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‘Chaise Lounge’ by Stephen Baker – print release

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Stephen Baker is a Melbourne based Artist and Graphic Designer working from the Everfresh Studios. This is Stephen’s second screen-print release with Dangerfork Print Co and much like the first screen-print edition, they got Steve in to hand paint the outline layer directly onto the film to preserve the original texture and add an analogue detail to help bring the print to life. The seven colours are all hand mixed to perfection and the final pink outline colour printed using a hi-build screen to add some height to the ink and give some extra texture to the print.

Print: Chaise Lounge
Printing: 7 Colour screen print
Paper: Rosapina 285gsm cotton rag
Size: 880mm x 650mm
Number in Edition: 40 hand signed and numbered
Price: $320.00AUD

Now available at DANGERFORK!

Badgirl Garden

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Stayfly Sydney recently launched a night called Badgirl Garden which showcases female performances along with art installations by designers Ailie Banks & Merindah Funnel.
The stage is owned by rappers, singers and DJs who entertain the crowd, while live art is painted on canvas by artists from the collective.

Badgirl Garden is a space created by a team of women smashing into the Sydney arts and music scene. Every event they create is a safe place for women, men and the LGBTIQ community to congregate, congratulate and party! The goal is to to bring parties and events where everyone can celebrate and support the up and coming female artists of every caliber.

This Thursday Badgirl Garden will be bringing new names to the line up, exciting acts and local artists.

DJ LOU LOU
LADY LASH (Mel)
ALPHAMAMA
JANNAH BETH
JACQUIE MALI

LIVE ART by STYNA & SOPHI ODLING

3 August 2017
9pm start – $5 entry
Slyfox, 199 Enmore Road

@badgirlgarden

‘Self Loathing’ – Mic Porter

True artists are compelled to make art. The reason for their expression is not always important. What is always important, however, is the act of creation. Art comes before reason in the same way that the universe existed before science. Mic Porter is one of those rare, great artists who is simply compelled to create. Mic isn’t driven by ‘career’ nor does he force himself to create consumable art. Mic is, instead, driven by a indefinable, fiery, energy of creation which torments him if he stops. In his youth, this creative compulsion drove Mic towards graffiti. He forged ahead as one of Australia’s pioneer street artists, eventually to be tempered into a painter and sculptor by the VCA and experience at a bronze foundry.

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Mic wrestles his demons with chainsaws, knives, markers and paint upon the battlegrounds of canvas, found objects, bronze and the exterior of tall buildings. His work is primal, expressive and above all, honest. It’s easy to assume that Mic is a conduit for something that he doesn’t understand; that his work is automatic and lacking self awareness. A subconscious process perhaps? After all, Mic’s work is primal, he is reserved and is reluctant to talk about his art. Mic is not a spectator, he has mastered his drive, and is very much in control. Perhaps even due to his reservation to talk about his work, Mic manages to express himself with the kinds of perfectly cryptic sound bytes that other artists drive themselves mad in an attempt to coin. “Art is eternal narcissism, I’m a narcissist” ‘Self Loathing’ brings you a gallery full of screams, smiles and manic grins.

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In Mic’s autobiographical collection of work, he’s produced Totemic heads, brutally sculptured with from blocks of wood with a chainsaw sit in the centre of the large room, loomed over by the three largest Self Loathing paintings. The triptych feature Mic Porters iconic faces, instantly recognisable for the role that they’ve played in shaping Australia’s street art landscape for over a decade, now rendered in a mix of oil and enamel. Each face is Mic’s, but also his family and society’s, he explains that it’s history coming through his face. I think that it’s more than that, I think Mic is so brutally honest with himself, that the self portraits end up reflecting all of us, which is why they’re so alluring and powerful.

– Alex Mitchell

‘Self Loathing’ will be on display at Backwoods Gallery from the 4th until the 20th of August. The collection will consisted of paintings, bronze and wood sculptures and installations across two rooms and Backwoods Lane.

VHILS – FESTIVAL IMINENTE – LONDON

FESTIVAL IMINENTE NEW ART AND NEW MUSIC FROM EUROPE’S UNDERGROUND OLD TRUMAN BREWERY, LONDON FRIDAY 28 & SATURDAY 29 JULY, 2017

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This Summer, a European cultural invasion hits the heart of Brexit Britain as the very first UK edition of Festival Iminente opens at London’s Old Truman Brewery. A two‐day festival of explosive and experimental Portuguese art and music, Festival Iminente brings the soul of Lisbon to the heart of London, following its successful debut in the Oeiras region of Lisbon in September 2016.

