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Belin – Post Neo Cubism

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Spanish graffiti artist Miguel Angel Belinchon Bujes alias Belin is currently showing his first Parisian Solo Show. Curated by Nicolas Couturieux, ” Post Neo Cubism “ features a series of portraits of icons and persons who captured Belin’s life thus the French symbols who glows from France to Andalucia.

Belin is already famous for his talented way of spreading the codes of hyperrealism among suburban landscapes.  A natural sense for proportions allows Belin to be considered as a reference since he has started his work in 2001. His mural paintings, created only from spray techniques without using stencils, are immediately recognisable among others in the eclectic world of urban art.

Over the past 15 years, Belin has captured human nature through his own quest for perfection in shapes and lines. He is now looking after another kind of aesthetic pleasure. That is the reason why he has started to implement multiple angles in his work around faces and bodies, trying to give a better sense of the diversity in human expressions and feelings. Breaking the rules of proportion is now a great source of inspiration and leads him to explore a more subjective art.

In the process, Belin keeps using vivid colours and a mix in textures. These techniques are combined to some elements of its former hyper realistic draw creating a total new dynamic in his pieces. The distance taken from proportions is making its new style even more unique than before. Belin likes to define this experiment as “Post Neo Cubism”, paying his tribute to the amazing work of the Spanish master Pablo Picasso.

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Photo credit: Butterfly Art News

BELIN – POST NEO CUBISM
EXHIBITION FROM 15 TO 25 JUNE 2017
24 RUE BEAUBOURG, PARIS

www.belin.es

‘The Resistible Rise Of A Bear of Little Brain’ – An exhibition by Stephen Ives

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Stephen Ives is an architect of fantastic worlds.

Stephen Ives, employs a rare level of expert craftsmanship to present an unfiltered and lucid exploration of his brilliant imagination. Ives’ subconscious pours free-style poetry into his sculptures and illustrations, lacing his work with a playful language of archetypal symbols and colours.

As his audience, we are free to enjoy the surreal, superficial brilliance of a B17 Bomber with a baby’s face or a gun turret placed in dissected eyeball. However, if we choose to delve deeper into his work there is hidden meaning in each and every detail, waiting for us to decipher.

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‘Surface Tension’ – Silk Roy

Celebrating over a decade of creativity, Melbourne artist Silk Roy brings his debut solo show ‘Surface Tension’ to Melbourne. In the lead up to the show (opening this Friday), Silky was kind enough to chat with us.

How and when did you get into art and why?

I always enjoyed drawing when I was a kid, but it wasn’t ever something I thought I’d pursue until I moved to Melbourne in ’98. I’d never seen graffiti before having come over from Singapore, which in comparison was/still is a spotless city. I’d take the train to school and back everyday and it was hard not to notice the smashed insides and the walls on the line changing nightly. For a 13 year old, the idea of having an alias that people identified you by and going out on missions was pretty appealing. It wasn’t until years later that I’d realize this daydream, but of course now being an active writer, artist, creative is much more that, it’s given me a sense of ‘self’, and outlet to express my ideas and thoughts and a platform to continue my creative journey.

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You run two identities, Kid Silk and Silk Roy, How did this come about?

Basically I arrived at a point where I needed to let my graffiti and studio practise have their own shine as trying to put all my work under one name was confusing and felt forced. Silk is an old nickname I was given a long time ago so it was a no-brainer as far as putting it up as a writer.

‘Kid Silk’ came about because of my insta handle, other writers would meet me and ask who I was, I’d reply ‘Silk’ and they’d ask ‘Like Kid Silk?” It also works in terms of me keeping graffiti for myself, I don’t intend to profit from it or ever make it feel like work, it’s fun and I get to go out and essentially be a kid.

Silk Roy on the other hand is the name I work under when I’m showing / producing studio work. Two identities works for me now as I’ve started getting opportunities for both which is cool as far as keeping things varied creatively.

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‘ZERO TO THE LEFT’ – Luke Cornish (ELK)

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For many years, Cornish has challenged himself and others with his art. Often confronting and always compelling, he never ceases to spark conversations around race, religion, conflict and the human condition,. His work sees him travel to some of the most dangerous conflict zones in the world. The artists most recent trip abroad was a venture to Syria. In one of the artists most significant bodies of work to date, ‘ZERO TO THE LEFT’ intends to:

‘Put a human face on the effects of this war and raise awareness for the people caught in the middle of this conflict…It’s these people I want to support, the ones that left and the ones that have stayed…the ones that have no say in how their government fights this war, the ones who have no say in the sanctions that are crippling their lives and the ones who have no say in foreign invaders bent on destroying their secular society; the everyday people just trying to get by.’ – Luke Cornish

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Fifth Wall TV visits Banksy’s ‘The Walled Off Hotel’

In March 2017 British artist Banksy opened the doors to ‘The Walled Off Hotel’ in Bethlehem, Occupied Palestine.

