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Backwoods Gallery: ‘A Study of Camouflage’

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Backwoods Gallery proudly presents ‘A Study of Camouflage’ – a new show within the A Study of… exhibition series. This is the fourth exhibition in row in the long-term project consisting of annual shows that focus on different study subjects.

With this series of exhibitions, Backwoods are creating a vivid archive of works by renowned artists from around the world whose works intersect on the same subject-matter. No matter the artistic style or technique used, a magnificent plurality of different approaches and representations of a single subject contextualises it, and places it in a dominant understanding of both the artists’ and audience’s views. Logically, this library becomes a diverse overview of different representations of a single subject, as seen and created by leading contemporary artists.

A Study of Camouflage brings together some of the leading contemporary artists whose art, in some way, touches the subject of camouflage. The concept seeks to deconstruct the dominant perception of camouflage from its military driven narrative, and to bring back the camouflage patterns to its natural roots. Camouflage is usually linked with military uniforms and inherently with violence and rigorousness. However, camouflage patterns are much more than a simple military feature. Its different forms can be observed and understood as an artistic product, both in terms of aesthetics and conceptuality. Aesthetically, camouflage can assume different shapes and forms, creating beautiful design and art products, while conceptually, it may be detached from its military connotation, and transformed to different purposes depending on the given context. Always depending on artistic approach towards it, camouflage has enormous potentials for being a perfect medium for countless interpretations of contemporary society. The use of camouflage in art may lead to more abstract forms, while on the other hand it can serve as the perfect material for figurative and conceptual approaches as well.

The exhibition will open on Friday, May 29th, and will be on view until Sunday, June 7th. It will take place at a warehouse space, just next door to Backwoods Gallery, at 5 Easey Street, Collingwood.

I CAN’T BELIEVE IT’S NOT GUTTER!

Anthony-Lister

Shine your bowling balls and strap on those hire shoes, because Stupid Krap is heading to Toowoomba to bring together the ‘kingpins’ of Australian and international art for the group exhibition ‘I Can’t Believe It’s Not Gutter!’

Kentaro-Yoshida

Curated by Aaron Craig, this unique exhibition features a gallery full of hand painted and customised bowling pins collected locally for this project. The exhibition opening will coincide the second annual street art and music festival, First Coat, and will be open from May 1st – 31st. So no matter your bowling style, make sure you don’t miss ‘I Can’t Believe It’s Not Gutter!’

Opening reception: 1 – 4pm, Saturday May 16th. 2015
TheGRID Gallery, Toowoomba
Exhibition on view: May 16th – 31st, 2015

Greg-Mike

VNA 30 – Out Now

VNA 30 is here, a landmark issue for us, it deserved an extra special artist for the cover – no less than Leonard McGurr, aka Futura, the artist formerly known as Futura2000.

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To get your copy – you can pick one up at your local independent newsagent, national WHSmith’s in the UK, Barnes & Noble stores in the US and of course, online here: www.verynearlyalmost.com/shop/vna-issue-30

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XENZ – The Moon On A Stick – Fluorescent Smogg

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Fluorescent Smogg is pleased to announce a site-specific showcase of meditative work by London-based artist Xenz. The Moon On A Stick presents a new series of focused monochromatic illustrations and marks a brief departure from the artist’s vibrant idiosyncratic style.

xenz (8 of 14)

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Work-Shop’s ‘Adventures with Anthony Lister’ and ‘Day of the Deb’

For those of you who missed it, Anthony Lister recently held a whirlwind class at Work-Shop Sydney, ‘Adventures with Anthony Lister’. The video below gives you a sneak peek at what went down.

Melbourne, now it’s your turn but with a twist. Deb’s ‘Day of the DEB’ on 26 April at Work-Shop Melbourne’s new digs sounds too good to miss. You have been warned….

Anthony Lister x The Workshop Au from Billy Zammit on Vimeo.

