below the breakers. The roar of the ocean instantly forgotten in the calm below, surfacing for air briefly only to dive deeper. The noise of self- doubt, expectation and pressure fading into the depths.’ – Bailer

Photo: p1xels

Painting publicly in Melbourne for 20 years, Bailer’s style is instantly recognisable. The roots of his work are imbedded deeply in the graffiti subculture, and his new pieces push outside the self-imposed boundaries of genre. Bailer’s studio practice and public art incorporate a broad range of artistic modes.

Bailer’s art practice is varied: from large scale creations across walls in Australia, New Zealand, Japan, Bali and Europe to more intimate approaches on canvas evoking existential explorations of the mind. His work is a fusion of biomech – surrealist manifestations of the self – expressed within abstract forms. Bailer’s art is currently positioned within these liminal states of the mind.

‘Duality’ opens at fortyfivedownstairs 45 Flinders Lane Melbourne on Tuesday 30 January from 5pm.

For catalogue enquires, contact curator: georgia.rouette@gmail.com

Gallery Hours: Tuesday to Friday 11am-5pm, Saturday 12pm-4pm

@_bailer

Q&A with LING

Born in New Zealand and raised on Melbourne’s Hurstbridge line, Ling is a multi-faceted artist based in Melbourne’s infamous Everfresh Studio. With a background in stylised lettering and graffiti, Ling is also well known for his 80’s and 90’s pop culture pieces, littering the streets of Melbourne and beyond, pushing those who come in contact with the pieces to reminisce of days gone by.

Having shot to international notoriety through his “Allure of Gold” project, taking everyday items like trains and cars that have been left to degrade and painting them gold, giving them the illusion of value once again, Ling is now pushing things even harder. Whilst on the hunt for a holy grail gold piece – ‘I noticed an abandoned fighter jet at Santorini airport…’– Ling has started working on far more diverse projects, pushing the canvas-based boundaries of portraiture and abstract work. A member of Melbourne’s ID crew, Ling is no stranger to collaboration, and is as familiar working alone as he is taking part in full scale productions, including most recently at Denmark’s Roskilde festival.


Photo: LING

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“Wool Tang Clan” @ Regalerija, Croatia

Well known Croatian graffiti artists, Lunar, SmackMosk Ronald Lindgreen, recently opened a quirky group show organized in collaboration with Regeneracija, a local company that recycles textile and produces floor coverings. Under the title “Wool Tang Clan” they managed to transform some of their creative visions to an usual medium – woolen carpets.

Opened on December 20th 2017 @ Regeneracija’s Regalerija show space in Zabok, Croatia, the artists challenged their creativity by introducing graffiti-influenced knitted works. Intrigued by the unusual medium and a chance to produce work with such atypical technique and format, the artists boldly stepped away from their comfort zones for this exhibition. In such manner Mosk created somewhat conceptual piece spelling “WHO NEEDS A CARPET ANYWAY”, reducing the household object to minimum, completely cancelling or at least questioning its purpose. His friend Smack created a large round piece based on a pixelated macro shot of one of his actually graffiti pieces. Showing such strict structure with such organic and soft medium, the artist created a vibrant piece next to his actual tag created from bundles of wool. One of Croatia’s most prominent urban artists and initiator of this project, Lunar, successfully translated his cartoon-like imagery into this new medium, similar to Ronald Lindgreen whose watercolor landscapes turned out to be a perfect motif for knitted rugs.

Instagram.com/slavenlunar
Instagram.com/smack184
Instagram.com/mosk83

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