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‘A Study of Hair’ – Dave Kinsey

In the ongoing series interviewing contributors to ‘A Study of Hair’ opening at Backwoods Gallery on Friday, we speak today with Dave Kinsey….

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‘Michelle, Ma Belle’ – detail – Dave Kinsey

Damo:  for the uninitiated, can you tell us a little bit about yourself?

DK:  Dave Kinsey, full time painter, part time designer, living la vida loca in the Sierra Nevada mountains north of Los Angeles.

Damo:  Can you tell us about your piece, and how you have responded to the artistic brief?

DK:  “Michelle” by The Beatles was playing while I was sketching the piece. I’ve always loved that song, and since my wife’s middle name is Michelle too, I had that all in mind. Such a calming sound to it.

Damo:  What medium have you used?  Why did you choose this medium?

DK:  I really enjoy working with acrylic and collage utilizing old books, discarded postal envelops. etc., which I feel melds nicely together on the canvas. I especially love working with vintage book pages because of their interesting visual tonality, fragility, and personal histories.

Damo:  Why did you agree to be part of the ‘Study Of’ project?  It is a very ambitious task – how do you think it will be viewed on completion?

DK:  I really liked the concept—it’s one of the few thematic group showings that really makes sense to me. It’d love to see a book produced after 10 years or so of this continued series.

Damo:  On a more personal note, what can we expect to see from you in the next 18 months?

DK:  I just finished a huge show that opened at Library Street Collective in Detroit and now I’m back in the studio working on new pieces for Miami in December and Cologne, Germany in 2015.

kinseyvisual.com

‘A Study of Hair’ – Miso

In the lead up to Backwoods Gallery ‘A Study of Hair’ Exhibition this Friday, 26 September we have been lucky enough to talk to some of the contributing artists.  Keep checking back as there will be drops for the next few days, and don’t forget if you want to see all of the work to contact sales@backwoodsgallery.com.  Today, we speak with Miso…

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‘Tangled 2’ – detail – Miso

Damo:  For the uninitiated, can you tell us a little bit about yourself?

Miso:  I’m so, so bad at answering this question!

Damo:  Can you tell us about your piece, and how you have responded to the artistic brief?

Miso:  Well, errr… I actually suggested the ‘hair’ idea to Alex, the curator, a while ago… and I think I found making the work actually a lot harder than any of the other artists, funny enough!  My hair is a bit of a bird’s nest, so I liked the idea of making a paper fold map of tangled hair, seeing how it got to that stage. A very clean map of something very messy.

Damo:  What medium have you used?  Why did you choose this medium?

Miso:  The work is a new experiment for me, making folded paper works – that are a little bit more sculptural.  The details are pin-pricks hammered into the paper, one by one, between the folds. It’s a medium I’ve been working with for a while now, and I really love the idea of drawing with nothingness – taking back from a blank sheet of paper, sculpting back – rather than adding on.

Damo:  Why did you agree to be part of the ‘Study Of’ project?  It is a very ambitious task – how do you think it will be viewed on completion?

Miso:  I suppose it’s really nice to be asked! It’s a very cool line-up to be a part of.  And it’s been a really, really great challenge – I think it’s a curatorial brief that made me make very different things, but work that I’m incredibly proud of – it’s not every day that a curator pushes you do that.

Damo:  On a more personal note, what can we expect to see from you in the next 18 months?

Miso:  Lots of publishing! More solo shows, and hopefully some architectural projects too.

@m_i_s_o_

 

‘A Study of Hair’ – Alexander Mitchell

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‘Oh Bondage’ – detail – Alexander Mitchell

This September, Backwoods Gallery is proud to present ‘A Study of Hair’, the third installment in what is to be a decade-long project.

The 2012 and 2013 exhibitions focused on two of the most important vectors of emotional communication: hands and eyes. This year’s theme, hair, is the most challenging of the series so far, and promises to generate an even more diverse range of interpretations.

This year’s artists will include C215, Dave Kinsey, Faith47, Inkie, Jonathan Guthmann, Mark Bode, Merda, Miso, ROA, Stephen Ives, Shohei Otomo, TwoOne, Usugrow, Yusk Imai and Alexander Mitchell.

In its completed form, the ‘A Study Of…’ project will document over 350 artworks from all corners of the globe. The curator’s (Alexander Mitchell) intent is to create an historical source with enough breadth to contextualize a generation of artists, many of whom work primarily outside the framework of established institutions.