Evie Cahir and Gemma Topliss: ‘Heavy Leisure’

EVIE_GEMMA_STUDIO_BACKWOODS (19 of 31)

This week, Backwoods Gallery presents an exhibition of illustrations by two young artists, Evie Cahir & Gemma Topliss, who are representative of the bright future of Australia art.
In ‘Heavy Leisure’, opening on the 17th of April, Cahir and Topliss will present a series of delicate, illustrative works. The collection re-evaluates the seemingly mundane moments, objects and routines of daily life, imbuing them with emotional undertones.

Evie Cahir’s illustrative works offer a new, more attentive regard on the banal but precious objects and moments encountered in daily life. Cahir is fascinated by the hidden meanings of routine and the interplay between light and shadow. Her artwork employs sophisticated composition, refined techniques and subtle humour to present her point of view in a truly unique and beautiful way.

Gemma Topliss explores the connection between the interior and the exterior, both spatially and emotionally. Her charcoal and graphite drawings are intimate, fragmented and personal. At only 19, Topliss is the youngest artist that has exhibited at Backwoods.

In the lead up to the exhibition, they both took some time to speak with VNA.

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Samuel Gomez – Interview

In the lead up to ILLUSTRATED 2015, the brand new illustration and street art show arriving at the Old Truman Brewery this spring, we begin a new series directing you to some of the artists who deserve your attention right now. First up is Dominican artist, Samuel Gomez. As Creative Designer and Illustrator for some of the top US design agencies, his impressive commercial and editorial portfolio already includes work created for leading brands such as Coca Cola, Pepsi, Dove, Gucci, Unilever, Estee Lauder among many others. But its his personal work that has earned him international acclaim as a clever and considered visual storyteller. Creating colossal works depicting mechanical scenes, there’s no denying the very dark and ominous tone to Gomez’ artwork. It is bold and impacting at first glance, but at a closer look, delicate concerns rise to the surface. We interviewed Sam to find out a little more about the man behind the mechanics.

1 Sam Gomez

Your artwork explores a vast range of universal science, socioeconomic, automation and sustainability issues, through complex worlds in graphite and ink. What emotions are you hope to inspire in the audience through your work?

I encourage my audience to always be open: I hope they are able to see through the superficial to understand my story of a world where free from mechanical tasks and slave labour. At the same time, I hope to make them aware of the tipping point – when a fully intelligent and automated society may walk us blindly into the abyss of inequality, monotony and recklessness.

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Urban Nation – PM7 – BSA Persons Of Interest

Brooklyn Street Art recently kicked off the 7th part of Urban Nation’s Project M series. We caught up with BSA directors Steven P. Harrington and Jaime Rojo to get the lowdown on their part of the project.

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VNA: So, why did you guys put this together?

Steve: We had a couple of goals when putting ‘Persons of Interest’ together – one was to counter the cultural imperialism that can happen in these large street art/mural festivals around the globe right now. It is sort of in response to a critique we have heard in the last few years as an international circuit of recurring Street Art “names” go into a host city and leave work that people can’t relate to personally. We wanted to leave work that people in Berlin could feel connected to.

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Jaime: We also asked each of the 12 artists to do research and produce a portrait of someone who lived in Germany or who lives in Brooklyn and is from Germany – a cultural exchange that highlights the real connection that Brooklyn and Berlin artists communities have had for decades, something we’re both personally familiar with as artists. The results have been nothing short of amazing (and gratifying) to us, because each of the artists chose people who they also relate to – realist and Dadaist artists, social and political activists, a writer and poet, an icon of the silver screen, Turkish immigrants, even a German photographer who lives next door to one of the artists in Brooklyn.

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Lapiztola in London – Democracia Real Ya!

Rosario Martínez Llaguno and Roberto Vega Jiménez make up the Mexican activist art duo, Lapiztola. Recently visiting London, they worked on an exhibition called ‘Democracia real ya!’, meaning ‘real democracy now!’ The exhibition was hosted by Global Justice Now (formerly the World Development Movement) and was held at Rich Mix in Shoreditch. We caught up with the guys at Lapiztola to talk about the project.

podran arrancar todas las flores pero jamas detrendran la primavera

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