Berlin-based Japanese artist Twoone (Hiroyasu Tsuri) inaugurates the first ‘Urban Spree Art Residency’ which inverts the codes of an exhibition and invites the public to witness the process of creation of indoor and outdoor artworks. The opening reception on July 23rd, at 19.00h, presents the works originated during the residency and marks at the same time the vernissage of the exhibition. Closing day: July 24th, 12:00 – 19.00h, 2016. Location: Urban Spree Galerie, Revaler Str. 99, in Berlin-Friedrichshain.
Created and curated by Fuel Magazine’s creative director Luke Ray, ‘Hoods’ brings together ten Australian artists under one roof. In late 2015, Fuel Magazine® started production of this exciting project. GM Holden were approached to be involved, their contribution being to provide ten brand new bonnets, each to be used as a canvas upon which an artist would create a piece of art with no given brief. Ten street, graphic and automotive artists from Sydney and Melbourne were hand picked and the bonnets delivered to each studio. A few months later, the bonnets came back as works of art and it’s these pieces that will collectively be on display at Suus.
Russian artist Rustam Qbic has been very busy lately traveling the globe and painting recognizable surrealist murals. He recently flew back to Norway, this time to take part @ Upnorth festival in Bodo.
Visiting the quaint and remote parts of Norway for the first time, the artist was impressed with the nature and the peaceful life there. This inspired him to create more playful image than what we’re used from him. “After School” depicts a young boy spraying the Northern Lights onto the sky with his spray paint. The finished piece nicely blends his love for graffiti, the movement that opened the doors of the world for him, along with this beautiful local phenomenon, adding the local townscape to the image. Keeping his illustrative aesthetics and attention to detail, as well as creating surrealist imagery, Qbic certainly justified his 2nd invitation to Norway in less than 2 months with this piece.
We took 5 with Raw Inc bossman and all round nice guy Kalis recently to talk all things Inc! Check it out below!
What is Raw Inc and how did it come to be?
It started back in 1987, by myself (KALIS) messing around with a few crew name ideas, while hanging with friends getting up to no good late at night walking the streets on the outer Western Line as you do. Raw originally stood for Real.Aussie.Writers or Read.And.Weep among a few others…
Raw is a collective of artists starting from Australia, England, Germany, France and America. The guys support and rep us all the time and we try to support them in anyway we can as well. We’re all on the same path.
Diogo Machado aka Add Fuel recently took part in Muraliza 2016 festival held in Torre neighborhood of Cascais, Portugal. Using his stencil style based on traditional “azulejo” ceramic, the work by Portuguese artist aims to bring past local traditions and culture to the present.
Built in the 1960’s, Torre was originally designed as a suburb to relocate fishermen and their families that inhabited the center of the village. With only 30ish buildings, these families still reside in the area and the artist decided to paint a tribute to their tradition. The mural titled “Avarina” is dedicated to the “varinas”, wives of the local fishermen that were selling fresh fish brought home by their husbands. It turned out that the actual building he was painting on was the exact spot where local “varina” Helene was selling fish few decades ago. (Photo by Miguel Oliveira)
“Mother and Daughter”- Reka’s two latest murals in Kiev were influenced by Kiev’s unique architecture and especially the Large monument “Mother of Motherland”
BSIDE Gallery is set to open on the 15th of July with an electrifying group show celebrating the talent and diversity within Fitzroy’s creative scenes.
The show features an incredible lineup of both emerging and established Australian artists including Ben Frost, Abyss 607, Swerfk, Hancock, Frosk, Mike Eleven, Gigi, Goodie, Aaaron Grech, Kenz and Zamara Robison.
From street art and graffiti to fine art and installation this show will present the birth of a new era in the local arts scene: promoting an open and inclusive platform for both the artists and the audience that defies the norm of the traditional gallery setting. We want to challenge the existing paradigm and celebrate a diverse array of artistic practices and new conversations that keeps the Fitzroy art scene alive.
Kiev is currently hosting a large public art program titled Art United Us, curated by Geo Leros, Iryna Kanishcheva and Waone Interesni Kazki. One of the recent artists that visited Ukranian capital in order to participate in this project was Spanish painter Sebas Velasco.
For this piece the artist put together a collage of images that he noticed and liked around Kiev – the architecture, the lettering used, local graffiti, lights, signs and colors of the night. Strongly influenced by the realistic painters from the beginning of 20th century, the works is sort of a nod to the local masters such as Ilia Repin or Mykola Pymonenko. In that sense Velasco accents his painterly technique, the marks of the brush, the use of color, the line, density and texture, over the image or the meaning of it. With the main character being one of the locals that invited the artist and his friend over for a dinner, the mural was also a thank you gesture to the kind stranger.
Photo credit by Geo Leros
‘Life’s absurdity and the inevitability of death are the central themes of The Mortal Drama by Yuske Imai. In 2015, after temporarily relocating studios from Berlin to Sao Paulo, in order to be closer to his family, Yuske found himself confronted by a series of personal tragedies. It’s from within this confrontation that the themes of The Mortal Drama were formed. After staring into the chimeric eyes of existence, life and death, Yuske returned to the canvas, each time, with a visceral and profound message, touched by his experiences. Life is beautiful, it is sad, it gives and it takes and any sense of control might just be an illusion.
The Mortal Drama is an story of existence, told across twelve paintings on canvas, from the most symbolically expressive and profound artists that Backwoods Gallery has been lucky enough to work with. We hope that our community has time to visit The Mortal Drama between the 15-26th of July at the Backwoods Gallery main space in Collingwood.’ Alexander Mitchell, 2016. Director – Backwoods Gallery.
Growing up in Sydney and influenced by the trackside graffiti throughout the suburbs, Melbourne-based multidisciplinary artist Cam Scale was motivated to create his own art. “I grew up drawing. My parents encouraged me and tried sending me to art classes when I was young, but it wasn’t until I hit high school I showed a real interest. A close mate and I used to hang out creating mischief, mainly blowing stuff up, until we discovered graffiti,” says Scale. “After that, I was hooked. I tried to maintain some form of grades at school, but much of the time was spent out until the early hours, and then battling to stay awake in class!”
After an attempt at graphic design, Scale realised that he wanted to be drawing the pictures, not moving them around. A ten-month graffiti binge around Europe followed, and upon return Scale moved to Melbourne and began an illustration course. As an artist, Scale admits, “Melbourne just had all the opportunities and a fresh start.” The rest as they say, is history.
Considered a renowned graffiti writer and large-scale photorealist, Scale has now called Melbourne home for almost a decade. His first major solo show, ‘State Of Mind’ explores the viewer’s attitude towards graffiti, street and urban art and delves into the previously unexplored parallels of the urban and contemporary art world.