Damo managed to catch curator and contributor Alexander Mitchell for the down low…

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‘A Study of Hair’ – Backwoods Gallery, September 26th 2014

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Backwoods Gallery is proud to present A Study of Hair, the third installment in what is to be a decade-long project. A Study of… is a series of group exhibitions in which local and international artists are invited to present a contemporary interpretation of a motif drawn from art history.

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OnePoint – Interview

Development and evolution are some of the most important elements within every artist of every art form however they are perhaps most tangible in the work of the Czech artist, Point. With a collected wealth of experience, inspiration, ability and execution, his prolific art dominates the Prague art scene from subtle hidden “Pointies” on street corners to gigantic geometric behemoths in the middle of the street. We touched base for a chat with him and covered the important issues, inspiration, growing older and the colour red.

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Mr Jago – New Coordinates

White Walls is pleased to present the new work of Bristol based artist, Mr Jago, in his latest exhibition titled New Coordinates. The opening reception will be held on Saturday, August 16 from 7 pm to 11 pm. The exhibit will be on view through September 6, 2014 and is free and open to the public.

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My Fin Bec 2014 – Etam Cru, C215, Vhils, Herakut

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The winery Cave Fin Bec in Switzerland recently introduced the results of their myFINBEC project for 2014. For the last few years they commission urban artists to paint 672 stacked wood wine crates, or 84 crates for each painting, which are then printed as wine labels for a special limited edition organic wine. This year, their list of artists include VHILS from Portugal, Herakut from Germany, C215 from France and Etam Cru from Poland.

The finished works will be available as separate cases of wine, but also, as a limited edition lithographs printed @ Idem, Paris. Before each of the eight paintings are taken apart, and cases are filled with six bottles of wine and sent to collectors, the finished works will go on a Wine European Tour. This tour is a series of four day pop-up shows held in street galleries, where art lovers will get an unique chance to see these works in person. Starting @ Ruttkowski;68 gallery in Cologne, the works will be exhibited from August 15th – August 17th,  and will than go to Rome, London, etc.

MyFinBec.com
IdemParis.com
Ruttkowski68.com
AlexandreFarto.com
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ATM Takes Wing

Street art and campaigning are age-old buddies; having gone hand in hand since their gestation and covering a range of topics, from political propaganda to raising awareness against media takeover. However one artist is bringing things a great deal closer to home alongside a slightly offbeat subject. For the past year London-based ATM has been re-inhabiting rundown areas of the capital with the ghosts of times gone by in the form of its forgotten bird species. Having recently featured in some of the big dogs of mainstream media, we put Jodie on the case to see what all the flapping was about. Excuse the pun.

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“Inner Myths” by Shida – Opening Friday 4 July

“Inner Myths”, a collection of new paintings and sculptural works by Shida is a dynamic record of Shida’s development as an artist who envisions infinite worlds. Influenced by the work of Frank Frazetta, Paul Gauguin, Mikhail Vrubel and Nikolai Kalmakov, for “Inner Myths”, as Australia’s most prolific young street artist, Shida reinvokes two centuries of art history in his characteristic style. Shida is considered an asset to Australian contemporary art, who is constantly challenging himself against the sources of his inspiration.

Shida took some time out to talk about his upcoming show….

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Rockin’ Out with 23rd Key

Melbourne based artist 23rd Key has just submitted two mind-blowing stencils into Australia’s ‘Archibald Prize‘.  She took time to chat with Damo about how this all came about.

DW:  Thanks for taking the time to chat.  Can you tell us a bit about yourself, what led you to becoming a stencil artist?

23rd Key: No worries. I actually kind of fell into it- I made my first stencil when I was in high school. Being from Melbourne, stencil art was still emerging at the time, my brother knew some of the basics and taught them to me. I happened to really take to the medium though, I found the process of cutting/making stencils really cathartic and have been doing it ever since- I enjoy doing it now more than I ever have. I got to a stage where I’d made so many artworks that I decided I needed to do something with them – being an artist was never something I thought I’d be, ‘when I grew up’.

DW:  Often there can be a story behind a name.  Is that the case with you?

23rd Key: I struggle a lot when it comes to names, even when I used to play roller derby, I found coming up with a name harder than learning how to skate. The first show I was ever in I went under the pseudonym ‘Keys’, it was basically just because it sounds like my real last name and was my nickname for a long time. Twenty-three has been my favourite number since I can remember and is actually the date of my birth, so I kind of just put the two together. It’s a pretty poor story I guess, hopefully the work I make makes up for it.

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