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AnyForty – ‘Art is Our Weapon’

AnyForty. One word, two caps. An independent streetwear and artist collaboration brand, based in the UK but repped worldwide. Damo took time to chat with King Crayon, Chief Coin Counter and driving force of AnyForty, Al Wardle.

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Damo: Who is AnyForty?
Al: AnyForty is a homegrown brand, that specifically works with artists from all over the world, from unknown to globally established, on a range of artist collaboration products ranging from tees, to pin badges and self published coffee table books to sticker packs. I run everything in the business myself apart from dispatch and distribution which my pops handles for me from our Gateshead office!

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VIDEO: Belrin Kidz x Alaniz’s Message to Berlin on Gentrification

A few months ago when we were back in Berlin during Urban Nation we had a chance to go out on a mission with one of Berlin’s most prolific graffiti crews, the Berlin Kidz.  Take a look closer and you’ll see them repelling down the wall to catch their tags. And as that was going on Alaniz had his mile high roller brush working on the middle finger from the ground. What’s crazy about this spot is Blu had buffed the entire wall black a few months prior as he didn’t like the real estate developers idea of having new condos that would have a great view of the local art hot spot. This was the message the Berlin Kidz and Alaniz had to say about that. Check out the time lapse and action photos shot by Birdman.

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“Bitetime” – Ian Mutch

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Celebrating the release of a brand new ‘superzine’, “Bitetime” is a selection of artworks, drawings, random travels and experiences by Ian Mutch.

The exhibition explores beauty through nature and narrative, capturing snippets of the artist’s life. As a child in Africa, and travels through Asia and Japan, to the surrounds of his coastal studio in south-west Australia. The artworks immerse the viewer into a detailed view on the world.

“Bitetime” is both an exhibition and a mini journal – an intriguing colourful art booklet, neatly packaged with a build-yourself bitetime character and vinyl sticker. Ian Mutch is no stranger to print. As co-founder of Kingbrown Magazine, Mutch continues to drive the magazine’s design and packaging, experimenting with hand crafted layouts, embellishments, publishing ideas and inserts.

Opening September 3rd 2015 from 6-9pm at Just Another Project Space – 2A/127 Greville Street, Prahran

CURSES

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Black Canyon is proud to present CURSES – a group exhibition at OKLA in Collingwood, Melbourne, Australia.

CURSES brings together the work of 5 prolific young graphic artists – Nathan Alexis Brown (Canada), Georgia Hill (Sydney), James McKenna (Perth), Sean Morris (Melbourne), and Melissa Grisancich (Melbourne.) It’s a celebration of both grim and delicate art spanning painting, prints, sculpture, animation and murals. Curator Sean Morris took time to talk to Damo.

What was the concept and the brief to the artists?
All of the group exhibitions that I’ve curated up until now – the 3 Magic Weirdos shows, the Black Canyon shows with Tom, and the Kingbrown Mag launches – have been pretty big, at least 20 artists. The Kingbrown Perth show in March had 60 artists. I wanted to change it up and work on something smaller and less planned out, where the artists had more room to flex. There was no brief, but I encouraged everyone to explore installation work if they were up for it. We’ve ended up with a mix of paintings, drawings, print work, sculpture, animation and murals.

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Banksy – Dismaland in Glorious Technicolour

Thanks to The Powers That Be, we managed to sneak into get a VIP tour of Dismaland at the weekend. This is what it looked like…

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NEW Os Gemeos Mural Art Goes up in New York City!

Brazilian twins Os Gemeos graced the New York City streets last week on their two-week stay with a larger than life piece (as they do so perfectly), in the East Village/Soho area.  Braving the heat and humidity, this mural went up in under four days with a few breaks from fellow artist friends visiting such as Doze Green, Martha Cooper, Pixel Pancho, JonOne from Paris and many more.  It was a great time had by all and a treat to watch them work.  Have a look at the in progress and finished photos….

Brazilian Twins Os Gemeos Give a Mega Mural to NYC!

Brazilian Twins Os Gemeos Give a Mega Mural to NYC!

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With Doze Green (center, above/below) and Martha Cooper….

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If you are in the New York City area stop by the corner of 2nd Ave. & 1 st St. off Houston St. – you can’t miss it.  Swing by and see the details for yourself!  (Hint: great photo opp from the Whole Foods windows across the street.)  Enjoy!

–For more info on the author/photographer visit @leannav on Instagram or www.theartsalonnyc.com.

‘Tattoo Me’ – Mike Watt

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Last year, we spoke with Sydney based illustrator Mike Watt, who hinted at a project where he would provide an unique character to an artist and they would tattoo it, pretty much doing whatever they wanted to it.

Good news, the time has almost come for this to be release in all its 130 collaboration glory. If you want to get on board, all you need to do is click here.

Featuring:

