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‘The Great Beyond’ – Joram Roukes

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This new body of work by Joram Roukes touches subjects of exploration and escapism. His predominantly large scaled oil paintings reflect everyday life situations, observed, filtered and reassembled in a collage like fashion. The resulted paintings pose a fragmented yet cohesive view on today’s society and human behaviour.

Originally from The Netherlands, 32-year-old painter Joram Roukes is inspired by his unique and ever-evolving view of the world. Inherently nomadic, Roukes has travelled to, and lived in many places across the world, and is an adventurous explorer by nature. His juxtaposed style of painting reflects that exploratory trait, as it also never can remain stagnant. His artwork often shifts and changes perspective, subject or style, and in turn, forces the viewer’s perception to shift and change, provoking the viewer to question what they see vs. what they know. His narratives are complex and layered, much like his aesthetic. With an extensive background in art history and global cultures, Roukes often pulls from a wide range of popular culture references and influences, readily seen in his schizophrenic painting habits. With his varying qualities and techniques taking turns in his collage-style painting, he is able to utilize his many influences in art and in culture, to represent his take on the world, while confusing the viewer just enough to make them see the many realities of Roukes’ painted world.

This exhibition is now showing at StolenSpace Gallery until 28 June 2015.

Robert Proch is opening “545 Days” solo show in Paris

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Robert Proch is returning to Paris with another solo exhibition showing for one week only @ Openspace gallery. From May 23rd Polish artist will be showing “545 Days”, his second solo show with the gallery.
After the success of “Turn the Corner” almost 2 years ago, Proch is back with his probably most important show to date. On a personal level the exhibition marks the period between the birth of his first child and the opening of the show (545 days). Career wise, this large exhibition will include forty works on canvas and paper, that will be displayed in 600 m2 space of the Bastille Design Center. With this body of work the artist is continuing his works that are balancing halfway between abstraction and figuration, using warmer colors and harmonious compositions showing personal moments from his new family life. His seemingly unfinished visual language that is based on deconstruction and defragmentation, is pushing the observer to create his own story and complete the image with his own vision. Along with the show, the gallery will be releasing a limited edition lithograph that the artist recently produced with Print Them All studio.

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The Bridges of Graffiti @ Venice Biennale ’15

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The cover artist of our current issue #30, Futura, was recently in Venice, taking part in a large group show, working next to other legends such as Boris Tellegen, Doze Green, Eron, Futura, Mode2, SKKI ©, Jayone, Todd James, Teach, and Zero-T. As one of the collateral events of 56th International Venice Biennale Arte, “The Bridges Of Graffiti” opened on May 9th in the presence of participating artists, and will stay on view until November 22nd at the Terminal S. Basilio.
The idea of this coherent show is to present the wide spectrum of creatives that are coming from the graffiti world. Differing in age, geographical origin and influences as well as their current work practice, the artists turned the abandoned ship terminal into an “art terminal”. Futura showed a large abstract triptych along with another large canvas piece, an iron sculpture of his legendary Pointman character, and painted a large mural which is probably the largest abstract works he ever created. Other artist also showed their signature works – Mode 2 painted large figurative mural using only outlines, Doze Green did a similar thing using his distinctive line work, Teach displayed some interesting work using industrial production as an art process, while Todd James once again showed his Vandal room installation. Along with these paintings, murals, sculptures and installations, two legendary photographers, Martha Cooper and Henry Chalfant, showed their photos featured in legendary Subway Art book. Martha displayed her prints on a large clustered wall, while Henry’s photos of NYC trains were effectively projected on large real train size panels.

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Gris1 and Kan are opening “Humanity” in Geneve

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Atelier des Bains gallery in Geneve will be opening two men show featuring Kan and Gris1 from Da Mental Vaporz crew (interviewed in issue #28). “Humanity” will include 5 new paintings of each of the artist, one collaborative piece as well as a piece painted on the wall of the gallery.

The theme of this body of work created exclusively for the show are human values and the ways everyday exposure to violence is influencing them. Through their distinctive style, French artists are depicting their vision of this phenomenon. Using fat markers Kan is dotting images taken from news channels, stripping them off details and creating pixelated screenshots of mainstream media imagery. Gris1 on another hand is combining different symbols, visual languages, mediums and techniques from urban and popular art, creating collages that form emotive images about the subject. The idea of exhibition is to invite the viewer to question the issue of violence that shapes up our humanity.

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Photo credit Terez (Gris1) & Nicolas Gzeley (Kan).

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Bartek “Pener” Świątecki is showing “Cosmogramma” @ Inoperable gallery in Vienna

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Inoperable gallery in Vienna is currently showing “Cosmogramma”, a solo show by Polish artist Bartek “Pener” Świątecki. Opened on May 8th and staying on view through June 27th, the show features his new series of abstract and deconstructive canvases based on geo elements, as well as large pieces painted inside and outside the gallery.

After years of being a graffiti artist, and being limited with writing letters, Pener built his visual language into something that is universally communicative. He evolved the alphabet into surfaces, and made words become unpredictable shapes created with bright colors and sharp lines. While his work can be seen as closeup element of wild style graffiti, upon closer examination they are much more than that. Through use of clean lines, transparency of spray paint, drips and splatters, his works are focusing the energy and rawness of graffiti onto a smaller format. The new genre under which his work can be fitted is Graffuturism, and the series of work titled „Cosmogramma” refers to the very moment when Bartek abandoned classical graffiti and started his individual search for the essence of style.