FWTV went out to see the hotel and spend a few days gaining first-hand insight into life under occupation.

If you’d like to show support we recommend the Palestine Solidarity Campaign

https://www.palestinecampaign.org/

and Medical Aid For Palestinians

https://www.map.org.uk/

for more information on The Walled Off Hotel
www.walledoffhotel.com
@walledoffhotel

Music

3AMMY BASEL SADEK – #HALA
https://www.youtube.com/watch?v=YBfcjKYMpnQ

Hills

LEMMiNO – Voyage
https://www.youtube.com/watch?v=uSsB5hOfQVg

A Himitsu – Lost Within
https://www.youtube.com/watch?v=6WQjgHuUDWU

www.fifthwalltv.com
@fifthwallt

Printed Matters Sydney – Shepard Fairey

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Printed Matters is an ongoing series of exhibitions, focusing on the importance of printed material in Shepard Fairey’s art. Each exhibition highlights the significance by incorporating a variety of Fairey’s printed material, including serigraphs on paper, editions on wood, editions on metal, and fine art collage. New works are added for each venue, making each Printed Matters exhibition a unique experience. Beginning in 2010, the Printed Matters platform was first presented in Los Angeles, and for its next instalment will exhibit in Sydney at The Old Rum Store in the Kensington Street Precinct in Chippendale (Sydney), on view from Saturday, 17 June – Sunday, 9 July 2017.

Fairey is known around the world for his iconic imagery; whether it’s the Barack Obama HOPE poster, his evolving sticker campaign, or his brand OBEY. He will be appearing as a keynote Game-Changer speaker for Vivid Ideas, as well as painting his largest mural ever, located at 309 George Street. In addition, he currently has a free public exhibition at the Darling Quarter precinct entitled ‘Revolutions’.

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photo: Nicole Reed (@nicasa) for T-world (@eddiezammit)

“I can’t imagine my art practice without the influence of, and the use of, printing. Some of my biggest art influences were not paintings, but printed things like album covers, skateboard graphics, punk flyers, and T-shirt designs … Some people say print is on its way out, that it will be wiped out by digital media, but I say you can never replace the provocative, tactile experience of an art print on the street or in a gallery. Printing still matters.” Shepard Fairey

In addition to the exhibition, T-world is releasing two exclusive T-shirts to commemorate the show and Fairey’s tour as an official OBEY x T-world collaboration. The limited- edition T-shirts are exclusive to the event and only available at the pop-up gallery, reflecting the ethos of T-world’s “Print is Premium” stance.

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@obeygiant

@eddiezammit

@nicase

@ambushgallery

@vividsydney

“Slither Between the Blinds Shows Our Fears” – Anthony Lister + NEW PRINT!

“As a child, I was repeatedly told by my father that I had an Aboriginal uncle. I grew up until the age of 14 believing that in fact I was partly Aboriginal by blood and in turn embraced my perceived heritage. It wasn’t until I asked for more details as a young teenager that I was confronted by an amused and dismissive father, laughing as he said: “I never said that”. In this exhibition I take a closer analysis of what it is to be influenced by misguiding role models and the potential psychologically damaging effects on misguided youth. These works are atheistic explorations analysing identity, culture, mythology, heritage, parenting and stereotypes.” – Anthony Lister

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Based on this particular sense of misdirection drawn from his own experience and memories, “Slither Between the Blinds Shows Our Fears” sees Anthony Lister conveying a reflection infused with a range of vivid emotions which, while personal in origin, are also universal enough to resonate deeply with us all.

Expanding on previously explored themes, the artist has created an entirely new body of works for this exhibition, comprising a series of painted canvasses and a central installation of a sculptural nature. Conveying the habitual instinctual urgency of his visual language – tumultuous and mordant on the surface, yet imbued with a captivating poetic uniqueness – these works feature a wide range of symbolic references from his personal life along with others that play with some key (and stereotypical) elements of Aboriginal and Australian iconographies.

Constituting a personal journey of reflection, “Slither Between the Blinds Shows Our Fears” thus presents an intimate portrait on revelation, identity and purpose while also expressing the artist’s own approach to contemporary mythology.

“Slither Between the Blinds Shows Our Fears” is on show at Lisbon’s Underdogs Gallery from 16 June – 15 July 2017.

Lister has also released a new print, available exclusively from LISTER Shop.

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‘LADY ENTITLEMENT’ is a unique multiple,signed and numbered, edition of 100. A 300mm x 210mm screen print hand embellished with ink on 245gsm museum quality archival paper available for AU$120.

For all things Lister, keep an eye on his instagram story as he preps for his Lisbon show over at @anthonylister and @lister_shop for all your LISTER needs!