6SETA, ADAM TOHT/ATOMOL, ADRIAN REPETI, ALEXANDRA LEDERMAN, AMY BEAN, ANDREW MILLIST, ANDRI MONDONG, ANDROS, APE 7, BAFCAT, BEC KILPATRICK, BEN BROWN, BEN OWENS, BEN MARRIOTT, BEN MITCHELL, BILL HOPE, BILLMUND, BIRDHAT, BORJA BONAFUENTE GONZALO, BUNKWAA, BUTTONS, CAM SCALE, CAM WALL, CARLOS BOBI, CARL MORGAN, CHRIS NIXON, CHEHEHE, CHRIS WAHL, CRABLO, CRISIS, CULT DE SAC, DAVID CRAGG, DAVE FOSTER, DEAMZIE, DEANIST, DIGABLE GOODS, DOGFIGHT, EDDY-LOU, ELEVEN, ELSA ISABELLA, FERNANDA PORTO, FIELDEY, GABRIELLE FILTZ, GARETH LLOYD, GEORGE ROSE, GEORGINA ANTON, GEORGIA HILL, GINA KIEL, GLENNO SMITH, GRIZZLE, GRIM FINGA, GWEN WATT, HOUL, HULES, IRENE FELEO, IRESH, ISA FLORY, JAKPOT, JAMES BRISCOE, JACK DOUGLAS, JAK M.C.S, JASON PAULOS, JAYA, JESSE BROCKIS, JIMMY SK, JOE42, JO LEY, JOAO PERES, JON FOYE, JOSH 2000, KALIS, KARL TAGLE, KENTARO YOSHIDA, KEO MATCH, KRISPE, LACHLAN BRUCE, LADY J ADAMS, LEE McCONNELL, LOSOP, LOUIE JOYCE, LUCY IZZARD, LUKE OKAY, LUSCH, MARTIN E WILLS, MATTHEW BOURNE, MATT DAMPNEY, MATT JACKSON, MELLO, MICHAEL LANGENEGGER, MIKE MAKATRON, MITCH WALDER, M-LON, MULGA, MR. EDWARDS, MR.FRENCH, NICO, OHNOES, O’SILVA, PHIBS, PIGEON BOY, PLOY CHEUNPIS, PURE, QUER 162, RILLA, ROBERT BAIRD, ROBBIE ELLIS, ROMERA 762, ROSEVICH, ROTBOTS, SADAO, SAM BRUNWELL, SAM FELIX JOSEPH, SAMMY BATS, SARAH HOWELL, SAXON DUKE, SHU/MONSTERY & ME, SINDY SINN, SKULK, SMALL KID, SMC3, SOFIA FITZPATRICK, SOSIO, SOURS HOS, SWERFK, TERHOR, THE DIRT, TINIES HOS, TRAIT CROSS, TRAVIS PRICE, UD3, VOIR, WARRICK McMILES, Y_T, ZEKE’S LUNCHBOX

‘Post-Graffiti Pacific’ – Berst

In the final episode of our ‘Post-Graffiti Pacific’ series, we chat with Berst. Instilled with the working-class ethics of his Chinese family, Berst has applied his full energy and dedication into his passions, education and the evolution of graffiti letter styles. After completing his Masters Degree in Education in 2014, his attention to his students and himself as an Urban Contemporary artist have organically become his new lease on life. Incorporating both his worlds into his innovative and current teaching programs for tertiary institution Unitec, his outreach amongst students and youth have made him highly popular. Having immigrated to New Zealand as a child, Berst’s current post-graffiti works explore the commonalities of Chinese and Maori mythologies using bold and intense illustrations and symbolisms.

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Damo: What does it mean to you to be part of Post-Graffiti Pacific?
Berst: Over the past fourteen years my art practice has been situated within the exploration of graffiti and lettering. I’ve always had an interest in other art forms such as illustration, comic books, cartoons, and tattoos, and over the last five years I haven’t stopped doing graffiti but certainly shifted a lot of my attention to creating more illustrative work. My main goal is to maintain the same type of graffiti mentality and approach to painting outdoors while painting different forms. Within the last ten years the term ‘street art’ has become extremely popular and recognized and maybe I fall into that category and maybe I don’t but when people see my illustrations on the street its recognized as street art so it is great to be apart of this movement that is ‘Post-Graffiti Pacific’. Not quite street art and still having our roots firmly planted in graffiti while physically located geographically in the pacific.

Damo: Can you talk us through your piece, and how you responded to the brief from conception to finalisation?
Berst: I’ve been working on a series of illustrations where a majority of my work over the past couple of years has been an exploration into Maori culture and wider global culture. The inspiration for the series of paintings presented at Ambush was inspired by an old Maori myth and a battle between two female goddesses in the sea. I do not try to replicate the story but rather use it as a starting point for creating my own world and my own narrative. In this instance the world is underwater and all the characters are soldiers that are about to go to war.

Damo: How does your piece reflect the ‘dawn of a new movement in art’?
Berst: I wouldn’t say that my work reflects anything new or groundbreaking but I am attempting to appropriate a variety of visual culture from a variety of different sources to create a remix of the world and as a representation of my world. While painting graffiti for fourteen years has been exciting and ultimately shaped my aesthetic, it lacked the narrative and dialogue that enabled audiences to engage. Graffiti is very one sided in conversation and people are forced to engage while a piece of work with a story can be interpreted so I’m working to create works that can have this type of presence rather than just writing my name.

Damo: How do you define street art? Has your inclusion in Post-Graffiti Pacific changed your view on this?
Berst: I’ve done a lot of reading over the past couple of months and a part of my Doctoral thesis at University is actually research about Street Art. I think street art is great and it’s awesome to see a variety of artists from totally new disciplines playing with the visual environment. You do not need to come from a graffiti background to participate in street art and as far as I’m concerned if you’re putting work out on the streets you can call yourself whatever you want to be called. The term ‘Post-Graffiti Pacific’ is really just to highlight that we don’t quite fit within the street art paradigm but work outdoors and create works that aren’t exclusive to images.

Damo: How does it feel to be included in an exhibition among several of your contemporaries? Did this influence you in any way?
Berst: All the artists that are apart of the ‘Post-Graffiti Pacific’ movement is a stable of artists represented by Olivia Laita Gallery and we are also all in the same crew TMD (The Most Dedicated). We all feed ideas off each other whether it’s intentional or subconsciously but how you could you not? It’s natural to be influenced by your surroundings and environment so I definitely take a lot of inspiration from my peers.

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Berst is part of ‘Post-Graffiti Pacific’ now on show at aMBUSH Gallery.