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Shepard Fairey will visit Detroit to paint his largest mural to date

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Shepard Fairey will paint his largest mural to date in Detroit, on the recently purchased and soon to be renamed Compuware Building.

The 184 ft wide by 60 ft tall piece will go up some time during Detroit Library Street Gallery‘s “Printed Matters” exhibition, running from May 22 to August 31 across the street. The show features prints inside the gallery using slightly more unorthodox materials such as wood and metal, whilst an outdoor section of the gallery called ‘The Belt’ showcases a smaller mural, displayed for the duration of the event.

Shepard’s largest piece will be placed on the blank, vertical, yellow space shown in the middle of the building, which was recently joint-purchased by two large companies.

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LSG displays modern and contemporary fine art, and has previously exhibited artists such as HUSH, Vhils and VNA cover stars Swoon and Cleon Peterson. Printed Matters promises to explore Shepard’s usual themes of iconography and phenomenology alongside his own musical and artistic influences.

http://www.lscgallery.com/

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Sepe and Chazme collaborate on a piece in Estonia

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Polish artists Sepe and Chazme recently collaborated on a street piece in Tartu, Estonia. Titled ‘Supilinn 15′ after the name of neighberhood they painted in, the mural is kind of tribute to
two famous Polish creatives born in this town.
Mixing their different but complementing styles, the image is depicting a bus known from Bogusław Linke’s famous painting “Autobus”, along with architectural elements of a futuristic building ‘Spodek’ in Katowice, designed by the architect Jerzy Hryniewiecki. By mixing those two elements through their distinctive technique and interpretation, the young artists paid their tribute to their influential countrymen.

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Backwoods Gallery: ‘A Study of Camouflage’

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Backwoods Gallery proudly presents ‘A Study of Camouflage’ – a new show within the A Study of… exhibition series. This is the fourth exhibition in row in the long-term project consisting of annual shows that focus on different study subjects.

With this series of exhibitions, Backwoods are creating a vivid archive of works by renowned artists from around the world whose works intersect on the same subject-matter. No matter the artistic style or technique used, a magnificent plurality of different approaches and representations of a single subject contextualises it, and places it in a dominant understanding of both the artists’ and audience’s views. Logically, this library becomes a diverse overview of different representations of a single subject, as seen and created by leading contemporary artists.

A Study of Camouflage brings together some of the leading contemporary artists whose art, in some way, touches the subject of camouflage. The concept seeks to deconstruct the dominant perception of camouflage from its military driven narrative, and to bring back the camouflage patterns to its natural roots. Camouflage is usually linked with military uniforms and inherently with violence and rigorousness. However, camouflage patterns are much more than a simple military feature. Its different forms can be observed and understood as an artistic product, both in terms of aesthetics and conceptuality. Aesthetically, camouflage can assume different shapes and forms, creating beautiful design and art products, while conceptually, it may be detached from its military connotation, and transformed to different purposes depending on the given context. Always depending on artistic approach towards it, camouflage has enormous potentials for being a perfect medium for countless interpretations of contemporary society. The use of camouflage in art may lead to more abstract forms, while on the other hand it can serve as the perfect material for figurative and conceptual approaches as well.

The exhibition will open on Friday, May 29th, and will be on view until Sunday, June 7th. It will take place at a warehouse space, just next door to Backwoods Gallery, at 5 Easey Street, Collingwood.

I CAN’T BELIEVE IT’S NOT GUTTER!

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Shine your bowling balls and strap on those hire shoes, because Stupid Krap is heading to Toowoomba to bring together the ‘kingpins’ of Australian and international art for the group exhibition ‘I Can’t Believe It’s Not Gutter!’

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Curated by Aaron Craig, this unique exhibition features a gallery full of hand painted and customised bowling pins collected locally for this project. The exhibition opening will coincide the second annual street art and music festival, First Coat, and will be open from May 1st – 31st. So no matter your bowling style, make sure you don’t miss ‘I Can’t Believe It’s Not Gutter!’

Opening reception: 1 – 4pm, Saturday May 16th. 2015
TheGRID Gallery, Toowoomba
Exhibition on view: May 16th – 31st, 2015

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DALeast is releasing his 1st ever lithograph

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We just received these exclusive shots of DALeast working on his 1st ever lithograph @ legendary Idem Studio in Paris. Releasing with PrintThemAll.com, as a part of their series of prints for upcoming “Main Street” exhibition at the Mohammed VI Museum (MMVI) of modern and contemporary art in Rabat, Morocco, “egariM” will be available on Thursday, 7th of May.

“egariM is my first lithograph, depicting one of the latest scene from my work, which catches an instant of the shifting moment. The performers standing in the realm of impermanence. By looking at each individual character, one can catch the emotions such as hope and fear for their existence. This is also causing the mirage on the story – a cargo ship capsizing in the wave. If we observe this very moment by seeing the whole picture, we may detect the illusion built up by those lines and particles is only created from one character, who is holding the sentiments inside ones mind. Through working with Print Them All and the Idem Paris, I am honored and humbled to have this great opportunity transforming this original piece into lithograph. I deem this is one of the best prints that I have made so far.” – DALeast

This fine art edition is measuring 57.5 x 94 cm and will be available on Thursday, 7th of May at 2pm GMT via PrintThemAll.com, in edition of 60 pieces signed, stamped and numbered by the artist. The print is fine, 70gr hand made Maruosawashi Japanese paper which gives it smooth feel and delicate edges.

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