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‘Bed Bath and I’m the Big Spoon’ – Goodie

‘I’m the little spoon’ was a message Goodie received from a Tinder match while living in New York. ‘Bed Bath and I’m the Big Spoon’ is a new body of work and installation responding to a series of intimate experiences Goodie had over the past year across the United States (where she was born) and Australia (where she grew up).

Photo: Nicole Reed

The exhibition is about love and the shapes it takes, considering the spaces that hold and house our feelings, thoughts, doubts and desires. Shared spaces of intimacy are like second skins. They take on characteristics of their inhabitants and contain collective memories. Personal reflections on the bonds formed between bodies and spaces, from moments often occurring behind closed doors, are rendered for public display; the gallery is reimagined as a bedroom.

Photo: Nicole Reed

Repurposed cardboard is massaged, taped and painted to resemble items and activities from an imagined bedroom, and installed within the space to embellish it with a domestic familiarity. A series of new paintings and sculptures portray a collection of domestic scenes. Sharing these moments publicly speaks to an open approach to relationships, where transparency and communication are key. The work gestures towards characteristics of queer and polyamorous bonds, as well as celebrating the networks of support that hold them. Private and public, platonic and romantic, domestic and professional, personal and political: complicated and never simple dichotomies dance in contemporary relationships against a background of social media, dating apps and uncertainty in the future.

Photo: Nicole Reed

‘Bed Bath and I’m the Big Spoon’ opens at MARFA GALLERY (Level 1, 288 Johnston St, Abbotsford) onFriday 7 June 2019 from 6pm. The show will be open for viewing from 8-12 June 2019.

@goodie_was_here

Photo: Nicole Reed

About Goodie

Goodie is an artist and curator interested in orientations, suburbia and relations between spaces, objects and people. Their practice predominantly involves painting, installation, murals, writing and performance. By fabricating fictional architectures and characters, or adjusting existing architectures, they explore how public and private spaces hold objects and bodies. Furthermore, how the spaces we create reflect the values we live by and relate to slippery notions of identity, sexuality and gender.

Goodie was born in California and raised in Canberra, moving to Melbourne (Naarm) in 2014, where they live, work and love now. Goodie has exhibited and painted walls extensively throughout Australia and overseas, and has collaborated on projects with groups such as the Collingwood Arts Precinct, Juddy Roller, the Australian National University and the Abbotsford Convent. They completed a Bachelor of Fine Art at the Victorian College of the Arts in 2016. They recently completed a residency in New York at CON Artists Collective.

Georgia Hill – A Measure of All Things

A Measure of All Things By Georgia Hill – Opening reception | Friday May 31st, 6PM – 9PM

Marking Hill’s debut Melbourne solo exhibition, A Measure Of All Things explores how structures and language combine to become a scale in which our experiences exist, where the physical world connects and shapes our own interpretations.

Aspects of Hill’s large scale mural practice are distilled and reframed through canvas artworks, installation and paper studies, where the parallels of physical spaces and everyday conversation are layered, abstracted and manipulated into new landscapes and fragments of reflection. These works shift between simplifying and overwhelming concepts of experience, showing moments of clarity in boundaries and simplified forms, juxtaposed against instances of tension or reflection in textures, repetition, and phrasing. These works build to consider our varied experiences and memories, and what shapes the enduring significance of one place or point in time.

Georgia Hill is an Australian artist, specialising in contemporary, often site-specific based artworks that combine bold, monochromatic textures and lettering within experimental compositions.

Using a range of mediums, her instantly recognisable aesthetic can be read in terms of connections, relationships, time, place and community. Over the past four years, Hill’s works have developed from smaller exhibition works to large-scale installations that explore how structures and our natural environments are vital in allowing experiences to exist and develop from one physical context to another. Constantly on the road, Hill’s current gallery practice reflects her personal experience of moving fast then slow, continuously juxtaposing landscapes, and bold impressions of the physical and mental spaces our experiences come to exist in.

Hill’s works have spanned galleries, inner-city walls and even 400ft abandoned buildings in countries including India, New Zealand, Iceland, The United States, Canada, Japan, Indonesia, and across Australia.

