Archive by Author

‘Make Yourself at Home’ – Goodie

‘Make Yourself at Home’, a solo exhibition by Melbourne based artist Goodie, explores notions of comfort, safety and routine – ideas commonly associated with ‘home’.

Processes are perpetually underway to render things familiar, form habits and configure certainties, in order for us to feel comfortable. We are continually coming to terms with the relationship between our bodies, other’s bodies and the space we inhabit, which function in a way as secondary bodies.

Nevertheless, what is familiar is only a recurring strangeness. ‘Make Yourself at Home’ considers the curious relationship between the mundane and the bizarre. The recognisable is married with abstract, private with public, inside with outside, while ideas and mediums reverberate within each other and happen simultaneously on multiple levels. The show is a pattern of hypotheticals and realities, incorporating installation, painting, works on objects, objects in works, works on works, works on paper, collaborative noise works and poetry.

We sat with Goodie in the lead up to her show….

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photo: p1xels

Damo: Can we just start with you introducing yourself and a little bit about who you are?

Goodie: Hello I’m Goodie… Who am I? I’m predominantly a painter I suppose. But I also work in installation and a bit in film, poetry, illustration, anything. I’m just a human being.

Damo: What’s your background?

Goodie: I’m originally from Canberra however I was born in California. I lived there for the first 2 years of my life. I then grew up in Canberra and moved to Melbourne about 3 years ago.

Damo: What was it like growing up in Canberra?

Goodie: It was good. I always thought it was a good place to grow up. A lot of time to just walk around and the legal wall system in Canberra is unlike any other state. In Canberra there are around 25 legal walls, so there are heaps of places where you can go to paint. But I think the main thing is it’s just really easygoing. You walk down the street and you bump into a bunch of friends. I found coming to Melbourne was a bit like a sensory overload.

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photo: p1xels

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Blek Le Rat – ‘After the Apocalypse’ Print Release

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Our good friend Blek Le Rat has just released a brand new website, and to coincide with the launch of this has also released the next print in his rat series – ‘After the Apocalypse’.

Blek’s first stencils were black rats, seen to be running along the walls throughout the centre of Paris. The rat, also an anagram for ‘art’, is in Blek’s mind “the only animal to survive the apocalypse“.

‘After the Apocalypse’ is a two-color screen print on 300gsm Arches paper; 23 x 31cm; signed, numbered and limited edition of 300. Each print comes with a Certificate of Authenticity.

‘After the Apocalypse’ is available here, but as you can imagine be very quick!! The last two rat series have sold out very quickly and are now highly sort after by collectors.

@blekleratoriginal

Girl Power – Melbourne Screening

Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man’s world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.

However, Girl Power is more than just a look into the graffiti microcosm; it tells the moving story of Czech writer Sany, who decided in 2009 to capture female emancipation in graffiti on film and to give other girls and women the possibility to express themselves. It took her 7 long years to complete the documentary. We follow her life with graffiti, her motivation and values that keep changing as the years go by. We will also meet her family, who are absolutely unaware of Sany’s “second life”. Sany sacrifices a lot for the film, but even when she’s at the end of her tether, she refuses to give up on her dream – to make the very first movie depicting females in graffiti.

Melbourne Screening details:
Friday 24th February @ Grumpy’s – 125th Smith Street, Fitzroy
6pm-1am
Movie starts at 8.30-10pm
10-1am Live acts

TICKETS: Early Bird $10 / GA $13 / Door fee $15
TICKETS: https://www.eventbrite.com.au/e/girl-power-movie-screening-melbourne-tickets-30711814865

CRUMPLER x T-WORLD

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Crumpler and T-world are excited to announce their latest collaboration, showcasing some of the brightest and most creative talent on Australian shores. Crumpler know bags, and T-world are obsessed with T-shirt graphics. It made sense for the Melbourne born and bred businesses to curate this ongoing exhibition of products. Crumpler and T-world will be celebrating Series One with a launch party on Thursday 16th February from 6-8pm at their Flagship store, 40-44 Degraves Street, Melbourne.

“It’s a collaboration that was bound to happen. If you’ve ever run into me at an event, exhibition or simply in the street, chances are you will have seen me holding my trusty Crumpler bag. As a Melbourne advocate, I am proud for T-world to be partnering on this project and exposing some of the most innovative artists and designers from this city.” – Eddie Zammit, T-world (and VNA contributor!)

Series One: Tin&Ed

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Tin&Ed are a creative practise, dedicating their lives to blurring the lines between art, design, play and work. Crumpler are absolutely delighted to be working with them once again – having given them some of their rst jobs straight out of university almost a decade ago.
This series is an intergalactic travel-inspired collection featuring three T-shirt graphics and one Squid backpack. Their T-shirt graphics feature ag designs for all beings throughout the universe. In their world, practice makes imperfect.

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A STUDY OF EROTICA

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Backwoods Gallery is proud to announce, A Study Of Erotica, curated by Alexander Mitchell. A collection of erotic artwork by their favourite artists: Alexander Mitchell, Alpha Channeling, Anthony Lister, Ashley Wood, Kes Acorn, Kim Hyunji, Kristen Liu Wong, Senekt, Shida, Shohei Takasaki, Susanna Rose Sykes, Takeru Amano & Yone.

A Study Of… is a decade long series of exhibitions which started in 2012 in order to archive artwork from world renowned artists, focused on a common subjects which have a universal importance for artistic practices.

Backwoods’ hope is, that by the end of the project, they will be left with a collection of artwork that can function as an historic document as well as reference and inspiration for future artists.

A Study Of Erotica is the sixth exhibition in the series, following exhibitions on Hands, Eyes, Hair, Camouflage & Darkness.

