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DVATE – ‘Thirst’

DVATE is a Melbourne based artist who is well-known for his graffiti art and large photo-realistic images of wildlife. His work can be seen from trackside to galleries, festivals and zoos and his unique lettering which is often integrated into his portraits of the natural world create a dynamic juxtaposition between the figurative and the abstract forms of graffiti.

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credit: p1xels

His interest in conservation and climate change issues led him to be commissioned as the first artist to paint a wall for the festival, Climate+Art=Change a partnership between CLIMARTE (the not-for profit organisation aimed at creating awareness of climate change issues through art) and the City of Port Phillip in St Kilda, Melbourne.

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Mr Cenz – Studio Visit

Our man Liam Keown has been out and about with his camera taking snaps of artist’s studios. Here’s the first of a series giving a little insight into the artists and their work spaces…

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Mr Cenz: “This is my temporary studio in Holborn, London. Its a disused office shared with several other artists. We all pay a really reduced rent as its managed by a great charity called Uthink PDP. This is so important as having a studio in a central location in London is unattainable for most otherwise. I have lots of space and ventilation which is essential when working on large scale in spraypaint. My canvases are basically smaller and more intricate versions of my street pieces. On canvas i can experiment and push my style more adding extra dimensions and depth. These pieces are for Bartoux gallery in Paris.”

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DEAMS – ‘Transition’

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Painter, designer and geometric visionary Deams has been influencing the Melbourne street art scene for over a decade. A founding member of the infamous Melbourne collective AWOL Crew, his work can be found in both galleries and street contexts around the world.

Deams has an intuitive approach to painting and process, which allows for his work to oscillate between tangible and intangible forms and realities. He approaches his practice with a studious dedication to his past and the immediacy of his present, discovering links between the impressions of his childhood and his current ideas and experiences.

His work continues to explore aesthetic and interpersonal relationships through compositional conversations in form and texture.

Following on from his hugely successful 2016 exhibition, ‘In The Fold’, Deams returns to Backwoods for his second exhibition with the gallery. ‘Transition’ marks a further progression and sophistication of his distinctive approach to painting and abstraction. This new body of work encapsulates the seemingly chaotic yet clearly directed nature of energy and form in a state of transition.

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‘Spitting Blood’ – C215

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StolenSpace is proud to present ’Spitting Blood’ the new solo show by C215.

Parisian street artist C215 (Christian Guémy) has been working within the scene for over 20 years. Having taken over StolenSpace previously with his solo show ‘Back to Black’ and shown work in multiple solo shows (Reasons for the Seasons, LAX/LHR) StolenSpace are excited to see what he has instore with this new series of works.

This new body of work focuses on popular and influential musicians, painted directly onto vinyl records; incorporating both his iconic portrait style and use of found materials.
His elaborate stencil work can be found in cities around the world, including New Delhi, London, Istanbul, Fes, Rome, Barcelona, and his home town of Paris.

“I try to interact with context, so I place in the streets elements and characters that belong especially to the streets. I like to show things and people that society aims at keeping hidden: homeless people, smokers, street kids for example.”

His striking portraits of local people, children and famous characters and personalities are expressive and distinctive in style. His subjects are portrayed with a proud dignity, something which has become as recognisable to his style as his delicate stencil work.
The opening of ‘Spitting Blood’ will also include a new limited edition print release by the artist.

Opening Reception : 4 May 2017, 6 – 9pm Exhibition Dates: 5 – 28 May 2017.

ALL GOOD THINGS

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As the saying goes, ALL GOOD THINGS must come to an end and, after 10 amazing years, Very Nearly Almost Magazine is shutting up shop.

Finishing on a high that has seen the front cover graced by some of the brightest stars of the contemporary art world, including D*Face, Invader, Shepard Fairey, Futura, Swoon, Martha Cooper and more, the team behind VNA have made the difficult decision to draw this chapter to a close with an exhibition and forthcoming book.

