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BLO (DMV) – DREAMS HAVE NO TITLES – Solo Show

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BLO (nacido en Francia y establecido en Berlín) es un cirujano de hoy en día. Empalma desnudos de Man Ray con épicas Estatuas Renacentistas para crear graciosas figuras sagradas envueltas en ráfagas de abstracción cósmica. Clavadas con alfileres en el tiempo, como mariposas tropicales en el lienzo.

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“El Asesinato de la Pintura” de Joan Miró no es la primera referencia que asoma a nuestra mente al mirar la piedra maravillosamente concebida por BLO, sus antigüedades alegóricas y geométricas. Así, bajo el resplandor de la graciosa luz de los tonos pastel, se encuentran gestos de paraísos míticos que implosionan. Junto a zancadas futuristas de una estatua o un desnudo reclinado, un híbrido sin género de una época ya olvidada, un momento de tierna y fría pasión.

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BLO is a modern day surgeon, born in France and based in Berlin he splices between Man Ray’s nudes and epic Renaissance Statues creating graceful, sacred figures enveloped in bursts of cosmic abstraction. Pinned in time like tropical butterflies to the canvas.

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“The Assassination of Painting” is not the first quote to come to mind from Joan Miro when looking at BLO’s beautifully rendered stone, geometrical donned antiquities. Yet underneath the light, graceful glow of the pastel hues, one finds gestures of imploding mythical paradises. Alongside futuristic postures of a statues stride or a reclining nude, a genderless hybrid of a long forgotten time, a time of cold tender passion.

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THE FREEDOM TO PAINT IS THE FREEDOM TO DESTROY REALITY.

P.V.Rafferty

www.swintonandgrant.com

damentalvaporz.com

www.blo-paintings.com

Shepard Fairey – VNA Interview

VNA Issue 15 interview and art in the streets from Shepard Fairey.

Fresh from the vaults, this never-before-published footage has not seen the light of day, until now… With special thanks to the teams at Studio Number One, Subliminal Projects and Obey Clothing.

Filmed & edited by Charlie Inman – www.charlieinman.com

www.obeygiant.com

www.studionumberone.com

www.obeyclothing.co.uk

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VNA 30 – Limited Edition – Futura Box Set

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VNA 30 is here. This is a landmark issue with an extra special artist for the cover – a true godfather of graffiti, Futura, formerly known as Futura2000. He talks candidly about the stratospheric highs and crushing lows of his dramatic life and career to date.

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As always, VNA have produced a Limited Edition run of screen-printed magazines, lovingly prepared by our friends at White Duck Screen Print and this issue is no exception. Each boxset features Futura’s artwork screen-printed on the box and magazine cover and inside you’ll find included a set of four die-cut stickers and and an exclusive wooden model of Futura tag on Brooklyn Bridge.

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The box sets will be available to buy excusively at the London launch this Thursday 4th June from Great Eastern Bear, 8a Great Eastern St, Shoreditch, EC2A 3NT. We’ll have some complimentary beers from Brooklyn-based brewmasters, Sixpoint, as well as a few select paintings from some of the artists we know and love and some spicy snacks courtesy of Soffle’s Pitta Chips.

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As if all that wasn’t enough, D*face will be painting a billboard to guide you to the event space, supported by our friends at Ironlak and Chrome & Black, and local dancefloor destroyer, LOL Cool J will be spinning tunes to make you move to.

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www.greateasternbear.com

www.chromeandblack.com

www.soffles.com

www.sixpoint.com

www.ironlak.com

Elizabeth Gossling – BURN – Tintype Gallery

Elizabeth Gossling’s latest show , BURN, opens at Tintype Gallery, Islington – 16 April – 9 May 2015. An exploration of distraction, destruction and preservation, BURN re-invents the story of John Cura, a man who took photographs of television transmissions in the 50s and 60s. These ‘telesnaps’ represent a lost history in British broadcasting. Gossling imagines Cura mutating into Cura Obscura, a human camera evolving under the pressure and impossibility of capturing every moment on multiplying channels and screens as the speed and intensity of images accelerates. We caught up with her ahead of the show to get some insight into this latest exhibition.

