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DEATH & DISSECTION: A STUDY WITH NYCHOS – Sydney and Melbourne Workshops

Austrian urban art and graffiti illustrator Nychos has been part of the international art scene for more than 15 years now. He is well known for his huge and technically outstanding art pieces in the urban environment as well as being part of gallery exhibitions.

Recent murals in San Francisco, Miami and New York make him one of the most sought-after artists. Nychos’ paintings and drawings have been exhibited in galleries worldwide, including several solo exhibitions (e.g. Jonathan LeVine Gallery in New York, Julian Kolly Gallery in Zurich, Open Space in Paris). The works on canvas serve as unique compliments to his massive public works that give character to cities all over the world.

Raised in a traditional Austrian hunting family, death and dissection were daily business for Nychos. The proximity to animal viscera had a profound effect on him visually. He explores the theme in different styles like dissection, cross section and translucency – pushing it to playful extremes.

Nychos returns to Australia after 10 years and will be presenting a WorkShop in Sydney and Melbourne. During the class Nychos will teach spray can techniques, how to paint translucency, give insight in his coloring concepts and will talk about 3D sculpturing techniques.

This workshop is a once in a lifetime opportunity to get up close and personal with one of the world’s most celebrated artists.

Workshop will also be offering viewings of ‘The Deepest Depths of the Burrow’ with tickets and details here.

Ian Strange – ‘Home’ and ‘Shadow’

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Premiering today, 15 February 2017, on the Australian ABC iview ‘HOME: the Art of Ian Strange ‘ is a six part documentary covering Ian’s career to date.

This documentary will also be a fantastic lead in to Ian’s upcoming Sydney show,’Shadow’ launching on 2 March 2017 in Sydney.

Check them out if you can!

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@ian_strange

‘Make Yourself at Home’ – Goodie

‘Make Yourself at Home’, a solo exhibition by Melbourne based artist Goodie, explores notions of comfort, safety and routine – ideas commonly associated with ‘home’.

Processes are perpetually underway to render things familiar, form habits and configure certainties, in order for us to feel comfortable. We are continually coming to terms with the relationship between our bodies, other’s bodies and the space we inhabit, which function in a way as secondary bodies.

Nevertheless, what is familiar is only a recurring strangeness. ‘Make Yourself at Home’ considers the curious relationship between the mundane and the bizarre. The recognisable is married with abstract, private with public, inside with outside, while ideas and mediums reverberate within each other and happen simultaneously on multiple levels. The show is a pattern of hypotheticals and realities, incorporating installation, painting, works on objects, objects in works, works on works, works on paper, collaborative noise works and poetry.

We sat with Goodie in the lead up to her show….

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photo: p1xels

Damo: Can we just start with you introducing yourself and a little bit about who you are?

Goodie: Hello I’m Goodie… Who am I? I’m predominantly a painter I suppose. But I also work in installation and a bit in film, poetry, illustration, anything. I’m just a human being.

Damo: What’s your background?

Goodie: I’m originally from Canberra however I was born in California. I lived there for the first 2 years of my life. I then grew up in Canberra and moved to Melbourne about 3 years ago.

Damo: What was it like growing up in Canberra?

Goodie: It was good. I always thought it was a good place to grow up. A lot of time to just walk around and the legal wall system in Canberra is unlike any other state. In Canberra there are around 25 legal walls, so there are heaps of places where you can go to paint. But I think the main thing is it’s just really easygoing. You walk down the street and you bump into a bunch of friends. I found coming to Melbourne was a bit like a sensory overload.

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photo: p1xels

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Blek Le Rat – ‘After the Apocalypse’ Print Release

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Our good friend Blek Le Rat has just released a brand new website, and to coincide with the launch of this has also released the next print in his rat series – ‘After the Apocalypse’.

Blek’s first stencils were black rats, seen to be running along the walls throughout the centre of Paris. The rat, also an anagram for ‘art’, is in Blek’s mind “the only animal to survive the apocalypse“.