To reserve an exhibition catalogue, email: sales@backwoods.gallery

@backwoods.gallery
@georgiahillbth

Backwoods Gallery
5/25 Easey St Collingwood

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Studio photos courtesy: Teresa Tan

‘Where the Edges Meet’ – Scott Albrecht

Andenken Gallery and the Jaunt are proud to present “Where the Edges Meet”, a solo exhibition of new works on paper, stone and wire sculptures by Scott Albrecht made during his artist residency at Andenken Gallery’s new location, The Holdout in Alcobaça, Portugal. The exhibition will be on view through June 16th, 2019.

“Where the Edges Meet” exhibits a snapshot of Scott’s brief time in Portugal during April 2019 showing an evolution in style and medium to his unique and signature graphic languages. Building on his approach of abstracting typography, Albrecht’s work continues to reconsider the relationship of message and viewer through a more visual and physical approach. In these series’, the artist has found ways of expanding on his work introducing new applications and mediums like a series of wire works and works on stone.

While in Portugal, Scott spent the majority of his time in and around Alcobaça, a small rural farm area near the silver coast of Portugal. When asked what stood out to him, Scott replied: “I found myself being most drawn to the aged personality you could find just walking around. Most homes and buildings feature a distinct color combination from one another which creates a really beautiful conversation of palette throughout the cities and towns. I spent a lot of time wandering, photographing different color combinations and how they relate to one another. I also found a lot of poetry in the messages and graffiti scrawled around. One of my favorites was a spray painted piece of plywood that read, ‘triste mas no boa’ which translates to ‘sad but good.’ I really came to appreciate these moments because that character felt genuine and wasn’t trying to be anything it didn’t need to be.”

Using these experiences, Scott translated his observations into this collection of work. In varying ways you can find Portugal throughout the pieces created, from the stone canvases found in a nearby pile of rubble, the wooden frames on the wire works that were made from a found crate, to the phrasing and sentiments distilled in each work, many of which in Portuguese. The works on paper speak the most directly to a visual translation of the environment. Each color palette in this series is inspired by the local landscapes of the buildings and beaches, while the forms, unlike Scott’s previous works, feature the shapes being colored in a more random pattern and leaving the original pencil drawing more exposed, meant to pay homage to the age and character you would find from paint peeling on a building or tiles that had fallen off.

In addition to the works created for the exhibition, Scott has also made a 4-color screen print edition for the jaunt based on his wire work “começos”, the Portuguese word for “beginnings”. When asked about the piece he says: “beginnings has been a theme that keeps resurfacing for me and something that I actively try to embrace. It’s a term that can lean into a matter of perspective but I like to think about it not as the point in which something has begun but the potential of where something will lead. Within my work, the residency was a good opportunity for me to unplug and experiment in some different ways, but I feel like the sentiment also lent itself to that specific time at the holdout. This was their first residency and the start of what they are building there and I’m looking forward to seeing where it will go and what will come of it.”

@scottyfivealive

Mysterious Al – Blinking Into The Sunlight

World renowned contemporary urban artist Mysterious Al presents walk-through interactive art experience in a disused warehouse in Melbourne.

Following successful art exhibitions in London, Sydney and Los Angeles, Mysterious Al is back in Melbourne for his solo show: ‘Blinking into the Sunlight’, opening Friday 24th May 6pm – 9pm.

Rising to fame in the early 2000s in the UK, with the emergence of street-art alongside D*Face and Word to Mother, Mysterious Al has worked with Vans, Yahoo!, Carhartt, Volvo and Levi’s, even creating custom designed shoes with Adidas.

After the controversial backlash to his ‘Amy Winehouse – Bride of Frankenstein’, a chance encounter with some African masks at a London museum gave the artist new-found inspiration;

“I was desperate for a piss so popped into the museum to find a toilet. I went the wrong way and ended up in a room full of African masks. These crazy dudes were simple and crudely made yet they had so much character and expression. It was a time in my life when I was feeling lost and trapped within my work, and the vibe of these masks gave me a newfound energy. I made my first mask painting that night.” – Says Al.

