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New Translations at Subliminal Projects by Scott Albrecht

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Exhibition Review by Hyland Mather

This show New Translations, by Scott Ablrecht (instagram @scottyfivealive) has been getting lots of attention online, and why not… a) It’s at Shepard’s gallery, duh, and b) this new work from Scotty is quite freaking stellar.

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‘Onwards & Inwards’ – Kitt Bennett

‘Onwards & Inwards’, Kitt Bennett’s latest solo exhibition explores sensations of life and consciousness. This series of small and large works on paper aims to create meaning in what we perceive to be unrelated phenomena around us. Bennett is driven to explore how our possessions inform our individuality, and of how our internal and external worlds connect. In this series, Bennett uses his trademark illustrative comic style, in an attempt to maintain a playful balance between both the humorous and the darkly thought provoking aspects of our existence.

Bennett uses his illustrative style of storytelling in an attempt to maintain a playful balance between both the humorous and the darkly thought provoking aspects of our existence.

Can you introduce yourself, and talk a little about how you got to where you are?

My name’s Kitt. I’m an artist/illustrator working out of Juddy Roller studios.
Since completing a Bachelor of Illustration I have worked as a freelance illustrator dabbling in animation.
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‘Vectorized Reality’ – RASHE

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////Transport yourself into virtual reality_______Technology evolves faster than humans.

Coming from a graffiti background Rashe is now making art informed by his work as a graphic designer. This new body of work is inspired by new technologies and how they affect us on a day to day basis.

His process involves sketching on the computer, utilising software to create vectorised shapes. From there he uses an analogue approach, cutting paper by hand and painting shapes to play with composition and colours.

The digital revolution began with the transformation and transposition of as many “real life” activities and functions as possible into a digital entity. Today, the reverse tendency is becoming ever more apparent; the virtual is beginning to reveal itself within the actual.

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What is virtual and what is literal have become intertwined in the minds and everyday lives of people or perhaps we should say Users to the extent that humans born after 1990 no longer distinguish between the two. It is presently undeniable that the Digital domain has fully immer- sed itself into the Physical realm. The construction of self is increasingly becoming conceptual rather than natural, as Jeffrey Deitch correctly prophesied in 1992, and our entire understanding of the meaning of private life has been completely redefined. It seems that a key element of the emerging collective consciousness of western societies is a desire to literally grasp, to make incarnate, the new, ethereal mental technology-driven social constructs into visceral objects, and experiences: interactive button options present in paper magazine ads, physical instagram filter panels cropping up in front of landmark London views, and 3D content being physically rendered, so users can interact with digital information in a tangible way.

What does it mean to “Like” something nowadays? Does preference hold any value without explicit declaration? What mnemonic purpose does photography hold in a social context where images must be viewed within a 6-second time frame before self-destructing?
Vectorized Reality is the place where Rashe attempts to explore such questions and possibly reveal new insights into our new cultural and socioeconomic environment of multiple realities and multiple perceptions.

‘Vectorized Reality’ opens Friday 2nd of December at Lane’s End in Fitzroy.

http://thephygital.com/

Cecil Street Mega Wall

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Leading Australian mural artists Rone, Adnate, Sofles, Dvate, Cam Scale, Heesco and Jason Parker have teamed up to create an epic, large-scale mural on the streets of Fitzroy.

Curated by Juddy Roller, and supported by Yarra City Council and the Department of Justice, the project showcases the talents of the seven well known, and highly respected, artists.

Each artist, all unique in style, has been given creative license to paint a dedicated section of the wall, with the only limitation being that all artworks will be portrait based.

Says artist Adnate of the upcoming project, “I’m stoked to be a part of it, I respect all of these artist so much so to have the opportunity to collaborate with them on such an awesome project is really cool. Add to that, I’ve always thought a mural on this wall would be great so the fact the Juddy Roller has managed to secure it for us is really impressive.”

The wall is located on the Rear of Fry’s Storage on Cecil Street, Fitzroy.

All images by @p1xels

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‘Polarity’ – Christopher Hancock

Christopher Hancock is best known for his dark and twisted figurative works that explore the surreal complexities of the human condition. Born in Perth, the now Melbourne-based artist hails from a background in Australia’s graffiti and street art scene. The raw aesthetics of these urban movements can still be seen in his studio works, although it is the influence of fine artists such Francis Bacon that is most prominent. Within Christopher Hancock’s works themes of family, love, sexuality, anxiety, depression and mental health can be derived among many others.

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Credit: p1xels
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‘Mythos’ – Sam Octigan

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Sam Octigan is a visual artist based in Melbourne, Australia. His practice typically centres with painting on canvas, exploring the intersection of narrative and abstract form. Endlessly fascinated from a young age with the visual image and how we as humans connect to it, his current work seeks to delve deeper into the alchemy of what makes an arresting image to an audience, while exploring his own personal interests in memory, history, growth, home and truth.

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‘Freshly Sliced’ – Amac

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Amac is a Melbourne based artist, that explores the idea of life – whether that be fruits or creating his own beings. Through the use of mixed media – Amac sets out to explore the beauty in the every day things that inspire creation.

Opening this Friday at Melbourne’s Lane’s End ‘Freshly Sliced’ brings to life the fruits of travel. These pieces have been inspired via the buffet fruit selections throughout Asia. Fruit is natures way of spreading life – making the seeds so delicious they had to be eaten and spread. The works look at how nature inserts its own patterns within the grown beauty of fruits. Now that Spring has come; it’s time to see the plants bare the fresh fruits of the new season.

We hit up Amac for the down low on his show.

Can you introduce yourself, and talk a little about how you got to where you are?