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Evie Cahir and Gemma Topliss: ‘Heavy Leisure’

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This week, Backwoods Gallery presents an exhibition of illustrations by two young artists, Evie Cahir & Gemma Topliss, who are representative of the bright future of Australia art.
In ‘Heavy Leisure’, opening on the 17th of April, Cahir and Topliss will present a series of delicate, illustrative works. The collection re-evaluates the seemingly mundane moments, objects and routines of daily life, imbuing them with emotional undertones.

Evie Cahir’s illustrative works offer a new, more attentive regard on the banal but precious objects and moments encountered in daily life. Cahir is fascinated by the hidden meanings of routine and the interplay between light and shadow. Her artwork employs sophisticated composition, refined techniques and subtle humour to present her point of view in a truly unique and beautiful way.

Gemma Topliss explores the connection between the interior and the exterior, both spatially and emotionally. Her charcoal and graphite drawings are intimate, fragmented and personal. At only 19, Topliss is the youngest artist that has exhibited at Backwoods.

In the lead up to the exhibition, they both took some time to speak with VNA.

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Shida x Black Canyon Projects

The guys over at Black Canyon have stayed busy since collaborating on the new issue of Kingbrown Mag – they’re kicking off a new print series (Black Canyon Editions) with a release from the mighty Shida, who is currently based in Poland. Available here.

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To mark the occassion Mik Shida put together a photo diary, featuring recent snow covered European painting adventures… here are a select few photos….

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Samuel Gomez – Interview

In the lead up to ILLUSTRATED 2015, the brand new illustration and street art show arriving at the Old Truman Brewery this spring, we begin a new series directing you to some of the artists who deserve your attention right now. First up is Dominican artist, Samuel Gomez. As Creative Designer and Illustrator for some of the top US design agencies, his impressive commercial and editorial portfolio already includes work created for leading brands such as Coca Cola, Pepsi, Dove, Gucci, Unilever, Estee Lauder among many others. But its his personal work that has earned him international acclaim as a clever and considered visual storyteller. Creating colossal works depicting mechanical scenes, there’s no denying the very dark and ominous tone to Gomez’ artwork. It is bold and impacting at first glance, but at a closer look, delicate concerns rise to the surface. We interviewed Sam to find out a little more about the man behind the mechanics.

1 Sam Gomez

Your artwork explores a vast range of universal science, socioeconomic, automation and sustainability issues, through complex worlds in graphite and ink. What emotions are you hope to inspire in the audience through your work?

I encourage my audience to always be open: I hope they are able to see through the superficial to understand my story of a world where free from mechanical tasks and slave labour. At the same time, I hope to make them aware of the tipping point – when a fully intelligent and automated society may walk us blindly into the abyss of inequality, monotony and recklessness.

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Unwell Bunny – ‘Subtuition’ – Interview

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Damo: Who is Unwell Bunny? Can you talk us through your distinctive style?

UB: Unwell Bunny is the artistic alter ego of Ed Bechervaise, and an energetic free flowing artistic philosophy which is always evolving. The style I’d describe as hyper subversive urban pop, its a fluid clash of borrowed images, graffiti, and emotional narrative. Its full of energy and iconography and is a commentary on the time we live in.

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Lapiztola in London – Democracia Real Ya!

Rosario Martínez Llaguno and Roberto Vega Jiménez make up the Mexican activist art duo, Lapiztola. Recently visiting London, they worked on an exhibition called ‘Democracia real ya!’, meaning ‘real democracy now!’ The exhibition was hosted by Global Justice Now (formerly the World Development Movement) and was held at Rich Mix in Shoreditch. We caught up with the guys at Lapiztola to talk about the project.

podran arrancar todas las flores pero jamas detrendran la primavera

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