Mysterious Al is returning to his roots to create an unforgettable, one weekend-only exhibition showing brand new canvases and installations.

His new solo exhibition will showcase over 30 new works through an experiential journey from darkness to light.

‘Blinking into the Sunlight’ is open to the public Friday 24th to Sunday 26th May at 16-20 Langridge St, Collingwood, VIC.

www.mysteriousal.com

Backwoods Gallery Launches Annual Fundraiser

Backwoods Gallery is an independently run commercial gallery that began as an Artist Run Initiative in 2010. From humble beginnings as a platform for its artist owners to exhibit artwork of their own, Backwoods has grown to become world recognised, working with the likes of MONA and The Japan Foundation.

As a small commercial gallery, they do not receive funding from government arts grants, nor do they have the support from another commercial business. In most cases galleries rely on one or the other for funding due to the volatile nature of the industry.

Backwoods’ unique situation means the gallery relies on sales from exhibitions to rent the space, run projects, workshops, produce exhibitions, pay wages and more. The reality of hands-on collaboration with their artists and community has helped them forge strong and long-lasting relationships all the artists with whom they work, all of which they consider to be good friends, as well as their community of friends and collectors.

Backwoods Gallery only exhibits artists they really believe in, have relationships with, and who are a part of their community, such as Minna Leunig, Shohei Otomo, Reka, Twoone, Roa, Fintan Magee, Georgia Hill and more. They are dedicated to working, developing and growing with the artists they represent to ensure long-lasting, professional relationships.

Due to rising overheads, the gallery requires significant financial assistance to run smoothly. To meet these ongoing challenges they have planned an annual fundraiser which aims to take the pressure off day-to-day operations to allow them to continue to produce great exhibitions.

The online fundraiser auction will feature significant artworks from artists they’ve worked with closely over the past 9 years. The artworks will be hung in a special weekend exhibition at the gallery, with all funds raised going to help pay overheads for the space.

The exhibition will run from the 24th to the 26th May, and will be a silently auctioned online, open to all collectors and guests both locally and internationally.

Backwoods Gallery first annual fundraiser auction
Opening Night: Friday May 24th from 6-10pm.

Auction begins: Friday May 24th, 6pm AEST
Auction Closes: Sunday May 26th, 6pm AEST

Auction open Friday 24th, 6pm AEST – Sunday 26th, 6pm AEST

Happy bidding!

Mayonaize – ‘Memento’

This Friday, join Melbourne’s infamous Mayonaize as he opens his solo show ‘Memento’ at the incredible KSR Art Bar space. The space itself is a historic site – built around 1850, and at one point was a butter factory, now incorporated into the Rialto Piazza.

Mayonaize is a contemporary fine artist specialising in a unique calligraphy script style of lettering. Since moving to Australia in 2001, graffiti has been a major influence on his eclectic oeuvre,creating a well established profile within the Melbourne street-art scene with a multitude of public works.

His pieces are distinctive for his deliberate handwork and swift,
yet precise execution of a complex and elaborate style of monochromatic text.

He lives and works in Melbourne, also working as a highly sought after tattoo artist working out of Tattoo Magic in Fitzroy.

‘Memento’ opens 4pm Friday 17 May at the KSR Art Bar Space. 525 Collins Street, Melbourne.

@mayonaize

credit: p1xels

credit: p1xels

credit: p1xels

credit: p1xels

credit: p1xels

credit: p1xels

credit: p1xels

Wearable Art – Guerilla Theatre Brand

Following the international debut of their new short film, High Power, at Hong Hong’s Mahka Gallery as part of Business of Design Week, Guerrilla Theatre Brand (GTB) are brought their critically acclaimed movie back to Melbourne for its Australian premiere.

GTB is the brainchild of Paul Stam, who did away with the traditional constraints of the catwalks with his innovative 360-degree approach to art and fashion. Creating a mythical, multi-layered narrative, chronicling visions of the future, Stam collaborates with local artists to interpret the various verses in each chapter into clothing, before bringing his character’s journey to life through film, art and fashion.