My moniker is Amac and I grew up in the South Eastern suburbs of Melbourne. I started in graffiti back in 2008 painting pieces, however I realised pretty quick that I wasn’t that good at letterform and was suggested by a mate to try paint characters instead. After studying a diploma of visual art a few years back I was looking to merge my character based works with what I had learned during that period; which was to paint realism with oil paints.

Unfortunately my characters were’t fitting into the heavy conceptual art that school was wanting from me and I went back onto the street to paint, rather than on canvas. Shortly after that I ended up painting with Ohnoes & Chehehe through a mutual friends internet cafe and from that day I was hanging out at The Artshole. I have now been apart of The Artshole studio for just over four years. It’s all been a lot of trials, errors and experimentation!

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‘Bring Cash’ – Lushsux

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Concluding year of controversy, council disputes, censorship, dank memes and delicately treading a political gray area — LUSHSUX is presenting his final statement for 2016, a secret show called “BRING CASH”.

Visitors to the exhibition will be blindfolded and escorted, via black van, to a secret exhibition location where they will have a strict 30 minutes to view the artwork, before being hoodwinked and returned to the rendezvous location.

As the founding artists of the Memeist art movement, LUSHSUX’sartwork has hit a consistent nerve with the Australian people, allowing him to present a commentary on socio-political issues ranging from the violently divisive political environment of the U.S election, celebrity culture, freedom of speech, media bias to the meteoric rise of memes as a political force and form of civic protest.

“BRING CASH” will be LUSHSUX’s decisive conclusion and the final punchline of 2016.

Open from the weekend of November 25th. All guests will be required to purchase a ticket, book a time slot and sign a consent form that gives the gallery permission to confiscate all recording devices, blindfold, restrain and transport them to and from the exhibition. Amongst over things.

Come prepared for a confronting experience, designed by Australia’s most provocative artist and don’t forget to bring cash.

visit www.backwoods.gallery for details.

Aleph Exhibition : The Jaunt x The Garage x The Lost Object

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I’ve known Hyland Mather (thelostobject) for many years and we’ve done quite a large number of creative projects together. Beyond the fact that I have always loved Hyland’s, Andenken Gallery, and I admire his own creating styles as an artist, I can also say with confidence that we are good friends. As part of the ongoing project, The Jaunt, I sent Hyland off to Haifa, Israel.  Tonight an exhibition to showcase the Jaunt Forma sculptures that Hyland made in honor of that trip will be on display at the famed Amsterdam local The Garage .    This is the one time that all of these sculptures will be on display before they ship out to their new homes for the collectors who supported the trip.    I caught up with Hyland in advance of the show to talk a bit about this and a bit about that.

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Movember – LING

The Movember Foundation is the only global charity solely focused on men’s health. They raise funds that deliver innovative, breakthrough research and support programs to enable men to live happier, healthier and longer lives.

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photo: p1xels

Awareness and fundraising activities are run year-round by the Foundation where they encourage men to become more aware of their health, talk more with their friends and be more active, improving their health and wellbeing. The annual Movember campaign in November is globally recognised for its fun, disruptive approach to fundraising and getting men to take action for their health.

Since Movember started in Melbourne in 2003, millions have joined the movement, raising $770 million and funding more than 1,200 projects focusing on prostate cancer, testicular cancer and suicide prevention.

Melbourne artist Ling recently hit Melbourne’s Hosier Lane to paint Movember ambassador Kirk Pengilly and raise awareness for this very important cause.

Who are you and what do you do?
I’m Ling – ID / GH.

Principally I am a graffiti writer, although increasingly find myself looking at any and all creative outlets as possibilities to further myself and my output.

Why do you do what you do?

I’ve always found the painting and the creative process as something that has kept my mind on a level playing field. When I can’t paint for a period of time I start to get anxious or when I’m in a negative head space I always find that painting is a steadying influence. In that respect it’s therapeutic.

Recently I’ve been painting otherwise worthless objects gold to generate the perception of value. Historically gold has always had an allure that attracts people. Where you may have walked passed something everyday without a second thought, it suddenly compels you to stop, comment, photograph, share etc. whilst the object in question is still completely worthless, destined to be left to the elements or hauled away to be destroyed. It’s interesting seeing how this changes the way people interact / perceive with what is otherwise rubbish and mundane.

I’ve also been painting more and more character based pieces based on bygone childhood figures from the 80’s and 90’s. Icons that represent something that is now seen as cheesy, outdated and playing on that by adding equally cheesy details in speed dealer sunnies and 80’s graphics. It’s always entertaining to do produce serious paintings using subjects that are deemed comical and share with a wider audience.

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photo: p1xels

Can you tell us a little about your piece for Movember and the inspiration behind it?

The Movember piece came about through a chance connection with the organisation. My family has been impacted by both testicular and prostate cancer, so I jumped at the chance to get involved and offer my services to create something unique that would assist the cause in raising awareness around cancer and mens health.

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photo: p1xels

What does the Movember campaign mean to you?
My family has been impacted by both Testicular and Prostate Cancer. Both scenarios had outcomes that were as positive as can be. The mitigating factor in both instances was a proactive approach to health. Insisting that GP’s perform the relevant tests and taking the necessary steps to investigate physical / mental changes means I still have a dad, a brother and that my niece and nephew still have a father and grandfather. If my piece for the Movember mural helps further the campaign message then I’m more than happy to be involved.

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photo: p1xels

Where can people go to find out more or to help?
Movember.com

What else can we expect to see from you for the rest of 2016 or moving into 2017?
Produce more. Bigger. Better.

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photo: p1xels

@LingerID