A Study Of Erotica is on display at Backwoods Gallery from the 10th until the 26th of February.

Unwell Bunny – ‘ Super Psychology’

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Urban contemporary artist Unwell Bunny (also known as Ed Bechervaise) opens his new exhibition ‘Super Psychology’ in January 13th 2017 at Besser Space in Melbourne.

A study into the American psyche, the body of work takes part over two time periods. From 6 weeks travelling through New York, LA, San Francisco with observations of American fast food psychology.

And then a second part series, in Melbourne seeing these works for a second time with the figurative edge of the female form.

Its a suggestive dichotomy between the past subconscious experience and the present observational one occurs and takes the viewer into a contemporary lifestyle setting. Whilst still experiencing bursts of subliminal psychology as the American infused imagery punctures the background.

Ed has shown his work in Amsterdam, New York and most recently a solo show in Paris. With its global sensibility and edgy urban undertones, Ed’s motivations are both to be pleasing aesthetically while also disruptive emotionally, triggering questions in the viewer, which is both inward and outwardly focused. A super psychology of self-discovery.

In the lead up to the show, opening Friday 13 January 2017, Ed took some time with our boy in Melbourne, Damo, to chat about all things Unwell.

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Can you introduce yourself, and explain how you came to be where you are now?

Unwell Bunny: I’m Unwell Bunny (also known as Ed Bechervaise). My art story starts in Adelaide in Australia, I was a graffiti artist early on. I did some art study in Adelaide then I moved to Melbourne. In Melbourne I discovered ‘street art’ it was new and exciting, I started following it, and then got into it myself. Over time my graffiti back ground and street art interest has merged. I’m investigating neo cubism and am creating pop expressionism; it’s a bit of a departure from direct graffiti influences but I still use mediums from my graffiti days and will almost certainly always be part of the genre.

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‘Onwards & Inwards’ – Kitt Bennett

‘Onwards & Inwards’, Kitt Bennett’s latest solo exhibition explores sensations of life and consciousness. This series of small and large works on paper aims to create meaning in what we perceive to be unrelated phenomena around us. Bennett is driven to explore how our possessions inform our individuality, and of how our internal and external worlds connect. In this series, Bennett uses his trademark illustrative comic style, in an attempt to maintain a playful balance between both the humorous and the darkly thought provoking aspects of our existence.

Bennett uses his illustrative style of storytelling in an attempt to maintain a playful balance between both the humorous and the darkly thought provoking aspects of our existence.

Can you introduce yourself, and talk a little about how you got to where you are?

My name’s Kitt. I’m an artist/illustrator working out of Juddy Roller studios.
Since completing a Bachelor of Illustration I have worked as a freelance illustrator dabbling in animation.
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‘Vectorized Reality’ – RASHE

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////Transport yourself into virtual reality_______Technology evolves faster than humans.

Coming from a graffiti background Rashe is now making art informed by his work as a graphic designer. This new body of work is inspired by new technologies and how they affect us on a day to day basis.

His process involves sketching on the computer, utilising software to create vectorised shapes. From there he uses an analogue approach, cutting paper by hand and painting shapes to play with composition and colours.

The digital revolution began with the transformation and transposition of as many “real life” activities and functions as possible into a digital entity. Today, the reverse tendency is becoming ever more apparent; the virtual is beginning to reveal itself within the actual.

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What is virtual and what is literal have become intertwined in the minds and everyday lives of people or perhaps we should say Users to the extent that humans born after 1990 no longer distinguish between the two. It is presently undeniable that the Digital domain has fully immer- sed itself into the Physical realm. The construction of self is increasingly becoming conceptual rather than natural, as Jeffrey Deitch correctly prophesied in 1992, and our entire understanding of the meaning of private life has been completely redefined. It seems that a key element of the emerging collective consciousness of western societies is a desire to literally grasp, to make incarnate, the new, ethereal mental technology-driven social constructs into visceral objects, and experiences: interactive button options present in paper magazine ads, physical instagram filter panels cropping up in front of landmark London views, and 3D content being physically rendered, so users can interact with digital information in a tangible way.

What does it mean to “Like” something nowadays? Does preference hold any value without explicit declaration? What mnemonic purpose does photography hold in a social context where images must be viewed within a 6-second time frame before self-destructing?
Vectorized Reality is the place where Rashe attempts to explore such questions and possibly reveal new insights into our new cultural and socioeconomic environment of multiple realities and multiple perceptions.

‘Vectorized Reality’ opens Friday 2nd of December at Lane’s End in Fitzroy.

http://thephygital.com/

Everfresh Studio – Open Day

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That’s right, it’s that time of year. The day that Everfresh open their doors to Melbourne!

This is the chance for everyone to meet the artists and to buy new and old works. The hot tip is to get in early to pick up some amazing works that have been hidden at the back of the studio draws!

The studio can only handle about 50 people at a time so there will be a one in one out policy.

The studio will be open from 12-5pm, this Saturday 3 December, with Rone, Wonder, Callum Preston, Tom Civil, Mayo and more all on hand.

@everfreshstudio

‘Comfort inTears’ – Drewfunk

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After a three year exhibition hiatus, Drewfunk presents his second Sydney solo shot, ‘Comfort in Tears’.

‘Comfort in Tears’ will open on the 27th of November in aMBUSH Gallery in Central Park, Sydney and consists of a selection of framed works on dibond, stretched linen & canvas.

Three sculptures have been created specifically for this exhibition. There will also be a limited number of screen prints available and 10% of the proceeds will be donated to Beyond Blue.

Opening: Sunday 27 November, 2016. 5pm – 8pm.
Dates: Sunday 27 November – Wednesday 30 November.
Location: Level 3, Central Park 28 Broadway Chippendale 2008

@drewfunk