‘After the Apocalypse’ is a two-color screen print on 300gsm Arches paper; 23 x 31cm; signed, numbered and limited edition of 300. Each print comes with a Certificate of Authenticity.

‘After the Apocalypse’ is available here, but as you can imagine be very quick!! The last two rat series have sold out very quickly and are now highly sort after by collectors.

@blekleratoriginal

CRUMPLER x T-WORLD

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Crumpler and T-world are excited to announce their latest collaboration, showcasing some of the brightest and most creative talent on Australian shores. Crumpler know bags, and T-world are obsessed with T-shirt graphics. It made sense for the Melbourne born and bred businesses to curate this ongoing exhibition of products. Crumpler and T-world will be celebrating Series One with a launch party on Thursday 16th February from 6-8pm at their Flagship store, 40-44 Degraves Street, Melbourne.

“It’s a collaboration that was bound to happen. If you’ve ever run into me at an event, exhibition or simply in the street, chances are you will have seen me holding my trusty Crumpler bag. As a Melbourne advocate, I am proud for T-world to be partnering on this project and exposing some of the most innovative artists and designers from this city.” – Eddie Zammit, T-world (and VNA contributor!)

Series One: Tin&Ed

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Tin&Ed are a creative practise, dedicating their lives to blurring the lines between art, design, play and work. Crumpler are absolutely delighted to be working with them once again – having given them some of their rst jobs straight out of university almost a decade ago.
This series is an intergalactic travel-inspired collection featuring three T-shirt graphics and one Squid backpack. Their T-shirt graphics feature ag designs for all beings throughout the universe. In their world, practice makes imperfect.

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A STUDY OF EROTICA

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Backwoods Gallery is proud to announce, A Study Of Erotica, curated by Alexander Mitchell. A collection of erotic artwork by their favourite artists: Alexander Mitchell, Alpha Channeling, Anthony Lister, Ashley Wood, Kes Acorn, Kim Hyunji, Kristen Liu Wong, Senekt, Shida, Shohei Takasaki, Susanna Rose Sykes, Takeru Amano & Yone.

A Study Of… is a decade long series of exhibitions which started in 2012 in order to archive artwork from world renowned artists, focused on a common subjects which have a universal importance for artistic practices.

Backwoods’ hope is, that by the end of the project, they will be left with a collection of artwork that can function as an historic document as well as reference and inspiration for future artists.

A Study Of Erotica is the sixth exhibition in the series, following exhibitions on Hands, Eyes, Hair, Camouflage & Darkness.

A Study Of Erotica is on display at Backwoods Gallery from the 10th until the 26th of February.

Invader – My Game is … @ Musee en Herbe

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VNA favourite featured artist Invader is returning to Paris for his first show in the French capital since 2011  and invading the Musee en Herbe as his playground for an exhibition titled Hello, My Game is…. 

Featuring over 100 new works, the show retraces his inspirations from the infamous arcade games like Pac-Man and Q*bert and characters from children’s animation including the Teenage Mutant Ninja Turtles and Miyazaki’s Ponyo. Visitors from all ages could discover and rediscover and play with the videogames.

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A control board with interactive world map highlights all the 67 invaded cities across the past 20 years as well as life size ‘alias’ mosaics.

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Entering the Rubikcubism room, visitors discover footage from 80’s Rubik Cubes competitions and a series of Disney characters like tiger Shere Khan from the Jungle Book, or Peter Pan. This particular work is made from 1,320 Rubik’s Cubes making it his largest such piece to date. Children and fans can recreate their own 8-bits mosaics on a ‘pixel’ magnet wall.

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Entering the top level of the exploration game, visitors can enjoy the series of masks used during Invader’s streets interventions and have a glimpse of the artist’s studio.

We are pleased to see that Invader is wearing the limited edition collaborative scarf and some nice gems to be found in his studio.

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The exhibition is very playful and aims to engage with the inner children within us all.

Invader explains – ‘I have myself often drawn inspiration from the world of childhood. Besides, who other than an adult with a child’s soul could devote his life to invading the world with video game characters? Also, this exhibition is very close to my heart because children represent the future. Education and dialogue with children are the key to a good future for humanity and tomorrow’s world.’