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Curated by Portuguese artist Vhils and Lisbon’s Underdogs Gallery, Festival Iminente not only offers Brits mourning Brexit a chance to immerse themselves in the most innovative new music and art from Portugal but also enlists some of Europe’s most creatively exciting artists to invade the capital with their best work.

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RONE – THE OMEGA PROJECT

In yet another covert project set in a doomed, abandoned space, acclaimed Melbourne-based street artist Rone announces his latest work, The Omega Project – a nostalgic and haunting homage to the fading remnants of mid-century Australiana.

On the back of his hugely successful 2016 solo exhibition, Empty and a recent turn producing a large-scale mural for rural Victoria’s Silo Art Project, the internationally renowned Melbourne street artist has turned his attention back to his hometown for another fleetingly brief exhibition – this time set in a condemned suburban home. Check out this incredible VR-ready 3D tour of the site from the guys at Phoria:

www.captur3d.io/view/scann3d/rone-secret-location

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‘Fuck Sydney’ – Will Coles

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UK born sculptor Will Coles’ long awaited follow up show to ‘I Fucking <3 Melbourne’ (March, 2013) will open this week at BSIDE Gallery, Fitzroy.

‘Fuck Sydney’ is Coles' ‘it’s not me it’s you’ break-up letter to the city he called home for 20 years:

What was true twenty years ago is just as true today: Sydney is where the money is, Melbourne is where the culture is. Sydney, where the average house will now put you back $1 million, where they import foreign street art rather than invest in their own. Sydney, where the pubs & clubs close early, live music is a memory & the shops close at 5. Sydney? Go fuck yourself.
– Will Coles

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‘Fuck Sydney’ opens this Friday at BSIDE Gallery, 121 Brunswick St, Fitzroy from 6-9pm, and runs until the 30th of July 2017.

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@mrwillcoles

JonOne’s “The Fall” print release

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Legendary American graffiti artist JonOne aka Jon156, just released his latest limited edition print through PrintThemAll.com. NY-born and Harlem raised artist currently living in Paris, produced this lithograph in Idem Studio, using their infamous Marinoni Machines press.

The artist who was born as John Andrew Perello in ’63, spent his early days tagging his name around Harlem and making ground work for what is now known the world of graffiti and street art. Since his first solo show in 1990 in Berlin, the founder of 156 All Starz Crew had a chance to present his art all over the globe. Appreciative of this journey and the opportunities given, this particular work is sort of a “homage to challenges of life and the process of growing”. Representing the colorful flowers growing from the ashes in the concrete ghettos of New York city, “The Fall” symbolizes the rise and evolution of his work. The lithograph is produced on a hand cut 270g BFK Rives paper measuring 70 cm x 83 cm (27,56 x 32,68 inches), and each of the 199 signed, numbered and stamped pieces was produced using 27 colors.

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PrintThemAll.com
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Belin – Post Neo Cubism

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Spanish graffiti artist Miguel Angel Belinchon Bujes alias Belin is currently showing his first Parisian Solo Show. Curated by Nicolas Couturieux, ” Post Neo Cubism “ features a series of portraits of icons and persons who captured Belin’s life thus the French symbols who glows from France to Andalucia.

Belin is already famous for his talented way of spreading the codes of hyperrealism among suburban landscapes.  A natural sense for proportions allows Belin to be considered as a reference since he has started his work in 2001. His mural paintings, created only from spray techniques without using stencils, are immediately recognisable among others in the eclectic world of urban art.

Over the past 15 years, Belin has captured human nature through his own quest for perfection in shapes and lines. He is now looking after another kind of aesthetic pleasure. That is the reason why he has started to implement multiple angles in his work around faces and bodies, trying to give a better sense of the diversity in human expressions and feelings. Breaking the rules of proportion is now a great source of inspiration and leads him to explore a more subjective art.

In the process, Belin keeps using vivid colours and a mix in textures. These techniques are combined to some elements of its former hyper realistic draw creating a total new dynamic in his pieces. The distance taken from proportions is making its new style even more unique than before. Belin likes to define this experiment as “Post Neo Cubism”, paying his tribute to the amazing work of the Spanish master Pablo Picasso.

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Photo credit: Butterfly Art News

BELIN – POST NEO CUBISM
EXHIBITION FROM 15 TO 25 JUNE 2017
24 RUE BEAUBOURG, PARIS

www.belin.es