Shida’s work explores the interlinked relationship between ritual, sexuality and love. Psychedelic entities are entwined in ceremonial acts, transcending the boundaries of known reality. In a world where society’s issues are becoming increasingly gendered and people are seemingly more divided than ever due to the rise of identity politics, Shida seeks to turn this tide like an ancient shaman with each of these works being, in essence, an invocation, an energetic manifestation, a prayer to joy.
Inspired (or better annoyed), by the recent irrational and superficial media fight between Kim Jong-un and Donald Trump, MTO recently created 2 paintings that are accompanied with an exclusive video. The works are portraying 2 leaders as bodybuilders striking their most impressive poses in a competition, and are continuation of French artist’s ongoing socio-political commentary.
Each acrylic painting is measuring 30x40cm and is a critique of their egocentric characters and need to demonstrate their worthiness, power, etc. Wearing shorts with national flags, they are representing the people of both countries, while making themselves look like a parody of the person they are supposed to be. This is further accented with a video that compiles different moments in which both Jong-un and Trump are acting more as attention-hungry narcissists and less as leaders chosen by their people. And the lyrics of the song further add to the whole idea saying “Le temps ne fait rien à l´affaire Quand on est con, on est con / Time doesn’t make a difference, When you’re a cunt, you’re a cunt”.
TRUMP TOWERS BROKEN INTO & TRASHED BY LEGENDARY STREET ARTIST
After a hugely successful opening, Twumps is closing it’s doors this weekend. Twumps will be ending with a YUGE bang as well-known graffiti artist Dscreet “breaks in” and trashes the joint. Mimicking a break in to Trump’s very own penthouse, Dscreet films his break into Twumps, spray paints the walls, and even takes a “dump” on Trump’s desk.
Secret Walls began back in 2006 in a small bar in East London, it was small and intimate yet had the potential to be so much more. Years of hard work, dedication and a strong following has meant Secret Walls has pushed the boundaries and raised the bar for artists and promoters alike on an international stage.
Secret Walls is the world’s premier live illustration battle. Working in a similar way to Fight Club, Secret Walls battles are set up and promoted through word of mouth and social media with battles taking place between two individuals or teams of artists.
On Monday November 6, Melbourne will once again play host to this prestigious event. Fighting it out at Melbourne’s The Vic Bar will see Callum Preston and Heesco vs. Jack Douglas and Unwell Bunny….
In yet another covert project set in a doomed, abandoned space, acclaimed Melbourne-based street artist Rone announces his latest work, The Omega Project – a nostalgic and haunting homage to the fading remnants of mid-century Australiana.
On the back of his hugely successful 2016 solo exhibition, Empty and a recent turn producing a large-scale mural for rural Victoria’s Silo Art Project, the internationally renowned Melbourne street artist has turned his attention back to his hometown for another fleetingly brief exhibition – this time set in a condemned suburban home. Check out this incredible VR-ready 3D tour of the site from the guys at Phoria:
A huge thanks to everyone who came down last night for the show opening!
It was great to see so many familiar faces and so much love and support for VNA.
Massive thanks to all the artists who contributed to the show – 45RPM, AJ FOSIK, ARYZ, BLEK LE RAT, C215, CAM SCALE, CHLOE EARLY, CONOR HARRINGTON, CYRCLE, D*FACE, DAN KITCHENER, DAVE WHITE, DAVID SHILLINGLAW, EELUS, EINE, ELK (LUKE CORNISH), ERMSY, FAILE, FINTAN MAGEE, GAIA, GEORGIA HILL, GHOSTPATROL (DAVID BOOTH), HERAKUT, INKIE, INSA, INVADER, JAMES JEAN, JOE HOLBROOK, KID ACNE, LISTER, M-CITY (MARIUSZ WARAS), MOBSTR, MR JAGO, MYSTERIOUS AL, NIELS ‘SHOE’ MEULMANN, PAUL INSECT, REMI ROUGH, RONE, RONZO, RUFUS DAYGLO, SHEPARD FAIREY (OBEY), SICKBOY, STENDEC, STEVE CROSS, TOASTER, THE LONDON POLICE, TILT, TIZER, TODD FRANCIS, TOM FRENCH, TRISTAN EATON (TRUSTO CORP), VHILS, WILL BARRAS
Bidding is well underway and we look forward to raising thousands for Macmillan Cancer Support. All items are available for worldwide shipping, tracked and insured, but we cannot calculate this until we have the winning bidder’s details so please don’t be put off by misleading info on the listings! Hit us up with any questions – email@example.com or via artFido
All items are up online here and bidding closes at 12 midday Monday 1st May (GMT):
Special shout outs to the Macmillan Cancer Support team, Eve, Jay and Lauren at StolenSpace, the superhuman Andy Vasy for his stellar work getting the work on the walls, Simon at Luardos for the delicious tacos, James Grant for shooting these great pics below, Soffles for providing tasty snacks and the legends from Sailor Jerry for pumping out wicked cocktails all night long.