A 40-page book containing games and stickers published by Casterman also accompany the exhibition.

Hello My Game is…
26 Jan – 3 Sept 2017
From Monday to Sunday (10am to 7pm; 9pm on Thursdays)
23 rue de l’Arbre-Sec, 75001 Paris.

Photo credit: Butterfly Art News

Unwell Bunny – ‘ Super Psychology’

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Urban contemporary artist Unwell Bunny (also known as Ed Bechervaise) opens his new exhibition ‘Super Psychology’ in January 13th 2017 at Besser Space in Melbourne.

A study into the American psyche, the body of work takes part over two time periods. From 6 weeks travelling through New York, LA, San Francisco with observations of American fast food psychology.

And then a second part series, in Melbourne seeing these works for a second time with the figurative edge of the female form.

Its a suggestive dichotomy between the past subconscious experience and the present observational one occurs and takes the viewer into a contemporary lifestyle setting. Whilst still experiencing bursts of subliminal psychology as the American infused imagery punctures the background.

Ed has shown his work in Amsterdam, New York and most recently a solo show in Paris. With its global sensibility and edgy urban undertones, Ed’s motivations are both to be pleasing aesthetically while also disruptive emotionally, triggering questions in the viewer, which is both inward and outwardly focused. A super psychology of self-discovery.

In the lead up to the show, opening Friday 13 January 2017, Ed took some time with our boy in Melbourne, Damo, to chat about all things Unwell.

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Can you introduce yourself, and explain how you came to be where you are now?

Unwell Bunny: I’m Unwell Bunny (also known as Ed Bechervaise). My art story starts in Adelaide in Australia, I was a graffiti artist early on. I did some art study in Adelaide then I moved to Melbourne. In Melbourne I discovered ‘street art’ it was new and exciting, I started following it, and then got into it myself. Over time my graffiti back ground and street art interest has merged. I’m investigating neo cubism and am creating pop expressionism; it’s a bit of a departure from direct graffiti influences but I still use mediums from my graffiti days and will almost certainly always be part of the genre.

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VNA Issue 35 – OUT NOW!

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VNA has grown from it’s humble beginnings as a free black and white zine with the help and support of people like D*Face –who enabled the distribution of the mag at his StolenSpace gallery way back when it first started ten years ago. So it’s only fitting that 10 years on he features on the front cover – shot by Shamil Tanna – for the second time.

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The latest issue is out now and available to buy online before it hits stores next week right hurrr:
www.verynearlyalmost.com/shop/vna-issue-35

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Inside Issue 35, you can see the philthy skills of Phill Blake, the gravity defying work of Spanish artist Cinta Vidal and the awesome muralism of Canadian young blood, Jarus.

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Also featured is the Japanese skate punk legend, Haroshi, giving an insight into the recycled skateboard sculptures he makes with heart and soul, and Croatian painter Lonac.

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From the Antipodes comes work from Japan-based Aussie artist, Mark Drew, with his blend of hip hop and remixed rap quotes over Peanuts paintings, alongside Melbourne-based Cam Scale, bringing a homegrown history of his life growing up in the bush.

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Great Dane Søren Solkær gives a look through the lens into music photography and artist portraiture and Floridian Tatiana Suarez highlights her local background and a glimpse into the world of her haunting characters.

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Last but not least are Shepard Fairey – return of one of our previous cover stars to give the lowdown on some highlights and milestones of his career – and Wayne White – master of puppets and tongue in cheek painter, fresh off the back of his latest epic show, Wayne-O-Rama, in his hometown of Chattanooga.

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www.verynearlyalmost.com/shop/vna-issue-35

New Translations at Subliminal Projects by Scott Albrecht

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Exhibition Review by Hyland Mather

This show New Translations, by Scott Ablrecht (instagram @scottyfivealive) has been getting lots of attention online, and why not… a) It’s at Shepard’s gallery, duh, and b) this new work from Scotty is quite freaking stellar.

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