In celebration of the incredible people that have made the magazine what it is, VNA are presenting their 10th Anniversary group show with some of the team’s favourite featured artists. 50+ artists make up this hand-picked selection of the world’s top talent, showing in one of East London’s longest-running contemporary urban art institutions, StolenSpace Gallery.

Showcasing work from all over the world, ‘ALL GOOD THINGS’ is comprised of original artworks, exclusive artist proofs and hand-finished prints from some of the leading international artists – artists who have helped shape the scene as we know it today. The VNA team has also assembled a tailored collection of some of the brightest new painters making waves across the globe.

The exhibition is all up for grabs, with artwork auctioned off on artFido and all proceeds from the auction sales donated to Macmillan Cancer Support. Bidding will begin at midday Thursday 27th April, closing at midnight on Sunday 30th April at:

www.artfido.com/vnamagazine

On the opening night, our VNA Newsstand will be bursting with back stock, including tees, stickers and other goodies – all at bargain prices. Hidden in amongst the stand, there will be a complete set of the VNA archive, from 1 to 35, available to buy from our private collection, including limited edition PP’s – strictly one archival item per person to keep things fair!

As with anything VNA-related, there will of course be a drink or two. Our friends at Sailor Jerry have kindly furnished us with a choice of delicious bespoke spiced rum cocktails and a deuce of their finest mixologists.

As if that wasn’t enough, we’ll be providing some of the lovely Soffle’s Pitta Chips to soak up some of the booze and giving away over a hundred free tacos from Luardos – served from Insa’s hand-painted taco truck.

The show opens for public viewing from 6-9pm Thursday 27th April and daily until the 30th April 11am-7pm at: StolenSpace Gallery, 17 Osborn St, London E1 6TD

Artists include:

45RPM, AJ FOSIK, ARYZ, BLEK LE RAT, C215, CAM SCALE, CHLOE EARLY, CONOR HARRINGTON, CYRCLE, D*FACE, DAN KITCHENER, DAVE WHITE, DAVID SHILLINGLAW, EELUS, EINE, ELK / LUKE CORNISH, ERMSY, FAILE, FINTAN MAGEE, GAIA, GEORGIA HILL, GHOSTPATROL (DAVID BOOTH), HERAKUT, INSA, INVADER, JAMES JEAN, JOE HOLBROOK, KID ACNE, LISTER, M-CITY / MARIUSZ WARAS, MOBSTR, MR JAGO, MYSTERIOUS AL, NIELS ‘SHOE’ MEULMANN, PAUL INSECT, REMI ROUGH, RONE, RONZO, RUFUS DAYGLO, SHEPARD FAIREY (OBEY), SICKBOY, STENDEC, STEVE CROSS, TOASTER, THE LONDON POLICE, TILT, TIZER, TODD FRANCIS, TOM FRENCH, TRISTAN EATON (TRUSTO CORP), VHILS, WILL BARRAS

Bom.K – ‘Effets Secondaires’ Solo Show (Paris)

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Four years after his last solo show in Paris, featured graffiti artist Bom.K  from the DMV crew is returning to Paris for a solo show entitled Effects Secondaires (Side Effects) at Galerie Itinerrance opening on April 21st. The title of the exhibition refers to the sensations we managed to grasp from an artwork after enjoying the technique and subject. In addition, it also refers to one of the works in wood bearing the same name on the subject of overconsumption and the exhaustion of natural resources.

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The Lost Object – ‘Finder / Builder’

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The Lost Object works with discarded and abandoned materials, creating ‘Lost Objects’, a kind of collaboration between the artist and time and nature itself, incorporating the materials flaws and physical history into the work, creating something fresh and new.

“When I talk about collaboration with time and nature, I’m talking about how weather and age create many of the colours and textures in the work. The elegant forces that govern our natural world are constantly altering and effecting everything, I enjoy thinking of this as a collaboration.”

He tackles each piece with no set in stone plan, allowing the material to dictate the way in which it is used and changed.

“Essentially, I use a zen like approach to ‘lost object’ making. I’m searching for balance and harmony… The materials inform the outcome. I find what feels to be a visual balance, an aesthetic appropriateness, for whatever materials I use. It’s a form of game to me for sure, like building blocks or legos, even like chess. It is a form of meditation.”