Hyuro was one of 20 international and local artists that recently produced a series of fresh public works for the great The Crystal Ship festival, in Belgium’s coastal town of Oostende. Continuing her body of socially engaged and thought provoking works, Argentinian-born artist painted a signature image depicting women’s hands putting together a broken ceramic bowl.
Using pastel tones and her own trusty collection of brushes, Hyuro’s mural subtly blended with the facade of a solitary building, nicely composed within its format. The artist found an inspiration for her work in a fact that Belgium still holds the record for the longest time without government, as well as in its internal cultural and linguistic division. At the same time, the country’s capital is also a capital of the EU, which is slowly falling apart despite efforts to keep it united. This situation was nicely shown through a metaphor of rebuilding a broken ceramic which can never be put together into its original shape. By focusing on the action and the object while leaving the subject faceless and anonymous, Hyuro created a recognizable image that can be understood and applied universally, like most of her work painted worldwide. (Photo credit by @SashaBogojev)
Spencer Keeton Cunningham is having an opening reception for his new solo exhibit in Vancouver BC at Antisocial Gallery this Friday March 31st, 7-10pm. The exhibit is a benefit for water protector refugees Spencer befriended while at NODAPL Standing Rock camps before native Americans were forcefully removed from their treaty land.
Over 60 internationally recognised street & visual artists including Hyuro, Escif, David De La Mano and Robert Montgomery have taken part in the world’s first coordinated ad takeover in 12 countries as part of #SubvertTheCity – a week of creative action that saw artists and the public imagining a world beyond consumerism. The artworks installed in advertising spaces share images and ideas of hope & solidarity in order to challenge the politics of fear and division that is gripping western societies.
Prize-winning Australian stencil artist Luke Cornish, aka E.L.K recently showed his exhibition of Syrian-inspired artworks, ‘Road to Damascus’ at Sydney art gallery Nanda/Hobbs Contemporary. For over a decade, Cornish has created artwork in the public eye that forces the viewer to reflect on their thoughts and actions and the impact their lives have on others.
Turning over the soil on perceptions of race, religion, conflict and the human condition, Cornish echoes the sentiments of American singer Bruce Springsteen, considering it his job as an artist to ‘observe and report’.
Cornish extends his social commentary across borders and boundaries, with his work often taking him to the worlds most troubled and troubling places. In June 2016, Cornish traveled through Syria with Sydney’s Anglican Church Reverend Dave Smith, on his ‘Boxers for Peace’ mission. The life-changing journey brought him insights into the lives and stories of the people he encountered.
Despite the poverty and plight of the war-ravaged civilization, Cornish was able to experience first-hand the hope, generosity and defiant positivity of the people of Syria. Taking these reflections back and pouring them into his work, Cornish was then invited to return to Syria to exhibit the show at the Damascus Opera House.
Set on returning to the country, Cornish set about collecting donations for art supplies in Australia for his work with the children of Syria, but in doing so, found he encountered issues with PayPal obstructing any contributions with the label ‘Syria’ or ‘Syrian’ attached. His visit to the area wasn’t without incident either, as he found himself arrested in the wrong area at gunpoint, without the correct papers for his visit. However, the experience has left him un-jaded as to the warmth and humanity of the ordinary people he met along the way.