Chapter 2, High Power, finds the story’s protagonist Guerri – a hybrid human with powers that allow him to travel into other realities – who, with his spirit guide, Soph, is battling a malevolent entity intent on consuming humanity using our own technology against us.

Paul Stam explains: “It was important to match each artist’s style to what is happening in their verse – we wanted each artist to bring their own unique point of view and aesthetic, and to truly showcase their talents as they brought the story to life.”

For Chapter 2, GTB collaborated with local artists Gareth Stehr – aka dirtsqid, Samantha Darling – aka Marian Machismo, Ryan Ady Putra, Chris Drummond, Sam Octigan, Sean Morris, Fikos Antonios and Chehehe.

Each range is shaped by the story, taking luxury streetwear to a new level as wearable art, which is all designed and manufactured in Melbourne. Some of the key pieces of the collection include a limited-edition hand-beaded velvet kimono and a made-to order leather biker jacket covered with 1,000 hand-cut crystal stone spikes. These highlights complement streetwear staples, including printed tees, hoodies and reversible bomber jackets.

To celebrate the premiere of their short film, GTB teamed up with 42below, Patron, COMMUNE Group, AFC Curated, SoHigh Gallery and Alice-D Magazine to throw a party where Chapter 2, HIGHER POWER was showcased. Set to the beats of SUNSHINE and PHILLIPS HEAD.

www.guerrillatheatrebrand.com

www.instagram.com/gtblife

Blek Le Rat – Rat N°5

The godfather of street art is at it again, our good friend Blek Le Rat has finally released Rat N°5!! A beautiful 23x31cm six colour screen print on 300 gsm Arches paper, Rat N°5 features a rat carrying two baguettes and the French flag dripping down the page. In a signed limited edition of 300, with a COA signed by the artist, this one is going to sell quick!! Get in while you can here!!

@blekleratoriginal

THEY LIVE!

In homage to the film that launched a thousand street art careers, Rough Trade Books is releasing They Live: A Cultural & Visual Awakening – a 30 year anniversary publication in homage to John Carpenter’s classic cult film: THEY LIVE!

The book includes an essay from the author that connects the dots between They Live and Brandalism alongside a critical analysis of contemporary forms of propaganda today. The book also contains a host of written and visual contributions from renowned figures including Shephard Fairey, Slavoj Zizek, Guerrilla Girls, Barbara Kruger, John Grant and Roger Luckhurst.

In partnership with Mondo/Death Waltz Recording Co, a special edition version of the book has also been created and is being sold exclusively at screenings taking place in London, Los Angeles, New York and Austin,Texas on Wednesday 16th January. This special edition will be housed in a slipcase, and includes a signed and numbered money bill. Strictly limited to 750 copies worldwide.

**PRE-ORDER YOUR COPY ONLINE HERE**

**GET TICKETS FOR A SCREENING HERE**

Book Features:

— Designed as a replica of the original film prop, including all the
infamous commands

— Original contributions from

— Bubblegum scented

— Subliminal commands hidden throughout the book

— Original short-story in full by Ray Nelson

— Comic Book adaptation in full by Ray Nelson and Bill Wray

— Rare and unseen archive material from Universal Studios exploring the
film’s genesis

— Specialist glyph typeface of the alien language (Formaldehyde-face)

— Rare archive imagery from Barbara Kruger, Jenny Holzer, Guerrilla
Girls, the LA Times, the Reagan family, the Trump Campaign and WWE.

Standard edition:

http://roughtradebooks.com/books/they-live-a-visual-and-cultural-awakening/

Limited Edition (750 copies worldwide):

http://roughtradebooks.com/books/they-live-a-visual-and-cultural-awakening-special-edition/

**SHIPPING FROM 2nd JANUARY**

OBJECT – Hiroyasu Tsuri / TWOONE

OBJECT by HIROYASU TSURI 釣 博泰 / TWOONE opens Nov 23 – Dec 9 at Backwoods Gallery, 25 Easey St, Collingwood.

“There are ideas that you simply can’t express in words, logic or a singular object. Rather, the idea needs to be expressed through a story, a series of works or a collection of objects.” 

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