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In his new show, ‘Finder / Builder’, The Lost Object continues with this Zen like practice but taking it towards the modern age, using more modern tools and incorporating aspects of the Binary System. Binary arithmetic uses only 1 and 0 (taken from the 5000 year old Chinese text, yin and yang) and is used in every modern computer, from iPhones to the technology used to control modern tools. In this way, Zen Philosophy is the dominant philosophy on our planet right now.

The Lost Object takes objects which the modern age has thrown away and creates something new, modern and beautiful.

‘Finder / Builder’ opens at Stolenspace on 6 April 2017 at 6pm.

Low Bros – ‘Wired’

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The Low Bros are an artist duo, made up of brothers Christoph and Florin Schmidt – formerly active graffiti writers Qbrk and Nerd. Incorporating influences taken from graffiti, hip hop, skateboarding, the Low Bros invite you to explore the ‘Low Bro universe’, an assemblage of signs and symbols embodying the conflicts of the modern age.

Their work comprises several reoccurring characters all constructed from bold geometric shapes and vivid patterns. As the viewer begins to deconstruct these forms, the complexity of their aesthetic is revealed with each symbol introducing another layer to explore. The contrast in the forms is as evident as the conflict with our human sensibilities…hardwired to progress but an innate urge to return to the past.Recognised for their vivid compositions and Retro Futuristic animal portraits, Berlin based duo Low Bros Present ’Wired’; the next chapter exploring social and individual Identity in a digital age.

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‘Wired’ marks a subtle shift in direction for the Low Bros, an adjustment in the creative scope of their work. From the nostalgic identity of a subcultural past, ‘Wired’ focuses the cultural identity of an evermore metaphysical present.

Through muted palettes and minimal compositions, ‘Wired’ centres the graphic form of the Wolf. The Wolf floats in no discernible space, often duplicated or fractured among recognisable objects from contemporary culture and nature. His surface appears to be made from hard, durable materials like concrete or marble. Like a fortress, his walls protect something vulnerable, as we explore his form, soft spots are revealed to us in pink fleshy tones. He further draws on these physical boundaries with the use of slick shades; emotional and intellectual barriers from the oncoming stares. In the surrounding negative space, we see thin copper wires shooting through the void. Despite their more engineered nature, symmetry and balance is apparent in their movement as they penetrate the space and figures alike; a unique network developing in each composition. The wolf is literally connected but what does this mean? Are the wires forming around him as a vine does a tree, or is he building and maintaining this connection himself?

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Stripped back, the Wolf has grown more powerful and his posturing counterparts from the past are nowhere in sight. His abstract, seemingly random world does not attempt to imitate life but has become symbolic of it, as have the objects which populate the space. The viewer in turn moves beyond the idea of connecting with the Wolf to learn his secrets or explore the narrative he exists in. Instead we are encouraged to reflect ourselves inside of this unrecognisable, yet familiar reality; question how we cultivate and project persona rather than identity and to whom. Like the Wolf, we are Wired..but does this make us more connected?

Opens 6 April 2017 at Stolenspace Gallery.

Seth – “In My Head” Lithograph

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Paris-based art agency AgenceSixPM will be releasing a new lithograph by French artist Seth on March 30th, produced @ legendary Idem Studio. Based on his image previous painted outdoor in China and indoor in Lyon, “In My Head” is a classic Seth image inspired by the world of children.

Depicting the back of the head of a young boy, the image shows a colorful portal inside kid’s mind. Representing their playful (rainbow colors), and unrestricted imagination (blue skies), the piece is somewhat more minimal, sharper and more focused than Seth’s usual works. The whole concept is accented with juxtaposition against the grim grey foreground that the subject is facing, symbolizing the real world around. Hand signed and numbered 15 colors lithograph will be available from March 30th and will be released in an edition of 125 pieces measuring 103,5 x 71 cm (40.75 x 27.95 inches).

AgenceSixPM.com
Instagram.com/seth_globepainter

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